Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Anna Malikova|Saint-Saens: The Piano Concertos (Camille Saint-Saens)

Saint-Saens: The Piano Concertos (Camille Saint-Saens)

Camille Saint-Saens

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Throughout his lifetime that spanned nearly nine decades, Camille Saint-Saëns turned to the piano concerto five times as a vehicle not only to demonstrate his own considerable prowess on the instrument, but also to advance the concerto form and elaborate on his ideal relationship between soloist and orchestra. Ranging from the first concerto -- a model of youthful impetuousness and bravura -- to the fifth concerto written nearly four decades later -- an exploration of near-exoticism -- Saint-Saëns frequently experimented with new formats that challenged the traditional three-movement concerto. Of the five, the Second Concerto is by far the most frequently performed and ranks among the composer's best-known works overall. The other four works are not without their merits, though, and this Audite album that brings them all together on two hybrid SACDs is a welcome addition. Pianist Anna Malikova is joined by the WDR Sinfonieorchester Köln under Thomas Sanderling in a series of performances that makes all of the concertos just as exciting, dramatic, and intricate as the beloved Second. Malikova's playing is tight, with immaculate articulation, clear voicing, and nimble passagework. She demonstrates a clear connection with the score through her appropriately sentimental performance of slow movements, and her connection with the orchestra is organic and seamless. Audite's sound is especially clear and warm, and listeners utilizing the multichannel track will enjoy a nice sense of being in the midst of the orchestra. Listeners unfamiliar with concertos other than the second will find this set a welcome addition to their collections.
© TiVo

Weitere Informationen

Saint-Saens: The Piano Concertos (Camille Saint-Saens)

Anna Malikova

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
I. Andante - Allegro assai
Thomas Sanderling
00:12:34

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

2
II. Andante sostenuto, quasi adagio
Cologne West German Radio Symphony Orchestra
00:08:44

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

3
III. Allegro con fuoco
Thomas Sanderling
00:06:51

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

4
I. Andante sostenuto
Cologne West German Radio Symphony Orchestra
00:11:27

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

5
II. Allegro scherzando
Thomas Sanderling
00:05:56

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

6
III. Presto
Cologne West German Radio Symphony Orchestra
00:07:02

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

7
I. Allegro moderato - Andante
Thomas Sanderling
00:12:15

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

8
II. Allegro vivace - Andante - Allegro
Thomas Sanderling
00:14:26

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

DISC 2

1
I. Moderato assai - Piu mosso
Cologne West German Radio Symphony Orchestra
00:14:05

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

2
II. Andante
Thomas Sanderling
00:07:50

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

3
III. Allegro non troppo
Cologne West German Radio Symphony Orchestra
00:08:23

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

4
I. Allegro animato
Thomas Sanderling
00:12:24

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

5
II. Andante
Cologne West German Radio Symphony Orchestra
00:12:02

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

6
III. Molto allegro
Thomas Sanderling
00:06:10

Anna Malikova, piano - Thomas Sanderling, Conductor - Cologne West German Radio Symphony Orchestra, Orchestra

Albumbeschreibung

Throughout his lifetime that spanned nearly nine decades, Camille Saint-Saëns turned to the piano concerto five times as a vehicle not only to demonstrate his own considerable prowess on the instrument, but also to advance the concerto form and elaborate on his ideal relationship between soloist and orchestra. Ranging from the first concerto -- a model of youthful impetuousness and bravura -- to the fifth concerto written nearly four decades later -- an exploration of near-exoticism -- Saint-Saëns frequently experimented with new formats that challenged the traditional three-movement concerto. Of the five, the Second Concerto is by far the most frequently performed and ranks among the composer's best-known works overall. The other four works are not without their merits, though, and this Audite album that brings them all together on two hybrid SACDs is a welcome addition. Pianist Anna Malikova is joined by the WDR Sinfonieorchester Köln under Thomas Sanderling in a series of performances that makes all of the concertos just as exciting, dramatic, and intricate as the beloved Second. Malikova's playing is tight, with immaculate articulation, clear voicing, and nimble passagework. She demonstrates a clear connection with the score through her appropriately sentimental performance of slow movements, and her connection with the orchestra is organic and seamless. Audite's sound is especially clear and warm, and listeners utilizing the multichannel track will enjoy a nice sense of being in the midst of the orchestra. Listeners unfamiliar with concertos other than the second will find this set a welcome addition to their collections.
© TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Abba Gold Anniversary Edition

ABBA

Super Trouper

ABBA

Arrival

ABBA

Arrival ABBA

The Essential Collection

ABBA

Mehr auf Qobuz
Von Anna Malikova

Schumann: Piano Quintet in E-Flat Major, Op. 44 - Shostakovich: Piano Quintet in G Minor, Op. 57

Anna Malikova

Scriabin : The Piano Sonatas

Anna Malikova

Liszt: 13 Schubert-Lieder Piano Transcriptions

Anna Malikova

Schubert - Liszt. Piano Transcriptions

Anna Malikova

Living Concert Series – Brahms: Piano Concerto No. 2

Anna Malikova

Das könnte Ihnen auch gefallen...

Chopin : Concertos for Pianoforte & String Quintet

David Lively

Saint-Saëns : Piano Concertos Nos. 1 & 2

Romain Descharmes

Mendelssohn

Jan Lisiecki

Mendelssohn Jan Lisiecki

Mozart: The Complete Piano Concertos

Murray Perahia

The Mozart Album

Lang Lang

The Mozart Album Lang Lang
Panorama-Artikel...
Julius Katchen, Faszination Brahms

Auch wenn die Pianisten unserer Zeit, egal welcher Generation sie angehören, Brahms' Klaviermusik im Handumdrehen einspielen - vor allem die letzten Werke op. 116 bis op. 119, die sehr geschätzt werden -, war das nicht immer der Fall. Als der amerikanische Pianist Julius Katchen 1962 mit seinen Brahms-Aufnahmen begann, veröffentlichte er bei Decca die allererste Gesamtaufnahme der Werke für Klavier solo des deutschen Komponisten. Etwa zehn Jahre später folgte die Aufnahme des Deutschen Peter Rösel und in jüngster Zeit, die von weiteren Dutzend Pianisten…

Hélène Grimaud – Born to be wild

Ein kurzer Überblick über die Diskographie von Hélène Grimaud anlässlich ihres 50. Geburtstages und ihrer 30-jährigen diskographischen Tätigkeit. Von Denon bis Deutsche Grammophon über Erato und Teldec - wir werfen einen Blick zurück auf einen einzigartigen persönlichen, aufrichtigen und glorreichen Lebensweg.

Aktuelles...