The Boswell Sisters
Definitely the most talented and arguably the all-around best jazz vocal group of all time, the Boswell Sisters parlayed their New Orleans upbringing into a swinging delivery that featured not only impossibly close harmonies, but countless maneuvers of vocal gymnastics rarely equaled on record. Connee (sometimes Connie), Helvetia (Vet), and Martha Boswell grew up singing together, soaking up Southern gospel and blues through close contact with the Black community. They first performed at vaudeville houses around the New Orleans area, and began appearing on local radio by 1925. At first, they played strictly instrumentals, with Connee on cello, saxophone, and guitar; Martha on piano, and Vet on violin, banjo, and guitar. The station began featuring them in a vocal setting as well, with Connee taking the lead on many songs (despite a childhood accident that had crippled her and left her in a wheelchair).
Word of their incredible vocal talents led to appearances in Chicago and New York, and the Boswell Sisters began recording in 1930 for Victor. By the following year, they'd moved to Brunswick and reached the Hit Parade with "When I Take My Sugar to Tea," taken from the Marx Brothers' film Monkey Business and featuring the Dorsey Brothers Orchestra in support. The trio continued to work with many of the best jazzmen in the field (including Eddie Lang, Joe Venuti, and Bunny Berigan), and appeared in the 1932 film extravaganza The Big Broadcast with Bing Crosby and Cab Calloway. The Boswell Sisters hit the top of the Hit Parade a second time in 1935 with "The Object of My Affection" from the film Times Square Lady. One year later, however, both Martha and Vet retired from the group in favor of married life.
Connee had already made a few solo sides for Brunswick as early as 1932, and she continued her solo career in earnest after the Boswell Sisters parted. She hit number one twice during the late '30s, with the Bing Crosby duets "Bob White (Whatcha Gonna Swing Tonight?)" and "Alexander's Ragtime Band," and continued recording into the '60s.
© John Bush /TiVo
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That's How Rhythm Was Born
Variété internationale - Paru chez Legacy - Columbia le 8 août 1995
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Airshots And Rarities 1930-1935
Jazz - Paru chez Retrieval le 29 mai 2007
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Nothing Was Sweeter Than The Boswell Sisters
Pop - Paru chez EL records le 1 janv. 1930
16-Bit CD Quality 44.1 kHz - Stereo -
The Boswell Sisters - Platinum Selection
Jazz - Paru chez Retro Music Box le 20 juil. 2020
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The Boswell Sisters Collection
Jazz vocal - Paru chez Storyville Records le 15 mai 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Boswell Sisters Vol. 1 1931-32
Jazz - Paru chez Nostalgia Arts le 27 avr. 2009
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Queens of the Vocal Jazz (Remastered)
Jazz vocal - Paru chez Master Tape Records le 22 mai 2020
16-Bit CD Quality 44.1 kHz - Stereo -
The Best Of The Boswell Sisters
Jazz - Paru chez Carinco le 23 juil. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Greatest Songs
Pop - Paru chez Foggy Milan Records le 11 nov. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Boswell Sisters, Vol. 1
Jazz - Paru chez Carinco le 23 juil. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Greatest Hits Of The 1930s
Jazz vocal - Paru chez Master Classics Records le 1 mai 2010
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The Boswell Sisters Volume 2
Jazz - Paru chez Carinco le 23 juil. 2007
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The Boswell Sisters Collection Vol. 1 - 1931-1932
Jazz - Paru chez Collectors Classics le 20 janv. 1995
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Shout, Sister, Shout
Jazz - Paru chez Retrospective le 1 mars 2014
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Boswell Sisters Vol.2 1925-32
Jazz - Paru chez Nostalgia Arts le 27 avr. 2009
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Harmony Queens - The Boswell Sisters' Timeless Vocal Jazz
Jazz - Paru chez Stardom Records le 12 mai 2023
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The Boswell Sisters Collection Vol. 5, 1933-36
Jazz - Paru chez Nostalgia Arts le 27 avr. 2009
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Boswell Sisters Selected Favorites
Jazz vocal - Paru chez Charly Records le 21 mars 2011
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It Don't Mean a Thing
Jazz vocal - Paru chez Top Tracks le 30 oct. 2013
16-Bit CD Quality 44.1 kHz - Stereo