Bud Freeman
When Bud Freeman first matured, his was the only strong alternative approach on the tenor to the harder-toned style of Coleman Hawkins and he was an inspiration for Lester Young. Freeman, one of the top tenors of the 1930s, was also one of the few saxophonists (along with the slightly later Eddie Miller) to be accepted in the Dixieland world, and his oddly angular but consistently swinging solos were an asset to a countless number of hot sessions.
Freeman, excited (as were the other members of the Austin High School Gang in Chicago) by the music of the New Orleans Rhythm Kings, took up the C-melody sax in 1923, switching to tenor two years later. It took him time to develop his playing, which was still pretty primitive in 1927 when he made his recording debut with the McKenzie-Condon Chicagoans. Freeman moved to New York later that year and worked with Red Nichols' Five Pennies, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, Gene Kardos, and others. He starred on Eddie Condon's memorable 1933 recording "The Eel." After stints with Joe Haymes and Ray Noble, Freeman was a star with Tommy Dorsey's Orchestra and Clambake Seven (1936-1938) before having a short unhappy stint with Benny Goodman (1938). He led his short-lived but legendary Summe Cum Laude Orchestra (1939-1940) which was actually an octet, spent two years in the military, and then from 1945 on, alternated between being a bandleader and working with Eddie Condon's freewheeling Chicago jazz groups. Freeman traveled the world, made scores of fine recordings, and stuck to the same basic style that he had developed by the mid-'30s (untouched by a brief period spent studying with Lennie Tristano). Bud Freeman was with the World's Greatest Jazz Band (1968-1971), lived in London in the late '70s, and ended up back where he started, in Chicago. He was active into his eighties, and a strong sampling of his recordings are currently available on CD.
© Scott Yanow /TiVo
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Bud Freeman (Remastered)
Jazz - Paru chez Avid Entertainment le 7 févr. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Four Classic Albums Plus (Bud Freeman / Chicago and All That Jazz / Chicago: Austin High School Jazz in Hi-Fi / The Bud Freeman Group) [Remastered]
Jazz - Paru chez Avid Entertainment le 28 oct. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Complete Jazz Series (1945 - 1946)
Jazz - Paru chez Complete Jazz Series le 9 févr. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Complete Jazz Series 1939 - 1940
Jazz - Paru chez Complete Jazz Series le 9 févr. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Complete Jazz Series 1928 - 1938
Jazz - Paru chez Complete Jazz Series le 9 févr. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
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Bud Freeman
Jazz contemporain - Paru chez Lake Records le 1 janv. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
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Existentialism - Revival Jazz of the 60's Vol. 7
Eddie Condon, Pee Wee Russel, Bud Freeman, Jack Teagarden
Jazz - Paru chez Documents le 1 nov. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
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Midnite at Eddie Condon's
Jazz - Paru chez Redwood Records le 29 avr. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Heritage: Bud Freeman
Jazz - Paru chez Timeless Jazz le 14 mars 2013
16-Bit CD Quality 44.1 kHz - Stereo -
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The King of Jazz Story - All Original Recordings - Remastered
Jazz - Paru chez Silver Classics Jazz le 1 janv. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
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Memories Of You
Jazz - Paru chez Jazz League Music le 12 août 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Famous Jazz Instrumentalists
Jazz - Paru chez NK32 Records le 10 juin 2014
16-Bit CD Quality 44.1 kHz - Stereo -
What Is There to Stay (The Collection)
Jazz - Paru chez Vinyl and Dust Records le 29 juil. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Freeman Selected Favorites, Vol. 1
Jazz - Paru chez Charly Records le 21 mars 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Freeman Selected Favorites, Vol. 2
Jazz - Paru chez Charly Records le 21 mars 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Bud Freeman Selected Favorites, Vol. 3
Jazz - Paru chez Charly Records le 21 mars 2011
16-Bit CD Quality 44.1 kHz - Stereo