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London Baroque|The Trio Sonata in 17th-Century Italy

The Trio Sonata in 17th-Century Italy

London Baroque

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This release is part of an eight-disc series by the small historical-instrument ensemble London Baroque, covering the entire history of the trio sonata in four countries (Italy, Germany, France, and England) over two centuries (17th and 18th). The series is more aimed at those with a strong interest in Baroque instrumental music than at general listeners, but several of them have been attractive for anyone, and this album falls into that group. It might well have come first in a chronological series, for it includes the very first works that might be called trio sonatas, the Sonata a tre of Giovanni Cima, published in 1610, and the Sonata a tre secuondo tono, from 1621. These works were published in vocal collections, and they are for all intents and purposes Monteverdi-style opera numbers played on violins. But what you get as the program develops is a capsule history of instrumental music in the whole 17th century, as the pieces cohere into larger chunks and finally, in the piece by Giovanni Legrenzi, into individual movements. Parallel with this development was one that also continued through the entire Baroque: variations over a bass pattern or gorund. Pieces like Il Marcquetta by Giovanni Antonio Pandolfi (1669) or Giovanni Batista Vitali's Ciaconna (1682) are a far cry from Corelli's or Bach's variation pieces, but to hear them as an outgrowth of the earlier operatic style gives one a sense for the entire line of development. The music is enjoyable enough on its own terms, and London Baroque, led by violinists Ingrid Seifert and Richard Gwilt, has a feel for the rhetorical figures in the works of these mostly unknown composers. Recommended as usual with London Baroque for serious Baroque fans.

© TiVo

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The Trio Sonata in 17th-Century Italy

London Baroque

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Concerti Ecclesiastici (Giovanni Paolo Cima)

1
No. 49, Sonata à 3
00:03:05

Giovanni Paolo Cima, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Madrigali, Book 1 (Francesco Turini)

2
No. 18, Sonata à 31
00:06:06

London Baroque, Ensemble, MainArtist - Francesco Turini, Composer - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi (Giovanni Battista Buonamente)

3
Sonata No. 8 sopra La Romanesca
00:03:35

London Baroque, Ensemble, MainArtist - Giovanni Battista Buonamente, Composer - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Sonate concertate in stil moderno, Book 2 (Dario Castello)

4
No. 10, Sonata à 3
00:04:43

Dario Castello, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12 (Tarquinio Merula)

5
No. 20, Chiaccona
00:02:42

Tarquinio Merula, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Sonate, correnti et arie, Op. 4 (Marco Uccelini)

6
Sonata No. 26 "La Prosperina"
00:03:23

Marco Uccellini, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

7
Folias echa para mi Señora Doña Tarolilla de Carallenos
00:03:25

Andrea Falconieri, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Correnti e balletti, Op. 4 (Maurizio Cazzati)

8
No. 33, Ciaconna
00:02:40

Maurizio Cazzati, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22 (Biagio Marini)

9
No. 21, Sonata sopra "Fuggi dolente core"
00:02:34

Biagio Marini, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Musiche sacre (Francesco Cavalli)

10
No. 23, Canzon à 3
00:05:31

Francesco Cavalli, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

16 Sonatas, Op. 8 (Giovanni Legrenzi)

11
No. 8, Sonata à 3 "La boiarda"
00:04:19

Giovanni Legrenzi, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Sonate cioè balletti (Giovanni Antonio Pandolfi Mealli)

12
No. 14, Passacaglio "Il Marcquetta"
00:07:12

Giovanni Antonio Pandolfi Mealli, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

13
Trio Sonata in A Major, Op. 6 No. 5
00:04:58

Giovanni Maria Bononcini, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7 (Giovanni Battista Vitali)

14
Ciaccona
00:02:53

Giovanni Battista Vitali, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

15
Trio Sonata No. 12 in D Major
00:04:46

London Baroque, Ensemble, MainArtist - Giacinto Pestolozza, Composer - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

16
Sonata à 3 in D Major, Op. 1 No. 12
00:06:49

Arcangelo Corelli, Composer - London Baroque, Ensemble, MainArtist - Hans Kipfer, Producer, SoundEngineer

2012 BIS 2012 (P) BIS

Chronique

This release is part of an eight-disc series by the small historical-instrument ensemble London Baroque, covering the entire history of the trio sonata in four countries (Italy, Germany, France, and England) over two centuries (17th and 18th). The series is more aimed at those with a strong interest in Baroque instrumental music than at general listeners, but several of them have been attractive for anyone, and this album falls into that group. It might well have come first in a chronological series, for it includes the very first works that might be called trio sonatas, the Sonata a tre of Giovanni Cima, published in 1610, and the Sonata a tre secuondo tono, from 1621. These works were published in vocal collections, and they are for all intents and purposes Monteverdi-style opera numbers played on violins. But what you get as the program develops is a capsule history of instrumental music in the whole 17th century, as the pieces cohere into larger chunks and finally, in the piece by Giovanni Legrenzi, into individual movements. Parallel with this development was one that also continued through the entire Baroque: variations over a bass pattern or gorund. Pieces like Il Marcquetta by Giovanni Antonio Pandolfi (1669) or Giovanni Batista Vitali's Ciaconna (1682) are a far cry from Corelli's or Bach's variation pieces, but to hear them as an outgrowth of the earlier operatic style gives one a sense for the entire line of development. The music is enjoyable enough on its own terms, and London Baroque, led by violinists Ingrid Seifert and Richard Gwilt, has a feel for the rhetorical figures in the works of these mostly unknown composers. Recommended as usual with London Baroque for serious Baroque fans.

© TiVo

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