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The title The Father, the Son, and the Godfather refers literally to J.S. Bach, C.P.E. Bach, and Georg Philipp Telemann, respectively; Telemann was the elder Bach's professional rival, but there seems to have been no personal enmity, and Telemann served as Bach's son's godfather. That's about all there is to the concept of this BIS release, but the appeal of the sheer variety of the music is enhanced by the knowledge that it was all written between the 1720s and the 1750s, and all came out of roughly the same milieu. This is a kinetic, exciting group of pieces that bounce off each other in interesting ways. Sweden's Paradiso Musicale, named for harpsichordist Anna Paradiso, is a crack historical-instrument group that individualizes these pieces to the maximum, which is just what's desired. The images of them on the packaging and graphics are purely fanciful; the group includes only a recorder player, cellist, violist, and harpsichordist. Highlights include the folkish "Polish" finales of the two Telemann sonatas included, the subtle interplay between the unusual bass recorder and the viola in the C.P.E. Bach Trio sonata in F major, Wq 163, and the recorder playing of Dan Laurin in general. The chilly sound from Sweden's Länna Church represents a misstep for BIS; this quintessentially domestic music requires a gentler sound environment. That aside, this is a near-ideal Baroque chamber music recital that gives the music the weight and distinctiveness it deserves.
© TiVo
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Sonata for Recorder and Viola da Gamba in D Minor, TWV 42:D7 (Georg Philipp Telemann)
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Flute Sonata in B Minor, BWV 1030 (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Johann Sebastian Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Johann Sebastian Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Trio in F Major, Wq. 163, H. 588 (Carl Philipp Emanuel Bach)
Carl Philipp Emanuel Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Carl Philipp Emanuel Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Carl Philipp Emanuel Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Der getreue Music-Meister, Cello Sonata in D Major, TWV 41:D6 (Georg Philipp Telemann)
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Viola Sonata in G Minor, Wq. 88, H. 541 (Carl Philipp Emanuel Bach)
Carl Philipp Emanuel Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Carl Philipp Emanuel Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Carl Philipp Emanuel Bach, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Sonata in G Minor, TWV 42:G9 (Georg Philipp Telemann)
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Georg Philipp Telemann, Composer - Paradiso Musicale, Ensemble, MainArtist
2011 BIS 2011 (P) BIS
Chronique
The title The Father, the Son, and the Godfather refers literally to J.S. Bach, C.P.E. Bach, and Georg Philipp Telemann, respectively; Telemann was the elder Bach's professional rival, but there seems to have been no personal enmity, and Telemann served as Bach's son's godfather. That's about all there is to the concept of this BIS release, but the appeal of the sheer variety of the music is enhanced by the knowledge that it was all written between the 1720s and the 1750s, and all came out of roughly the same milieu. This is a kinetic, exciting group of pieces that bounce off each other in interesting ways. Sweden's Paradiso Musicale, named for harpsichordist Anna Paradiso, is a crack historical-instrument group that individualizes these pieces to the maximum, which is just what's desired. The images of them on the packaging and graphics are purely fanciful; the group includes only a recorder player, cellist, violist, and harpsichordist. Highlights include the folkish "Polish" finales of the two Telemann sonatas included, the subtle interplay between the unusual bass recorder and the viola in the C.P.E. Bach Trio sonata in F major, Wq 163, and the recorder playing of Dan Laurin in general. The chilly sound from Sweden's Länna Church represents a misstep for BIS; this quintessentially domestic music requires a gentler sound environment. That aside, this is a near-ideal Baroque chamber music recital that gives the music the weight and distinctiveness it deserves.
© TiVo
À propos
- 1 disque(s) - 21 piste(s)
- Durée totale : 01:09:30
- 1 Livret Numérique
- Artistes principaux : Paradiso Musicale
- Compositeur : Various Composers
- Label : BIS
- Genre : Classique Musique de chambre
2011 BIS 2011 BIS
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