Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Haircut 100|Pelican West Plus

Pelican West Plus

Haircut 100

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

If Orange Juice famously wanted to sound like a combination of Chic and the Velvet Underground, then Haircut One Hundred must have wanted to sound like a combination of Orange Juice and Chic. On their debut and only album with band founder Nick Heyward, Pelican West, the group display all the skittery beats, deep-voiced crooning, and pop smarts of OJ, while adding more funk and saxophone than Edwyn Collins and co. probably ever imagined. That Haircut One Hundred scored a bigger hit than the band they so clearly idolized must have rubbed the lads in Orange Juice the worst way, but it's clear from even one listen through Pelican West that Haircut 100 were more than just mere copycats. "Love Plus One" is that aforementioned mega hit and it deserved to be a timeless classic. Nick Heyward knew how to write pop hooks and the band fills it in with brilliant subtlety. There are siblings to that song scattered across the record. "Favourite Shirts (Boy Meets Girl)," "Marine Boy," and the ecstatic "Fantastic Day" all have wonderfully snappy melodies and huge choruses, "Milk Film," "Surprise Me Again," and "Snow Girl" have a refined pop sound that skews a little less gleeful and a little more melancholy. Sure, they are all prone to sax breakdowns and horn section crescendos that sound like Chicago happened by the studio, but the bulk of the album is first-rate '80s sophisti-pop. The few tracks that cast aside the traditional song structure and jump over to the Chic side of the equation are fun, though very much of their time. "Love's Got Me in Triangles" and "Calling Captain Autumn" are both quite British, with a sort of awkward kind of funk almost quaint in its unfunkiness. Heyward's attempts at rapping on the latter achieve beat poet-meets-Captain Sensible levels of uncoolness that circle back around to coolness in the end somehow. The entire record is a little like that. From their corny outfits to their lighter-than-air sound, Haircut One Hundred were never going to be dangerous or sexy. The best they could hope for was escapist, but never mindless fun, and on Pelican West they bury their arrows dead center in the middle of that target.

© Tim Sendra /TiVo

Plus d'informations

Pelican West Plus

Haircut 100

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Favourite Shirts (Boy Meets Girl)
00:03:05

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1981 Sony Music Entertainment UK Limited

2
Love Plus One
00:03:32

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist - Nick Heyward, Vocal - Nick Heyward, Guitar

(P) 1982 Sony Music Entertainment UK Limited

3
Lemon Firebrigade
00:03:54

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

4
Marine Boy
00:03:28

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

5
Milk Film
00:02:56

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

6
Kingsize (You're My Little Steam Whistle)
00:04:22

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

7
Fantastic Day
00:03:13

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist - Nick Heyward, Vocal

(P) 1982 Sony Music Entertainment UK Limited

8
Baked Beans
00:04:02

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

9
Snow Girl
00:02:55

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

10
Love's Got Me in Triangles
00:03:35

Bob Sargeant, Producer - Les Nemes, Composer - Les Nemes, Lyricist - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

11
Surprise Me Again
00:03:17

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

12
Calling Captain Autumn
00:04:02

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

13
Boat Party
00:03:49

Bob Sargeant, Producer - Haircut 100, Composer - Haircut 100, Lyricist - Haircut 100, Performer

(P) 1982 Sony Music Entertainment UK Limited

14
Ski Club
00:03:34

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

15
Nobody's Fool (12" Version)
00:04:55

Bob Sargeant, Producer - Haircut 100, Vocal - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1981 BMG Eurodisc

16
October Is Orange (Day 1 & 2)
00:04:16

Bob Sargeant, Producer - Haircut 100, Composer - Haircut 100, Lyricist - Haircut 100, Performer

(P) 1982 Sony Music Entertainment UK Limited

17
Favourite Shirts (Boy Meets Girl) (12" Version)
00:07:09

Bob Sargeant, Producer - Haircut 100, Performer - Nick Heyward, Composer - Nick Heyward, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

Chronique

If Orange Juice famously wanted to sound like a combination of Chic and the Velvet Underground, then Haircut One Hundred must have wanted to sound like a combination of Orange Juice and Chic. On their debut and only album with band founder Nick Heyward, Pelican West, the group display all the skittery beats, deep-voiced crooning, and pop smarts of OJ, while adding more funk and saxophone than Edwyn Collins and co. probably ever imagined. That Haircut One Hundred scored a bigger hit than the band they so clearly idolized must have rubbed the lads in Orange Juice the worst way, but it's clear from even one listen through Pelican West that Haircut 100 were more than just mere copycats. "Love Plus One" is that aforementioned mega hit and it deserved to be a timeless classic. Nick Heyward knew how to write pop hooks and the band fills it in with brilliant subtlety. There are siblings to that song scattered across the record. "Favourite Shirts (Boy Meets Girl)," "Marine Boy," and the ecstatic "Fantastic Day" all have wonderfully snappy melodies and huge choruses, "Milk Film," "Surprise Me Again," and "Snow Girl" have a refined pop sound that skews a little less gleeful and a little more melancholy. Sure, they are all prone to sax breakdowns and horn section crescendos that sound like Chicago happened by the studio, but the bulk of the album is first-rate '80s sophisti-pop. The few tracks that cast aside the traditional song structure and jump over to the Chic side of the equation are fun, though very much of their time. "Love's Got Me in Triangles" and "Calling Captain Autumn" are both quite British, with a sort of awkward kind of funk almost quaint in its unfunkiness. Heyward's attempts at rapping on the latter achieve beat poet-meets-Captain Sensible levels of uncoolness that circle back around to coolness in the end somehow. The entire record is a little like that. From their corny outfits to their lighter-than-air sound, Haircut One Hundred were never going to be dangerous or sexy. The best they could hope for was escapist, but never mindless fun, and on Pelican West they bury their arrows dead center in the middle of that target.

© Tim Sendra /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Haircut 100

Live From London

Haircut 100

Live From London Haircut 100

Pelican West Plus

Haircut 100

Pelican West Plus Haircut 100

Pelican West - 40th Anniversary

Haircut 100

Pelican West Plus

Haircut 100

Pelican West Plus Haircut 100

Playlists

Dans la même thématique...

Oh Mercy

Bob Dylan

Oh Mercy Bob Dylan

Greatest Hits

Journey

The Steven Wilson Remixes

Yes

Mirror To The Sky

Yes

Toto IV

Toto

Toto IV Toto