Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Australian singer Harriette Pilbeam, aka frontwoman/alter ego of Hatchie, makes music that is often labeled dreamcore, but there's nothing sleepy about her second album. In fact, there's a decided kinetic energy—like Kylie Minogue shimmer meets mid-career Duran Duran—to the title track, with its mysterious synth, thrumming bass and, near the end, a kick-in of dancefloor joy. The song is also full of optimism. "If you could take a break to recalibrate/ You'd see beyond the sky/ I only want your world to keep you awake/ Don't lose your chancе to fly," sings Pilbeam, who has said the lyrics are about being gentle with yourself in the throes of depression. "Lights On" is packed with ricocheting keys, a chunky beat, sunny guitar and sex appeal: "I never felt so good with the lights on." Chilled "Quicksand" features synth and vocals that echo and tremble, like the audio version of fun-house mirrors. Co-written with Dan Nigro, best known for his work with Olivia Rodrigo, it has an excellent emo chorus. And there's a late-80s Madchester vibe to the absolutely fabulous "This Enchanted" and "The Rhythm." The band's dreaminess, meanwhile, comes in the form of '90s references. A comparison to the Sundays and, sometimes, Lush is inescapable and entirely complimentary on songs like the sun-dappled "Take My Hand"—with its splashes of chiming percussion—and the swirly "Twin," secured by a soothing bass. Ditto the woozy melody of "'Til We Run Out of Air." ("Don't Leave Me in the Rain," incidentally, has a Cranberries vibe and the cool effect of pounding keys that sound like hammering rain.) It's not accurate to call Hatchie twee, though. "Thinking Of" is big, even with Pilbeam's breathy vocalizations and languidly drawn-out vowels, as is "The Key," which is like the song equivalent of a false awakening: one of those dreams that it's almost impossible to pull yourself out of. ©Shelly Ridenour/Qobuz
Plus d'informations
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, AssociatedPerformer - Hatchie, MainArtist - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2021 Secretly Canadian
Tony Buchen, AssociatedPerformer - Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Dan Nigro, Producer, AssociatedPerformer - Jorge Elbrecht, AssociatedPerformer - Sam Stewart, AssociatedPerformer - Hatchie, MainArtist - Joe Agius, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Jorge Elbrecht, Producer, AssociatedPerformer - Hatchie, MainArtist - Harriette Pilbeam, AssociatedPerformer - Joe Agius, AssociatedPerformer - James Barone, AssociatedPerformer
2022 Secretly Canadian 2022 Secretly Canadian
Chronique
Australian singer Harriette Pilbeam, aka frontwoman/alter ego of Hatchie, makes music that is often labeled dreamcore, but there's nothing sleepy about her second album. In fact, there's a decided kinetic energy—like Kylie Minogue shimmer meets mid-career Duran Duran—to the title track, with its mysterious synth, thrumming bass and, near the end, a kick-in of dancefloor joy. The song is also full of optimism. "If you could take a break to recalibrate/ You'd see beyond the sky/ I only want your world to keep you awake/ Don't lose your chancе to fly," sings Pilbeam, who has said the lyrics are about being gentle with yourself in the throes of depression. "Lights On" is packed with ricocheting keys, a chunky beat, sunny guitar and sex appeal: "I never felt so good with the lights on." Chilled "Quicksand" features synth and vocals that echo and tremble, like the audio version of fun-house mirrors. Co-written with Dan Nigro, best known for his work with Olivia Rodrigo, it has an excellent emo chorus. And there's a late-80s Madchester vibe to the absolutely fabulous "This Enchanted" and "The Rhythm." The band's dreaminess, meanwhile, comes in the form of '90s references. A comparison to the Sundays and, sometimes, Lush is inescapable and entirely complimentary on songs like the sun-dappled "Take My Hand"—with its splashes of chiming percussion—and the swirly "Twin," secured by a soothing bass. Ditto the woozy melody of "'Til We Run Out of Air." ("Don't Leave Me in the Rain," incidentally, has a Cranberries vibe and the cool effect of pounding keys that sound like hammering rain.) It's not accurate to call Hatchie twee, though. "Thinking Of" is big, even with Pilbeam's breathy vocalizations and languidly drawn-out vowels, as is "The Key," which is like the song equivalent of a false awakening: one of those dreams that it's almost impossible to pull yourself out of. ©Shelly Ridenour/Qobuz
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:49:40
- Artistes principaux : Hatchie
- Label : Secretly Canadian
- Genre : Pop/Rock Rock Alternatif et Indé
2022 Secretly Canadian 2022 Secretly Canadian
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.
