Categorie:
Carrello 0

Il tuo carrello è vuoto

Bill Evans|You Must Believe In Spring (Remastered 2022)

You Must Believe In Spring (Remastered 2022)

Bill Evans featuring Eddie Gomez and Eliot Zigmund

Disponibile in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Registrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

When discussing the inexhaustible and gone-too-soon genius of pianist Bill Evans, it's easy to get overwhelmed by the mass of music released both before and after his tragic death in 1980. The easy equation is that the studio albums done during his lifetime are the blueprint and the continuing stream of live albums are improvised variations on that theme, probably aimed at and best appreciated by those already familiar with his studio work. Evans' gifts were deep and many-faceted and fortunately he recorded often. Of all the late studio albums, the bittersweetly titled You Must Believe in Spring, is the undisputed gem. While the title of its predecessor We Will Meet Again directly presaged Evans' coming demise, You Must Believe in Spring spoke to the pain the pianist was suffering over his brother Harry's struggles with schizophrenia and the suicide of his longtime partner Ellaine Schultz.  Evan opens with the slow and plaintive "B Minor Waltz (for Ellaine)" in which the mood varies from searching to resignation, yet his incredible, seemingly effortless technique keeps it from being overly sad and unlistenable. Melancholy is also the major emotion in a searching version of Michel Legrand's title track (from the musical, The Young Girls of Rochefort) where Eddie Gomez's muscular bass and Eliot Zigmund's drumming, both firmly in a mind meld with Evans, eventually wind up the tempo before the tune finishes on a quiet note by Evans alone. Regarding the musicians' synergy and fluidity, the album's co-producer Tommy LiPuma remarked, "By pure chance, I caught that trio at the right time. They were locked in and it was perfection. It all gets down to the quality of the story being told by the musicians." Notably this would be Gomez's last recording with Evans. Recorded in 1977 at the famed Capitol Studios in Hollywood with the great engineer Al Schmitt, this pure and gorgeously balanced session closes with "Theme from M*A*S*H (Suicide is Painless)." Always willing to imbue popular hits with his special interpretative verve, Evans ends this lilting tune with serious undertones with a special playfulness. The three bonus tracks here, which first appeared on a now scarce 2003 reissue of the album, confirm LiPuma's judgment of a trio with an unspoken unity: "Without a Song" lightly swings; a robust, very deliberate "Freddie Freeloader"—the only song on Kind of Blue that Evans did not play on—shows how much he might have contributed; and an upbeat, nearly unrecognizable, version of Cole Porter's "All Of You" with a rapid fire Gomez solo add to this landmark album's perfection.  © Robert Baird/Qobuz

Maggiori informazioni

You Must Believe In Spring (Remastered 2022)

Bill Evans

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Al momento stai ascoltando degli estratti.

Ascolta oltre 80 milioni di brani con un abbonamento streaming illimitato.

Ascolta questa playlist e più di 80 milioni di brani con i nostri abbonamenti di streaming illimitati

A partire da 12,50€/mese

1
B Minor Waltz (Remastered 2022)
00:03:17

Bill Evans, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

2
You Must Believe In Spring (Remastered 2022)
00:05:44

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - Michel Legrand, ComposerLyricist - Jacques Demy, ComposerLyricist - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Marilyn Bergman, ComposerLyricist - Alan Bergman, ComposerLyricist - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

3
Gary's Theme (Remastered 2022)
00:04:21

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - GARY MCFARLAND, ComposerLyricist

℗ 2022 Craft Recordings.

4
We Will Meet Again (Remastered 2022)
00:04:04

Bill Evans, Composer, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - Karen Gallinger, ComposerLyricist

℗ 2022 Craft Recordings.

5
The Peacocks (Remastered 2022)
00:06:02

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - JIMMY ROWLES, Composer - Norma Winstone, Author

℗ 2022 Craft Recordings.

6
Sometime Ago (Remastered 2022)
00:04:38

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer - SERGIO MIHANOVICH, Composer

℗ 2022 Craft Recordings.

7
Theme From M*A*S*H (Suicide Is Painless) (Remastered 2022)
00:05:58

Bill Evans, Piano, MainArtist, AssociatedPerformer - Michael Altman, ComposerLyricist - Tommy Lipuma, Producer, Recording Producer - JOHNNY MANDEL, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

8
Without A Song (Remastered 2022)
00:08:09

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Vincent Youmans, Composer - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Billy Rose, Author - Edward Eliscu, Author - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

9
Freddie Freeloader (Remastered 2022)
00:07:39

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Miles Davis, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

10
All Of You (Remastered 2022)
00:08:12

Bill Evans, Piano, MainArtist, AssociatedPerformer - Tommy Lipuma, Producer, Recording Producer - Cole Porter, ComposerLyricist - Doug Sax, Mastering Engineer, StudioPersonnel - HELEN KEANE, Producer, Recording Producer - Al Schmitt, Recording Engineer, Remix Engineer, StudioPersonnel - Eddie Gomez, Drums, AssociatedPerformer - Eliot Zigmund, Upright Bass, AssociatedPerformer

℗ 2022 Craft Recordings.

Descrizione dell'album

When discussing the inexhaustible and gone-too-soon genius of pianist Bill Evans, it's easy to get overwhelmed by the mass of music released both before and after his tragic death in 1980. The easy equation is that the studio albums done during his lifetime are the blueprint and the continuing stream of live albums are improvised variations on that theme, probably aimed at and best appreciated by those already familiar with his studio work. Evans' gifts were deep and many-faceted and fortunately he recorded often. Of all the late studio albums, the bittersweetly titled You Must Believe in Spring, is the undisputed gem. While the title of its predecessor We Will Meet Again directly presaged Evans' coming demise, You Must Believe in Spring spoke to the pain the pianist was suffering over his brother Harry's struggles with schizophrenia and the suicide of his longtime partner Ellaine Schultz.  Evan opens with the slow and plaintive "B Minor Waltz (for Ellaine)" in which the mood varies from searching to resignation, yet his incredible, seemingly effortless technique keeps it from being overly sad and unlistenable. Melancholy is also the major emotion in a searching version of Michel Legrand's title track (from the musical, The Young Girls of Rochefort) where Eddie Gomez's muscular bass and Eliot Zigmund's drumming, both firmly in a mind meld with Evans, eventually wind up the tempo before the tune finishes on a quiet note by Evans alone. Regarding the musicians' synergy and fluidity, the album's co-producer Tommy LiPuma remarked, "By pure chance, I caught that trio at the right time. They were locked in and it was perfection. It all gets down to the quality of the story being told by the musicians." Notably this would be Gomez's last recording with Evans. Recorded in 1977 at the famed Capitol Studios in Hollywood with the great engineer Al Schmitt, this pure and gorgeously balanced session closes with "Theme from M*A*S*H (Suicide is Painless)." Always willing to imbue popular hits with his special interpretative verve, Evans ends this lilting tune with serious undertones with a special playfulness. The three bonus tracks here, which first appeared on a now scarce 2003 reissue of the album, confirm LiPuma's judgment of a trio with an unspoken unity: "Without a Song" lightly swings; a robust, very deliberate "Freddie Freeloader"—the only song on Kind of Blue that Evans did not play on—shows how much he might have contributed; and an upbeat, nearly unrecognizable, version of Cole Porter's "All Of You" with a rapid fire Gomez solo add to this landmark album's perfection.  © Robert Baird/Qobuz

A proposito dell'album

Migliorare le informazioni sugli album

Qobuz logo Perché acquistare su Qobuz

Altro su Qobuz
Di Bill Evans

Symbiosis

Bill Evans

Symbiosis Bill Evans

Inner Spirit: The 1979 Concert at the Teatro General San Martin, Buenos Aires

Bill Evans

You Must Believe In Spring

Bill Evans

Waltz For Debby [Original Jazz Classics Remasters]

Bill Evans

Morning Glory: The 1973 Concert at the Teatro Gran Rex, Buenos Aires

Bill Evans

Playlist

Ti potrebbe piacere anche...

Bordeaux Concert

Keith Jarrett

Bordeaux Concert Keith Jarrett

Entre eux deux

Melody Gardot

Entre eux deux Melody Gardot

Black Acid Soul

Lady Blackbird

Black Acid Soul Lady Blackbird

Still Rising - The Collection

Gregory Porter

Welcome to the Black Forest (The Sounds of MPS)

Various Interprets

Nelle Panoramiche...
ECM in 10 album

“Il più bel suono dopo il silenzio”. Questo è stato il motto della ECM negli ultimi cinquant’anni. Manfred Eicher, il carismatico fondatore dell’etichetta di Monaco, sembra vivere in un universo parallelo. E il jazz suona diversamente sul pianeta ECM. È spesso grazie a questa etichetta che artisti come Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea hanno registrato i loro dischi migliori. Ancor più che con Blue Note o Impulse!, limitare l’intera storia di questa straordinaria etichetta a soli 10 dischi è una missione impossibile. Quindi, questi 10 album non raccontano “la” storia ma “una” delle possibili storie della ECM.

La Blue Note in 10 album

Alla più famosa di tutte le etichette jazz non mancava niente! Artisti a cinque stelle, repertori originali, ingegnosi direttori artistici associati, registrazioni audio di qualità eccezionale, sublimi copertine per i suoi album, generi eclettici (bebop, hard bop, soul jazz, modal jazz, free jazz)... La Blue Note lanciata nel 1939 da Francis Wolff e Alfred Lion, due tedeschi fuggiti dal regime nazista, avevano tutto a loro disposizione. Da questo ampio catalogo, Qobuz ha selezionato i 10 album chiave. Alcuni di loro sono dei famosi classici. Altri, meraviglie sottovalutate. Ma tutti loro restano dei punti fermi assoluti che hanno plasmato lo stile della Blue Note.

Il quartetto americano di Keith Jarrett

Keith Jarrett passò i primi sette anni della sua intensa carriera a sperimentare a più non posso a capo del quartetto americano che formava insieme a Charlie Haden, Paul Motian e Dewey Redman. Tra il 1971 e il 1976, il pianista dirigerà una specie di laboratorio matto in cui cozzeranno jazz, free puro, world e avanguardia. Una parentesi spontanea che merita di essere riscoperta.

Nel magazine...