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The Who|Who's Next (Deluxe Edition)

Who's Next (Deluxe Edition)

The Who

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Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they're all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch. Apart from Live at Leeds, the Who have never sounded as LOUD and unhinged as they do here, yet that's balanced by ballads, both lovely ("The Song Is Over") and scathing ("Behind Blue Eyes"). That's the key to Who's Next -- there's anger and sorrow, humor and regret, passion and tumult, all wrapped up in a blistering package where the rage is as affecting as the heartbreak. This is a retreat from the '60s, as Townshend declares the "Song Is Over," scorns the teenage wasteland, and bitterly declares that we "Won't Get Fooled Again." For all the sorrow and heartbreak that runs beneath the surface, this is an invigorating record, not just because Keith Moon runs rampant or because Roger Daltrey has never sung better or because John Entwistle spins out manic basslines that are as captivating as his "My Wife" is funny. This is invigorating because it has all of that, plus Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that's why Who's Next is truer than Tommy or the abandoned Lifehouse. Those were art -- this, even with its pretensions, is rock & roll.

© Stephen Thomas Erlewine /TiVo

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Who's Next (Deluxe Edition)

The Who

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1
Baba O'Riley (Remix)
00:05:09

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - Jon Astley, Remixer, StudioPersonnel - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer, Associate Producer - Andy MacPherson, Remixer, StudioPersonnel - Bill Curbishley, Producer, Executive Producer - Robert Rosenberg, Producer, Executive Producer - Chris Charlesworth, Producer, Executive Producer

℗ 1995 Polydor Ltd. (UK)

2
Bargain (Original Album Version)
00:05:32

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Guitar, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer, Associate Producer

℗ 1971 Polydor Ltd. (UK)

3
Love Ain't For Keeping (Original Album Version)
00:02:10

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer

℗ 1971 Polydor Ltd. (UK)

4
My Wife (Remix)
00:03:40

John Entwistle, ComposerLyricist - Jon Astley, Remixer, StudioPersonnel - The Who, Producer, MainArtist - GLYN JOHNS, Producer, Associate Producer - Andy MacPherson, Remixer, StudioPersonnel - Bill Curbishley, Producer, Executive Producer - Robert Rosenberg, Producer, Executive Producer - Chris Charlesworth, Producer, Executive Producer

℗ 1995 Polydor Ltd. (UK)

5
The Song Is Over (Original Album Version)
00:06:14

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer

℗ 1971 Polydor Ltd. (UK)

6
Getting In Tune (Original Album Version)
00:04:50

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer

℗ 1971 Polydor Ltd. (UK)

7
Going Mobile (Remix)
00:03:42

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - Jon Astley, Remixer, StudioPersonnel - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer, Assistant Producer - Andy MacPherson, Remixer, StudioPersonnel

℗ 1995 Polydor Ltd. (UK)

8
Behind Blue Eyes (Original Album Version)
00:03:41

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer, Associate Producer

℗ 1971 Polydor Ltd. (UK)

9
Won't Get Fooled Again (Remix)
00:08:32

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer

℗ 1971 Polydor Ltd. (UK)

10
Pure And Easy (Original Version)
00:04:19

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer - Kit Lambert, Producer

℗ 1995 Polydor Ltd. (UK)

11
Baby Don't You Do It
00:05:13

Leslie West, FeaturedArtist - John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - Lamont Dozier, ComposerLyricist - The Who, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer - Roger Daltrey, Vocals, AssociatedPerformer - Eddie Holland, ComposerLyricist - Brian Holland, ComposerLyricist - Kit Lambert, Producer

℗ 1995 Polydor Ltd. (UK)

12
Naked Eye (The Young Vic Theatre Live Version)
00:05:31

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - Jon Astley, Remixer, StudioPersonnel - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - Andy MacPherson, Remixer, StudioPersonnel

℗ 1995 Polydor Ltd. (UK)

13
Water (The Young Vic Theatre Live Version)
00:06:25

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - Jon Astley, Remixer, StudioPersonnel - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - Andy MacPherson, Remixer, StudioPersonnel - Bill Curbishley, Producer, Executive Producer - Robert Rosenberg, Producer, Executive Producer - Chris Charlesworth, Producer, Executive Producer

℗ 1995 Polydor Ltd. (UK)

14
Too Much Of Anything
00:04:24

Nicky Hopkins, FeaturedArtist - John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - GLYN JOHNS, Producer

℗ 1974 Polydor Ltd. (UK)

15
I Don't Even Know Myself
00:04:54

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, Producer, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer

℗ 1971 Polydor Ltd. (UK)

16
Behind Blue Eyes (Alternate Studio Version)
00:03:26

John Entwistle, Bass Guitar, AssociatedPerformer - Keith Moon, Drums, AssociatedPerformer - The Who, MainArtist - Pete Townshend, Electric Guitar, AssociatedPerformer, ComposerLyricist - Roger Daltrey, Vocals, AssociatedPerformer - Al Kooper, FeaturedArtist - Kit Lambert, Producer

℗ 1995 Polydor Ltd. (UK)

Approfondimenti

Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they're all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch. Apart from Live at Leeds, the Who have never sounded as LOUD and unhinged as they do here, yet that's balanced by ballads, both lovely ("The Song Is Over") and scathing ("Behind Blue Eyes"). That's the key to Who's Next -- there's anger and sorrow, humor and regret, passion and tumult, all wrapped up in a blistering package where the rage is as affecting as the heartbreak. This is a retreat from the '60s, as Townshend declares the "Song Is Over," scorns the teenage wasteland, and bitterly declares that we "Won't Get Fooled Again." For all the sorrow and heartbreak that runs beneath the surface, this is an invigorating record, not just because Keith Moon runs rampant or because Roger Daltrey has never sung better or because John Entwistle spins out manic basslines that are as captivating as his "My Wife" is funny. This is invigorating because it has all of that, plus Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that's why Who's Next is truer than Tommy or the abandoned Lifehouse. Those were art -- this, even with its pretensions, is rock & roll.

© Stephen Thomas Erlewine /TiVo

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