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Daniel Taylor|Vivaldi, A.: Stabat Mater / Pergolesi, G.B.: Salve Regina / Bach, J.S.: Tilge, Hochster, Meine Sunden

Vivaldi, A.: Stabat Mater / Pergolesi, G.B.: Salve Regina / Bach, J.S.: Tilge, Hochster, Meine Sunden

Daniel Taylor

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Young Canadian countertenor Daniel Taylor combines a deliciously creamy voice with a keen dramatic sense, and his reputation in this small but nevertheless star-oriented field has been steadily growing. This beautifully recorded release from Sweden's BIS label seems certain to add to that reputation. Veteran British early music soprano Emma Kirkby gets top billing, but she appears only in the final work on the album, Bach's Tilge, Höchster, meine Sünden, BWV 1083, a transcription and fairly detailed revision of Giovanni Batista Pergolesi's somber Stabat Mater. This work might be worth the purchase price by itself; it's less often heard than Bach's more faithful Vivaldi transcriptions, and the process of remaking the Stabat Mater into a German cantata is interesting before one even gets to the marvelous interplay between Kirkby's now sharp-edged voice and Taylor's supple instrument. Pergolesi himself is represented by the Salve Regina, which offers several fine examples of Taylor's flair for catching hearers' attention with his text readings. Sample his way of entering with a striking vibrato-free tone in texts of supplication, and then broadening out into a warmer sound as the prayer gains strength. The opening Stabat Mater, RV 621, of Vivaldi, preceded by a short instrumental sonata, is a marvelous example of the dark but lush colors associated with this text in the Baroque, and Taylor's performances, not overwhelmingly powerful but operatic in their beauty, hang in the mind. Taylor's period-instrument Theatre of Early Music backs him quietly, with perfect sensitivity. A compelling program, in top-notch renderings. Booklet notes are in English, French, and German.

© TiVo

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Vivaldi, A.: Stabat Mater / Pergolesi, G.B.: Salve Regina / Bach, J.S.: Tilge, Hochster, Meine Sunden

Daniel Taylor

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1
Sonata for 2 Violins and Viola in E-Flat Major, RV 130, "Suonata a 4 al Santo Sepolcro"
Theatre of Early Music
00:04:30

Antonio Vivaldi, Composer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

Stabat mater, RV 621 (Antonio Vivaldi)

2
Stabat Mater dolorosa
Daniel Taylor
00:03:23

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

3
Cujus animam gementem
Daniel Taylor
00:02:00

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

4
O quam tristis
Daniel Taylor
00:01:43

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

5
Quis est homo
Daniel Taylor
00:03:16

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

6
Quis non posset
Daniel Taylor
00:01:57

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

7
Pro peccatis suae gentis
Daniel Taylor
00:01:43

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

8
Eja mater, fons amoris
Daniel Taylor
00:02:31

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

9
Fac ut ardeat
Daniel Taylor
00:01:31

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

10
Amen
Daniel Taylor
00:01:05

Antonio Vivaldi, Composer - Anonymous, Lyricist - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

11
Salve Regina
Daniel Taylor
00:04:11

Anonymous, Lyricist - Giovanni Battista Pergolesi, Composer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

Salve Regina in C Minor (Giovanni Battista Pergolesi)

12
Ad te clamamus
Daniel Taylor
00:00:43

Anonymous, Lyricist - Giovanni Battista Pergolesi, Composer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

13
Ad te suspiramus
Daniel Taylor
00:03:33

Anonymous, Lyricist - Giovanni Battista Pergolesi, Composer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

14
Eia ergo advocata
Daniel Taylor
00:01:25

Anonymous, Lyricist - Giovanni Battista Pergolesi, Composer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

15
Et Jesum, benedictum
Daniel Taylor
00:02:22

Anonymous, Lyricist - Giovanni Battista Pergolesi, Composer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

16
O clemens, o pia
Daniel Taylor
00:01:36

Anonymous, Lyricist - Giovanni Battista Pergolesi, Composer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

Tilge, Höchster, meine Sünden, BWV 1083 (Johann Sebastian Bach)

17
Tilge, Hochster, meine Sunden (Soprano, Alto)
Emma Kirkby
00:03:54

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

18
Ist mein Herz in Missetaten (Soprano)
Emma Kirkby
00:02:07

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

19
Missetaten, die mich drucken (Soprano, Alto)
Emma Kirkby
00:02:01

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

20
Dich erzurnt mein Tun und Lassen (Alto)
Emma Kirkby
00:02:06

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

21
Wer wird seine Schuld verneinen (Soprano, Alto)
Emma Kirkby
00:02:15

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

22
Sieh! Ich bin in Sund empfangen (Soprano, Alto)
Emma Kirkby
00:00:46

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

23
Sieh, du willst die Wahrheit haben (Soprano)
Emma Kirkby
00:03:07

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

24
Wasche mich doch rein von Sunden (Alto)
Emma Kirkby
00:02:22

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

25
Lass mich Freud und Wonne spuren (Soprano, Alto)
Emma Kirkby
00:02:09

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

26
Schaue nicht auf meine Sunden (Soprano, Alto)
Emma Kirkby
00:05:35

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

27
Offne Lippen, Mund und Seele (Alto)
Emma Kirkby
00:03:38

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

28
Denn du willst kein Opfer haben (Soprano, Alto)
Emma Kirkby
00:02:54

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

29
Lass dein Zion bluhend dauern (Soprano, Alto)
Emma Kirkby
00:02:01

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

30
Amen (Soprano, Alto)
Emma Kirkby
00:02:13

Johann Sebastian Bach, Composer - Bible, Lyricist - Emma Kirkby, MainArtist, AssociatedPerformer - Daniel Taylor, MainArtist, AssociatedPerformer - Theatre of Early Music, Ensemble, MainArtist

2009 BIS 2009 (P) BIS

Approfondimenti

Young Canadian countertenor Daniel Taylor combines a deliciously creamy voice with a keen dramatic sense, and his reputation in this small but nevertheless star-oriented field has been steadily growing. This beautifully recorded release from Sweden's BIS label seems certain to add to that reputation. Veteran British early music soprano Emma Kirkby gets top billing, but she appears only in the final work on the album, Bach's Tilge, Höchster, meine Sünden, BWV 1083, a transcription and fairly detailed revision of Giovanni Batista Pergolesi's somber Stabat Mater. This work might be worth the purchase price by itself; it's less often heard than Bach's more faithful Vivaldi transcriptions, and the process of remaking the Stabat Mater into a German cantata is interesting before one even gets to the marvelous interplay between Kirkby's now sharp-edged voice and Taylor's supple instrument. Pergolesi himself is represented by the Salve Regina, which offers several fine examples of Taylor's flair for catching hearers' attention with his text readings. Sample his way of entering with a striking vibrato-free tone in texts of supplication, and then broadening out into a warmer sound as the prayer gains strength. The opening Stabat Mater, RV 621, of Vivaldi, preceded by a short instrumental sonata, is a marvelous example of the dark but lush colors associated with this text in the Baroque, and Taylor's performances, not overwhelmingly powerful but operatic in their beauty, hang in the mind. Taylor's period-instrument Theatre of Early Music backs him quietly, with perfect sensitivity. A compelling program, in top-notch renderings. Booklet notes are in English, French, and German.

© TiVo

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