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Medeski, Martin & Wood|Uninvisible

Uninvisible

Medeski Martin & Wood

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16-Bit/44.1 kHz Stereo

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Lingua disponibile: inglese

Uninvisible is further than ever from conventional jazz organ. While blues and funk influences are evident throughout the album, they float on a sea of shadows. Sound sources are obscure or exotic; on "Pappy Check" innovative scratching by turntablist DJ Olive creates an impression of African percussion more than club atmospherics. Even where the instrumentation is less ambiguous, the trio steers toward a filmic noir sensibility, with Medeski leading the way in unorthodox techniques. His pitch-bend solo on "Take Me Nowhere" suggests the creak of a rusty hinge, with Wood's acoustic bass providing the anchor for his abstractions. Wood is in fact often mixed higher than Medeski, to the effect of reducing the keyboard parts to a sideline role and the album in turn to an exercise in mood more than virtuosity -- an impression enhanced by a similarly eccentric shrinkage of the power guitar part on "The Edge of Night" to a barely audible background element. The rhythm is steady and stealthy, a slow-motion oscillation between live and looped tracks, most often with a hip-hop sensibility. More important, every musician on each cut plays with a belief that overplaying only subverts the goals of collective improvisation. If any one album can be said to pick up on the surreal funk explorations of latter-day Miles Davis, Uninvisible is it.

© Robert L. Doerschuk /TiVo

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Uninvisible

Medeski, Martin & Wood

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1
Uninvisible
00:03:37

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Aaron Johnson, Trombone, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Stuart Bogie, Clarinet, Tenor Saxophone, AssociatedPerformer - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - Todd Simon, Flugelhorn, Trumpet, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Jordan McLean, Flugelhorn, Trumpet, AssociatedPerformer - Michael Herbst, Bass Clarinet, Baritone Saxophone, AssociatedPerformer - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

2
I Wanna Ride You
00:03:28

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

3
Your Name Is Snake Anthony
00:03:11

Scott Harding, Producer, Mixer, Engineer, Guitar, AssociatedPerformer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Bass Guitar, Upright Bass, AssociatedPerformer, ComposerLyricist - John Medeski, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer, ComposerLyricist - Billy Martin, Bells, Drums, Triangle, AssociatedPerformer, ComposerLyricist - Medeski Martin & Wood, MainArtist - DJ Olive, Programming, AssociatedPerformer - Greg Griffiths, Engineer, StudioPersonnel - Bruce Hampton, Vocals, AssociatedPerformer, ComposerLyricist

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

4
Pappy Check
00:02:44

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Danny Blume, Guitar, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel - DJ P Love, Programming, AssociatedPerformer

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

5
Take Me Nowhere
00:04:07

Scott Harding, Producer, Mixer, Engineer, Drum Programming, AssociatedPerformer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Eddie Bobe, Bells, Percussion, Conga, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

6
Retirement Song
00:04:46

Scott Harding, Producer, Mixer, Engineer, Guitar, AssociatedPerformer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Eddie Bobe, Bells, Percussion, Conga, AssociatedPerformer - Danny Blume, Guitar, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel - DJ P Love, Programming, AssociatedPerformer

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

7
Ten Dollar High
00:03:42

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel - DJ P Love, Programming, AssociatedPerformer

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

8
Where Have You Been?
00:03:37

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Brad Roberts, Vocals, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

9
Reprise
00:00:35

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

10
Nocturnal Transmission
00:06:36

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Aaron Johnson, Trombone, AssociatedPerformer - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Stuart Bogie, Clarinet, Tenor Saxophone, AssociatedPerformer - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - Todd Simon, Flugelhorn, Trumpet, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Danny Blume, Guitar, Horn, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Jordan McLean, Flugelhorn, Trumpet, AssociatedPerformer - Michael Herbst, Bass Clarinet, Baritone Saxophone, AssociatedPerformer - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

11
Smoke
00:02:47

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

12
First Time Long Time
00:02:53

Scott Harding, Producer, Mixer, Engineer, Programming, AssociatedPerformer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

13
The Edge Of Night
00:03:52

Scott Harding, Producer, Mixer, Engineer, Drum Programming, AssociatedPerformer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Medeski Martin & Wood, MainArtist - Greg Griffiths, Engineer, StudioPersonnel - DJ P Love, Programming, AssociatedPerformer

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

14
Off The Table
00:04:15

Scott Harding, Producer, Mixer, Engineer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Michael Fossenkemper, Editor, StudioPersonnel - Chris Wood, Composer, Bass Guitar, Upright Bass, AssociatedPerformer - John Medeski, Composer, Keyboards, Hammond Organ, Piano, Synthesizer, AssociatedPerformer - Billy Martin, Composer, Bells, Drums, Triangle, AssociatedPerformer - Danny Blume, Guitar, AssociatedPerformer - Medeski Martin & Wood, MainArtist - DJ Olive, Programming, AssociatedPerformer - Greg Griffiths, Engineer, StudioPersonnel

(C) 2002 Blue Note (R) is a registered trademark of Capitol Records, Inc.. ℗ 2002 Blue Note Records

Approfondimenti

Uninvisible is further than ever from conventional jazz organ. While blues and funk influences are evident throughout the album, they float on a sea of shadows. Sound sources are obscure or exotic; on "Pappy Check" innovative scratching by turntablist DJ Olive creates an impression of African percussion more than club atmospherics. Even where the instrumentation is less ambiguous, the trio steers toward a filmic noir sensibility, with Medeski leading the way in unorthodox techniques. His pitch-bend solo on "Take Me Nowhere" suggests the creak of a rusty hinge, with Wood's acoustic bass providing the anchor for his abstractions. Wood is in fact often mixed higher than Medeski, to the effect of reducing the keyboard parts to a sideline role and the album in turn to an exercise in mood more than virtuosity -- an impression enhanced by a similarly eccentric shrinkage of the power guitar part on "The Edge of Night" to a barely audible background element. The rhythm is steady and stealthy, a slow-motion oscillation between live and looped tracks, most often with a hip-hop sensibility. More important, every musician on each cut plays with a belief that overplaying only subverts the goals of collective improvisation. If any one album can be said to pick up on the surreal funk explorations of latter-day Miles Davis, Uninvisible is it.

© Robert L. Doerschuk /TiVo

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