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Michel Camilo|Triangulo

Triangulo

Michel Camilo

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The latest album from Santa Dominican pianist Michel Camilo is somewhat of a departure from his previous release, Spain, which was an exploration of the many facets of Latin jazz performed in partnership with flamenco guitarist Tomatito. While there are still Latin rhythms underlying the performances on this release (such rhythmic qualities are likely part of Camilo's genetic system), other styles are explored in combination with Caribbean and Latin harmonies. Another change is that for the first time since his 1994 release, One More Once, Camilo has made his own compositions part of the play list, making up six of the ten-tune program. While his playing is fiery and passionate, it is toned down somewhat on some cuts, showing a gentle, melodic side that perhaps may have been under-played on earlier releases. Joined by Anthony Jackson on bass and Horacio "El Negro" Hernandez on drums and other percussive instruments, the music presented on this release is inspiring, but accessible. Fortunately, Camilo leaves complex music to others. His presentations are straightforward so that the listener is kept informed of where he is coming from at any point during any of the compositions. There are friendly cuts that a couple could get up and dance to, such as "Mr. C. I." Another of his works, "Afterthought," is a lovely ballad which Camilo tenderly and pensively executes, with just a touch of the brushes by Hernandez to augment this offering. For a generally relaxed "Con Alma," Camilo shows off dazzling technique and improvisational imagination as he explores the ins and outs of Dizzy Gillespie's jazz classic, demonstrating that his credentials extend beyond the Latin arena. Triangulo is an ambitious undertaking which has spawned a highly riveting and enjoyable experience for the listener. Recommended.

© Dave Nathan /TiVo

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Triangulo

Michel Camilo

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1
Piece Of Cake
00:05:59

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

2
La Comparsa
00:06:00

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Ernesto Lecuona, ComposerLyricist - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

3
Mr. C.I.
00:04:47

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Chano Dominguez, ComposerLyricist - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

4
Afterthought
00:06:28

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

5
Anthony's Blues
00:04:06

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

6
Con Alma
00:05:44

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - John Gillespie, ComposerLyricist - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

7
Las Dos Lorettas
00:06:24

Unknown, ComposerLyricist - Mike Manieri, ComposerLyricist - Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

8
Just Like You
00:05:40

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

9
Descarga For Tito (Puente)
00:04:21

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

10
dotcom-bustion
00:04:43

Anthony Jackson, Upright Bass, AssociatedPerformer - Aya Takemura, Asst. Recording Engineer, StudioPersonnel - Mark Fraunfelder, Asst. Recording Engineer, StudioPersonnel - Michel Camilo, Producer, Piano, Recording Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Friedrich, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Horacio Hernandez, Drums, AssociatedPerformer

℗ 2002 Telarc International Corp.

Approfondimenti

The latest album from Santa Dominican pianist Michel Camilo is somewhat of a departure from his previous release, Spain, which was an exploration of the many facets of Latin jazz performed in partnership with flamenco guitarist Tomatito. While there are still Latin rhythms underlying the performances on this release (such rhythmic qualities are likely part of Camilo's genetic system), other styles are explored in combination with Caribbean and Latin harmonies. Another change is that for the first time since his 1994 release, One More Once, Camilo has made his own compositions part of the play list, making up six of the ten-tune program. While his playing is fiery and passionate, it is toned down somewhat on some cuts, showing a gentle, melodic side that perhaps may have been under-played on earlier releases. Joined by Anthony Jackson on bass and Horacio "El Negro" Hernandez on drums and other percussive instruments, the music presented on this release is inspiring, but accessible. Fortunately, Camilo leaves complex music to others. His presentations are straightforward so that the listener is kept informed of where he is coming from at any point during any of the compositions. There are friendly cuts that a couple could get up and dance to, such as "Mr. C. I." Another of his works, "Afterthought," is a lovely ballad which Camilo tenderly and pensively executes, with just a touch of the brushes by Hernandez to augment this offering. For a generally relaxed "Con Alma," Camilo shows off dazzling technique and improvisational imagination as he explores the ins and outs of Dizzy Gillespie's jazz classic, demonstrating that his credentials extend beyond the Latin arena. Triangulo is an ambitious undertaking which has spawned a highly riveting and enjoyable experience for the listener. Recommended.

© Dave Nathan /TiVo

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