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Lee Ann Womack|There's More Where That Came From

There's More Where That Came From

LEE ANN WOMACK

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Lingua disponibile: inglese

Lee Ann Womack has always been more comfortable with country-pop than hardcore country, sounding relaxed and assured in smoother surroundings. That friendliness helped Womack become one of the most popular country singers of the late '90s, and it's what made her albums enjoyable even when they were a little bit too slick or relied on material that was just this side of generic. There's More Where That Came From, her fifth proper studio album and first after her 2004 Greatest Hits compilation, is still firmly within the country-pop confines, but there's a notable difference -- as the rather brilliant cover art suggests, this hearkens back to the sound and style of early-'70s country-pop albums from the likes of Barbara Mandrell, Loretta Lynn, and Dolly Parton. Not that this is a retro effort, or anything like a stab at neo-traditionalist country. Instead, Womack takes her inspiration from these records, crafting a record that's laid-back but never lazy, smooth but never too slick, tuneful without being cloying. While it's not far removed from her earlier albums, There's More Where That Came From has a warmer feel, a textured, colorful production, and, best of all, a strong set of songs that may be highlighted by the cheater's anthem of the title track, but has 11 songs of equally high quality. All this adds up to an album that's not only the best album that Lee Ann Womack has yet made, but one that does suggest that there is indeed more where this came from.

© Stephen Thomas Erlewine /TiVo

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There's More Where That Came From

Lee Ann Womack

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1
There's More Where That Came From (Album Version)
00:03:53

Jimmy Nichols, Piano, AssociatedPerformer - Wes Hightower, Background Vocalist, AssociatedPerformer - Chris DuBois, ComposerLyricist - Chris Stapleton, Background Vocalist, AssociatedPerformer, ComposerLyricist - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer, Mixer, StudioPersonnel - Julian King, Recording Engineer, StudioPersonnel - Aubrey Haynie, Fiddle, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Tom Bukovac, Electric Guitar, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - LEE ANN WOMACK, MainArtist - Rusty Danmyer, Steel Guitar, AssociatedPerformer

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

2
One's A Couple (Album Version)
00:04:08

Billy Lawson, ComposerLyricist - Jason Sellers, Background Vocalist, AssociatedPerformer - Dale Dodson, ComposerLyricist - Larry Franklin, Fiddle, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Paul Franklin, Steel Guitar, AssociatedPerformer - B. James Lowry, Acoustic Guitar, AssociatedPerformer - Brent Mason, Electric Guitar, AssociatedPerformer - Julian King, Recording Engineer, StudioPersonnel - Steve Nathan, Piano, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - CHUCK AINLAY, Mixer, StudioPersonnel - LEE ANN WOMACK, Background Vocalist, MainArtist, AssociatedPerformer - John Northrup, ComposerLyricist

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

3
I May Hate Myself In The Morning (Album Version)
00:04:32

Jason Sellers, Background Vocalist, AssociatedPerformer - Larry Franklin, Fiddle, AssociatedPerformer - Odie Blackmon, ComposerLyricist - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Paul Franklin, Steel Guitar, AssociatedPerformer - B. James Lowry, Acoustic Guitar, AssociatedPerformer - Brent Mason, Electric Guitar, AssociatedPerformer - Julian King, Recording Engineer, StudioPersonnel - Steve Nathan, Organ, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - LEE ANN WOMACK, Background Vocalist, MainArtist, AssociatedPerformer - Greg Droman, Mixer, StudioPersonnel

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

4
The Last Time (Album Version)
00:04:23

David Lee, ComposerLyricist - Tony Lane, ComposerLyricist - Stuart Duncan, Mandolin, AssociatedPerformer - Wes Hightower, Background Vocalist, AssociatedPerformer - Chris DuBois, ComposerLyricist - Larry Franklin, Fiddle, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Paul Franklin, Steel Guitar, AssociatedPerformer - B. James Lowry, Acoustic Guitar, AssociatedPerformer - Brent Mason, Electric Guitar, AssociatedPerformer - Julian King, Recording Engineer, StudioPersonnel - Steve Nathan, Piano, AssociatedPerformer - Shannon Forrest, Drums, Percussion, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - CHUCK AINLAY, Mixer, StudioPersonnel - Jelly Roll Johnson, Harmonica, AssociatedPerformer - LEE ANN WOMACK, MainArtist - Andrea Zonn, Background Vocalist, AssociatedPerformer

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

5
He Oughta Know That By Now (Album Version)
00:03:42

Wes Hightower, Background Vocalist, AssociatedPerformer - Larry Franklin, Fiddle, AssociatedPerformer - Jeremy Spillman, ComposerLyricist - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Grissom, Electric Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Julian King, Recording Engineer, StudioPersonnel - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - LEE ANN WOMACK, MainArtist - Greg Droman, Mixer, StudioPersonnel - Clint Ingersoll, ComposerLyricist

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

6
Twenty Years And Two Husbands Ago
00:03:49

Wes Hightower, Background Vocalist, AssociatedPerformer - Dale Dodson, ComposerLyricist - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - The Nashville String Machine, Strings, AssociatedPerformer - BYRON GALLIMORE, Producer - BERGEN WHITE, String Arranger, AssociatedPerformer - Julian King, Recording Engineer, StudioPersonnel - Steve Nathan, Piano, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Tom Bukovac, Electric Guitar, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - Carl Gorodetzky, Unknown, Other - Mark Casstevens, Acoustic Guitar, AssociatedPerformer - DEAN DILLON, ComposerLyricist - LEE ANN WOMACK, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Rusty Danmyer, Steel Guitar, AssociatedPerformer

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

7
Happiness (Album Version)
00:04:08

Wes Hightower, Background Vocalist, AssociatedPerformer - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Julian King, Recording Engineer, StudioPersonnel - Steve Nathan, Piano, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Tom Bukovac, Electric Guitar, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - LEE ANN WOMACK, MainArtist - Kostas, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Rusty Danmyer, Steel Guitar, AssociatedPerformer

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

8
When You Get To Me (Album Version)
00:04:02

Harry Stinson, Background Vocalist, AssociatedPerformer - Marv Green, ComposerLyricist - Bill Luther, Background Vocalist, AssociatedPerformer, ComposerLyricist - Troy Lancaster, Electric Guitar, AssociatedPerformer - Michael Rhodes, Bass Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - Robby Turner, Steel Guitar, AssociatedPerformer - Steve Nathan, Keyboards, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Tom Bukovac, Electric Guitar, AssociatedPerformer - Eric Darken, Percussion, AssociatedPerformer - Todd Gunnerson, Asst. Recording Engineer, StudioPersonnel - LEE ANN WOMACK, MainArtist - Greg Droman, Producer, Mixer, Recording Engineer, StudioPersonnel

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

9
Painless (Album Version)
00:04:33

Jimmy Nichols, Organ, AssociatedPerformer - Bill Luther, ComposerLyricist - Luke Laird, Background Vocalist, AssociatedPerformer, ComposerLyricist - Hillary Lindsey, ComposerLyricist - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer, Mixer, StudioPersonnel - Julian King, Recording Engineer, StudioPersonnel - Aubrey Haynie, Mandolin, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Tom Bukovac, Electric Guitar, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - LEE ANN WOMACK, MainArtist - Rusty Danmyer, Steel Guitar, AssociatedPerformer

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

10
What I Miss About Heaven (Album Version)
00:02:53

Marcus Hummon, ComposerLyricist - Annie Roboff, ComposerLyricist - Wes Hightower, Background Vocalist, AssociatedPerformer - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer, Mixer, Organ, AssociatedPerformer, StudioPersonnel - Julian King, Recording Engineer, StudioPersonnel - Steve Nathan, Synthesizer, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Banjo, Acoustic Guitar, AssociatedPerformer - Shannon Forrest, Drums, AssociatedPerformer - Tom Bukovac, Electric Guitar, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - Mark Casstevens, Banjo, AssociatedPerformer - LEE ANN WOMACK, MainArtist - Rusty Danmyer, Dobro, AssociatedPerformer

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

11
Waiting For The Sun To Shine (Album Version)
00:04:29

Sonny Throckmorton, ComposerLyricist - Jason Sellers, Background Vocalist, AssociatedPerformer - Larry Franklin, Mandolin, AssociatedPerformer - Randy Scruggs, Acoustic Guitar, AssociatedPerformer - David Grissom, Electric Guitar, AssociatedPerformer - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Paul Franklin, Steel Guitar, Dobro, AssociatedPerformer - Julian King, Recording Engineer, StudioPersonnel - Shannon Forrest, Drums, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - LEE ANN WOMACK, Background Vocalist, MainArtist, AssociatedPerformer - Greg Droman, Mixer, StudioPersonnel

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

12
Stubborn (Psalms 151)/Someone I Used To Know (Album Version)
00:04:06

LEE ANN WOMACK, MainArtist

℗ 2004 MCA Nashville, a Division of UMG Recordings, Inc.

13
Someone I Used To Know
00:02:25

Jack Clement, ComposerLyricist - David Bryant, Asst. Recording Engineer, StudioPersonnel - BYRON GALLIMORE, Producer - Julian King, Recording Engineer, StudioPersonnel - LEE ANN WOMACK, MainArtist

℗ 2005 MCA Nashville, a Division of UMG Recordings, Inc.

Approfondimenti

Lee Ann Womack has always been more comfortable with country-pop than hardcore country, sounding relaxed and assured in smoother surroundings. That friendliness helped Womack become one of the most popular country singers of the late '90s, and it's what made her albums enjoyable even when they were a little bit too slick or relied on material that was just this side of generic. There's More Where That Came From, her fifth proper studio album and first after her 2004 Greatest Hits compilation, is still firmly within the country-pop confines, but there's a notable difference -- as the rather brilliant cover art suggests, this hearkens back to the sound and style of early-'70s country-pop albums from the likes of Barbara Mandrell, Loretta Lynn, and Dolly Parton. Not that this is a retro effort, or anything like a stab at neo-traditionalist country. Instead, Womack takes her inspiration from these records, crafting a record that's laid-back but never lazy, smooth but never too slick, tuneful without being cloying. While it's not far removed from her earlier albums, There's More Where That Came From has a warmer feel, a textured, colorful production, and, best of all, a strong set of songs that may be highlighted by the cheater's anthem of the title track, but has 11 songs of equally high quality. All this adds up to an album that's not only the best album that Lee Ann Womack has yet made, but one that does suggest that there is indeed more where this came from.

© Stephen Thomas Erlewine /TiVo

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