Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Lingua disponibile: inglese
Though chock full of Osby's signature brand of dissonance, The Invisible Hand is one of the altoist's mellower, more contemplative offerings. Its most novel aspect is the inclusion of pianist Andrew Hill and guitarist Jim Hall, two of jazz's fascinating elder statesmen. Hill's piano style is fractured and fragmented, yet suffused with its own ornamental beauty. Hall is a master of the understated, perfectly chosen phrase. Both have worked with Osby on more than one occasion. But The Invisible Hand is an historic first: prior to its recording, Hill and Hall had never played together. Disappointingly, the two are paired only on Hill's "Ashes" and Hall's "Sanctus"; otherwise, they appear separately. In fact, Hall is present only on three of the album's ten tracks, giving listeners only the briefest glimpse of his talents. Hill, appearing on six numbers, is utilized more effectively; the pianist is especially brilliant on Fats Waller's "Jitterbug Waltz." Gary Thomas, an Osby contemporary, overdubs multiple woodwinds to create thick orchestration on "Nature Boy," "With Son," and a couple of others. Bassist Scott Colley and drummer Terri Lynne Carrington provide reliable rhythmic support throughout. But overall the record suffers from a discontinuity brought about by repeated personnel shifts. In a sense, The Invisible Hand sounds like three different albums, and Osby's production seems unnecessarily convoluted.
© David R. Adler /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Andrew Hill, ComposerLyricist - Greg Osby, Producer, MainArtist - Kay Vaughn, Producer, Co-Producer
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Quincy Jones, Composer - Howard Greenfield, Composer - Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Thomas "Fats" Waller, Composer - Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Composer, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - BALLARD MACDONALD, ComposerLyricist - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - James Frederick Hanley, ComposerLyricist - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - EDEN AHBEZ, ComposerLyricist - Greg Osby, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Composer, Piano, AssociatedPerformer - Greg Osby, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Gary Thomas, Flute, Tenor Saxophone, Alto Flute, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Andrew Hill, Piano, AssociatedPerformer - Greg Osby, Composer, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Terri Lyne Carrington, Drums, AssociatedPerformer - Joseph Marciano, Mixer, Recording Engineer, StudioPersonnel - Scott Colley, AssociatedPerformer, Bass (Vocal) - Nancy Marciano, Asst. Recording Engineer, StudioPersonnel - Nicholas Prout, Mastering Engineer, StudioPersonnel
(C) 2000 Blue Note Records ℗ 2000 Blue Note Records
Approfondimenti
Though chock full of Osby's signature brand of dissonance, The Invisible Hand is one of the altoist's mellower, more contemplative offerings. Its most novel aspect is the inclusion of pianist Andrew Hill and guitarist Jim Hall, two of jazz's fascinating elder statesmen. Hill's piano style is fractured and fragmented, yet suffused with its own ornamental beauty. Hall is a master of the understated, perfectly chosen phrase. Both have worked with Osby on more than one occasion. But The Invisible Hand is an historic first: prior to its recording, Hill and Hall had never played together. Disappointingly, the two are paired only on Hill's "Ashes" and Hall's "Sanctus"; otherwise, they appear separately. In fact, Hall is present only on three of the album's ten tracks, giving listeners only the briefest glimpse of his talents. Hill, appearing on six numbers, is utilized more effectively; the pianist is especially brilliant on Fats Waller's "Jitterbug Waltz." Gary Thomas, an Osby contemporary, overdubs multiple woodwinds to create thick orchestration on "Nature Boy," "With Son," and a couple of others. Bassist Scott Colley and drummer Terri Lynne Carrington provide reliable rhythmic support throughout. But overall the record suffers from a discontinuity brought about by repeated personnel shifts. In a sense, The Invisible Hand sounds like three different albums, and Osby's production seems unnecessarily convoluted.
© David R. Adler /TiVo
A proposito dell'album
- 1 disco(i) - 10 traccia(e)
- Durata totale: 01:05:18
- Artisti principali: Greg Osby
- Compositore: Various Composers
- Etichetta: Blue Note Records
- Genere: Jazz
© 2000 Blue Note Records ℗ 2000 Blue Note Records
Migliorare le informazioni sugli album
Perché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.