Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Lingua disponibile: inglese
Dean Martin's career turnaround in 1964 came as a result of his hit recording of "Everybody Loves Somebody." It led to a higher profile on television and in the movies, which may have given the entertainer less time to make records. Nevertheless, the demand for them remained constant, and Reprise, his record label, satisfied that demand by mixing the new sides he managed to cut with previously issued ones. The Hit Sound of Dean Martin, like the previous year's Dean Martin Hits Again, had a title that implied it was a hits compilation. In fact, it was a combination of Martin's two most recent Top 40 pop and Top Five easy listening hits, "Come Running Back" and "A Million and One," with six newly recorded songs, the B-side of "A Million and One" (Lee Hazlewood's "Shades"), and two tracks, "Any Time" and "Ain't Gonna Try Anymore," that had been released originally on Country Style in 1963. ("Any Time," in fact, was making its third LP appearance, also having been used on Somewhere There's a Someone only four and a half months earlier.) The new songs, as usual arranged in a style that would define them as country music if they had been recorded in Nashville by a singer with more of a twang in his voice, were no great shakes. (The chart for "A Million and One" was a dead ringer for the Ray Charles version of "I Can't Stop Loving You.") And there was evidence that Reprise's blatant exploitation was starting to hurt Martin with record buyers. Previously, his albums had been reliable Top 20 entries and gold-sellers. The Hit Sound of Dean Martin only made the Top 40 and became his first LP since "Everybody Loves Somebody" hit not to go gold.
© William Ruhlmann /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
ERNIE FREEMAN, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - Y. Devaney, Composer, Lyricist
Originally released 1966. All rights reserved by Dean Martin Family Trust
Billy Mize, Composer, Lyricist - Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer
Originally released 1966. All rights reserved by Dean Martin Family Trust
Herbert Lawson, Composer, Lyricist - Chuck Sagle, Producer - Dean Martin, MainArtist, AssociatedPerformer - DON COSTA, Conductor, Arranger
Originally released 1962. All rights reserved by Dean Martin Family Trust
Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - BAKER KNIGHT, Composer, Lyricist
Originally released 1966. All rights reserved by Dean Martin Family Trust
Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - Jan Crutchfield, Composer, Lyricist
Originally released 1966. All rights reserved by Dean Martin Family Trust
D. GLASSER, Composer, Lyricist - ERNIE FREEMAN, Arranger - Billy Strange, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer
Originally released 1966. All rights reserved by Dean Martin Family Trust
Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer - Lee Hazlewood, Composer, Lyricist
Originally released 1966. All rights reserved by Dean Martin Family Trust
Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Mary Taylor, Composer, Lyricist - Jimmy Bowen, Producer
Originally released 1966. All rights reserved by Dean Martin Family Trust
Billy Mize, Composer, Lyricist - Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer
Originally released 1966. All rights reserved by Dean Martin Family Trust
Bill Anderson, Composer, Lyricist - Billy Strange, Conductor, Arranger - Bill Justis, Conductor, Arranger - Dean Martin, MainArtist, AssociatedPerformer - Jimmy Bowen, Producer
Originally released 1966. All rights reserved by Dean Martin Family Trust
Clint Ballard, Composer, Lyricist - Chuck Sagle, Producer - Dean Martin, MainArtist, AssociatedPerformer - DON COSTA, Arranger
Originally released 1963. All rights reserved by Dean Martin Family Trust
Approfondimenti
Dean Martin's career turnaround in 1964 came as a result of his hit recording of "Everybody Loves Somebody." It led to a higher profile on television and in the movies, which may have given the entertainer less time to make records. Nevertheless, the demand for them remained constant, and Reprise, his record label, satisfied that demand by mixing the new sides he managed to cut with previously issued ones. The Hit Sound of Dean Martin, like the previous year's Dean Martin Hits Again, had a title that implied it was a hits compilation. In fact, it was a combination of Martin's two most recent Top 40 pop and Top Five easy listening hits, "Come Running Back" and "A Million and One," with six newly recorded songs, the B-side of "A Million and One" (Lee Hazlewood's "Shades"), and two tracks, "Any Time" and "Ain't Gonna Try Anymore," that had been released originally on Country Style in 1963. ("Any Time," in fact, was making its third LP appearance, also having been used on Somewhere There's a Someone only four and a half months earlier.) The new songs, as usual arranged in a style that would define them as country music if they had been recorded in Nashville by a singer with more of a twang in his voice, were no great shakes. (The chart for "A Million and One" was a dead ringer for the Ray Charles version of "I Can't Stop Loving You.") And there was evidence that Reprise's blatant exploitation was starting to hurt Martin with record buyers. Previously, his albums had been reliable Top 20 entries and gold-sellers. The Hit Sound of Dean Martin only made the Top 40 and became his first LP since "Everybody Loves Somebody" hit not to go gold.
© William Ruhlmann /TiVo
A proposito dell'album
- 1 disco(i) - 11 traccia(e)
- Durata totale: 00:25:45
- Artisti principali: Dean Martin
- Compositore: Various Composers
- Etichetta: Legacy Recordings
- Genere: Pop/Rock Pop
Originally released 1966. All rights reserved by Dean Martin Family Trust
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.