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Graham Parker|Squeezing Out Sparks

Squeezing Out Sparks

Graham Parker

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Generally regarded as Graham Parker's finest album, Squeezing Out Sparks is a masterful fusion of pub rock classicism, new wave pop, and pure vitriol that makes even his most conventional singer/songwriter numbers bristle with energy. Not only does Parker deliver his best, most consistent set of songs, but he offers more succinct hooks than before -- "Local Girls" and "Discovering Japan" are powered by quirky hooks that make them new wave classics. But Parker's new pop inclinations are tempered by his anger, which seethes throughout the hard rockers and even his quieter numbers. Throughout Squeezing Out Sparks, Graham spits out a litany of offenses that make him feel like an outsider, but he's not a liberal, he's a conservative. The record's two centerpieces -- "Passion Is No Ordinary Word" and the anti-abortion "You Can't Be Too Strong" -- indicate that his traditionalist musical tendencies are symptomatic of a larger conservative trend. But no one ever said conservatives made poor rock & rollers, and Parker's ruminations over a lost past give him the anger that fuels Squeezing Out Sparks, one of the great rock records of the post-punk era.

© Stephen Thomas Erlewine /TiVo

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Squeezing Out Sparks

Graham Parker

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1
Discovering Japan
Graham Parker & The Rumour
00:03:27

Graham Parker, ComposerLyricist - Jack Nitzsche, Producer - Graham Parker & The Rumour, MainArtist

℗ 1979 Arista Records, Inc.

2
Local Girls
Graham Parker & The Rumour
00:03:37

Graham Parker, ComposerLyricist - Jack Nitzsche, Producer - Graham Parker & The Rumour, MainArtist

℗ 1979 Mercury Records Limited

3
Nobody Hurts You
Graham Parker
00:03:39

Graham Parker, MainArtist

℗ 1979 Mercury Records Limited

4
You Can't Be Too Strong
Graham Parker & The Rumour
00:03:16

Graham Parker, Vocals, AssociatedPerformer, ComposerLyricist - Jack Nitzsche, Producer - Graham Parker & The Rumour, MainArtist

℗ 1979 Mercury Records Limited

5
Passion Is No Ordinary Word
Graham Parker & The Rumour
00:04:25

Graham Parker, Vocals, AssociatedPerformer, ComposerLyricist - Jack Nitzsche, Producer - Graham Parker & The Rumour, MainArtist

℗ 1979 Mercury Records Limited

6
Saturday Nite Is Dead
Graham Parker & The Rumour
00:03:18

Graham Parker & The Rumour, MainArtist

℗ 1979 Mercury Records Limited

7
Love Gets You Twisted
Graham Parker & The Rumour
00:02:59

Graham Parker, Vocals, AssociatedPerformer, ComposerLyricist - Jack Nitzsche, Producer - Graham Parker & The Rumour, MainArtist

℗ 1979 Mercury Records Limited

8
Protection
Graham Parker
00:03:52

Graham Parker, MainArtist

℗ 1979 Mercury Records Limited

9
Waiting For The UFO's
Graham Parker
00:03:07

Graham Parker, MainArtist

℗ 1979 Mercury Records Limited

10
Don't Get Excited
Graham Parker
00:03:02

Graham Parker, MainArtist

℗ 1979 Mercury Records Limited

Approfondimenti

Generally regarded as Graham Parker's finest album, Squeezing Out Sparks is a masterful fusion of pub rock classicism, new wave pop, and pure vitriol that makes even his most conventional singer/songwriter numbers bristle with energy. Not only does Parker deliver his best, most consistent set of songs, but he offers more succinct hooks than before -- "Local Girls" and "Discovering Japan" are powered by quirky hooks that make them new wave classics. But Parker's new pop inclinations are tempered by his anger, which seethes throughout the hard rockers and even his quieter numbers. Throughout Squeezing Out Sparks, Graham spits out a litany of offenses that make him feel like an outsider, but he's not a liberal, he's a conservative. The record's two centerpieces -- "Passion Is No Ordinary Word" and the anti-abortion "You Can't Be Too Strong" -- indicate that his traditionalist musical tendencies are symptomatic of a larger conservative trend. But no one ever said conservatives made poor rock & rollers, and Parker's ruminations over a lost past give him the anger that fuels Squeezing Out Sparks, one of the great rock records of the post-punk era.

© Stephen Thomas Erlewine /TiVo

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