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Karl Larson|Scott Wollschleger: Dark Days

Scott Wollschleger: Dark Days

Karl Larson

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Lingua disponibile: inglese

The music of composer Scott Wollschleger has a distinctive profile that emerges clearly in solo piano music, making this a good choice for those interested in his music. Wollschleger combines several quite diverse influences from the past into a new and coherent whole. The composer is a synaesthete, and the first thing that strikes the listener here is the variety of colors he calls forth from the keyboard, beautifully brought out by his champion pianist, Karl Larson. Wollschleger's treatment of the piano unmistakably brings to mind a Claude Debussy brought into the modern era. There's also a slow-moving, repetitive quality suggesting the influence of the minimalists and perhaps of Morton Feldman. In terms of rhythm, however, Wollschleger is closer to high modernism, using devices such as proportional rhythm and generally an emphasis on the duration of notes rather than on pulse, which is there but elusive. In his transparent textures, these rhythmic devices come through clearly and interact in a wholly original way with the coloristic aspect of the composer's music. Larson worked closely with Wollschleger over the several years in which these pieces took shape, and his readings may be regarded as definitive. A novel contemporary release rooted in long traditions and accessible to all.
© TiVo

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Scott Wollschleger: Dark Days

Karl Larson

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Dark Days (Scott Wollschleger)

1
Dark Days
00:01:40

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Tiny Oblivion (Scott Wollschleger)

2
Tiny Oblivion
00:06:28

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Music Without Metaphor (Scott Wollschleger)

3
Music Without Metaphor
00:07:19

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Blue Inscription (Scott Wollschleger)

4
Blue Inscription
00:05:44

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Lyric-Fragment (Scott Wollschleger)

5
Lyric-Fragment
00:04:00

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Brontal No. 2 “Holiday” (Scott Wollschleger)

6
Brontal No. 2 “Holiday”
00:07:42

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Brontal No. 6 (Scott Wollschleger)

7
Brontal No. 6
00:05:29

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Brontal No. 11 “I-80” (Scott Wollschleger)

8
Brontal No. 11 “I-80”
00:03:42

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Secret Machine No. 4 (Scott Wollschleger)

9
Secret Machine No. 4
00:02:13

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Secret Machine No. 6 (Scott Wollschleger)

10
Secret Machine No. 6
00:04:31

Karl Larson, Artist, MainArtist - Scott Wollschleger, Composer

(C) 2021 New Focus Recordings (P) 2021 New Focus Recordings

Approfondimenti

The music of composer Scott Wollschleger has a distinctive profile that emerges clearly in solo piano music, making this a good choice for those interested in his music. Wollschleger combines several quite diverse influences from the past into a new and coherent whole. The composer is a synaesthete, and the first thing that strikes the listener here is the variety of colors he calls forth from the keyboard, beautifully brought out by his champion pianist, Karl Larson. Wollschleger's treatment of the piano unmistakably brings to mind a Claude Debussy brought into the modern era. There's also a slow-moving, repetitive quality suggesting the influence of the minimalists and perhaps of Morton Feldman. In terms of rhythm, however, Wollschleger is closer to high modernism, using devices such as proportional rhythm and generally an emphasis on the duration of notes rather than on pulse, which is there but elusive. In his transparent textures, these rhythmic devices come through clearly and interact in a wholly original way with the coloristic aspect of the composer's music. Larson worked closely with Wollschleger over the several years in which these pieces took shape, and his readings may be regarded as definitive. A novel contemporary release rooted in long traditions and accessible to all.
© TiVo

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