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Marcus Miller's career as a sideman, composer, and producer in jazz, R&B, and pop has been prolific. He's continuously pushed boundaries in order to blur and integrate genres. Renaissance is his first studio recording in five years (Free was released in 2007 in Europe and Japan, then re-released in the United States as Marcus in 2008). Renaissance's title reflects the idea that music needs a rebirth to keep up with the creative possibilities afforded by technology, and to reflect the ever-shifting, politically charged cultural landscape. The manner in which he posits this is anything but theoretical, however. Renaissance may be the most emotive offering in Miller's catalog. Groove and firepower are near constants here. Jazz-funk, R&B, rock, post-bop, club-jazz, and more come together in a wide-ranging collection that is deeply focused and expertly sequenced. Using a revolving cast whose core is alto saxophonist Alex Han, guitarist Adam Agati, and keyboardist Federico Gonzalez Peña, guests include trumpeters Maurice Brown and Sean Jones, organist Bobby Sparks, and more. Things get off to a skittering start on "Detroit," with Miller's bass riding heard over a knotty jazz-funk groove. Louis Cato's drums accent breaks in key sections, the souled-out horns highlight the choruses, and Agati's guitar nastily accents it all while Han's alto solo is a monster. The cover of "Slipping Into Darkness" melds Kris Bowers' piano and Sparks' organ with hand percussion, both trumpets, and Miller's funky reggae groove. The melody accents syncopation on the backbeat before weaving Bob Marley's and Peter Tosh's "Get Up, Stand Up" in as a logical yet surprising extension. Bowers' knotty piano solo illustrates the wide possibilities for jazz improvisation. "Jekyll & Hyde" combines alternate passages of elegant, soulful contemporary jazz with riff-driven rock as Agati and Miller complement and push one another. "Revelation" is a rumbling modal jam with funky highlights and fine soloing by Han. "Gorée (Go-ray)," with Miller on bass clarinet, is a lilting, post-bop ballad with lovely melodic interplay; it was inspired by his visit to the House of Slaves on Gorée Island, his feelings standing inside and reflecting on the horror of the slave experience. It's emotional quality contains numerous dimensions. It is a meditation on how the ends of the lives of these slaves as they knew them also birthed of the African-American experience, one of continued struggle that culturally evolved and transfromed into diverse musical forms that bore witness to tragedy but also triumph as the art created from this history has brought joy and meaning to individuals and societies across globe. Its tenderness and equanimity tells the whole story. "Cee-Tee-Eye," while a thoroughly contemporary jazz tune, pays excellent tribute to the inspiration of Creed Taylor's label. The set closer, a simple reading of "I'll Be There," showcases the bassist's gift for lyricism and understatement. Renaissance is a lofty title, but the inspired performances Miller puts on offer get very close to delivering on the ambition it promises.
© Thom Jurek /TiVo
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Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Composer, Producer, Additional Recording, Bass, Performance, MainArtist, ExecutiveProducer - DAVID ISAAC, Mixer - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Maurice Brown, Trumpet - Chris Finney, Additional Recording - Taka Honda, Additional Recording - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Kris Bowers, Piano, Fender Rhodes Piano - Alex Han, Alto Saxophone - Adam Agati, Guitar - Louis Cato, Drums - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Composer, Producer, Additional Recording, Bass, Performance, MainArtist - DAVID ISAAC, Mixer - Adam Rogers, Guitar - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Chris Finney, Additional Recording - Sean Jones, Trumpet - Taka Honda, Additional Recording - Federico Gonzalez Peña, Fender Rhodes Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Louis Cato, Drums - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Composer, Producer, Additional Recording, Bass, Performance, MainArtist, ExecutiveProducer - DAVID ISAAC, Mixer - Adam Rogers, Acoustic Guitar - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Maurice Brown, Trumpet - Chris Finney, Additional Recording - Taka Honda, Additional Recording - Federico Gonzalez Peña, Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Louis Cato, Drums - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Lee Oskar, Composer - Harold Brown, Composer - Howard Scott, Composer - Bobby Sparks, Organ - Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Producer, Additional Recording, Bass, Performance, MainArtist - DAVID ISAAC, Mixer - B.B. Dickerson, Composer - Lonnie Jordan, Composer - Charles Miller, Composer - Adam Rogers, Guitar - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Maurice Brown, Trumpet - Ramon Yslas, Percussion - Chris Finney, Additional Recording - Sean Jones, Trumpet - Taka Honda, Additional Recording - Kevin Harper, Engineer, AssistantEngineer - Papa Dee Allen, Composer - George Shaw, Engineer, AssistantEngineer - Kris Bowers, Piano - Alex Han, Alto Saxophone - Louis Cato, Drums - Harold Goode, Producer, ExecutiveProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Gilson Peranzzetta, Composer - Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Producer, Bass Clarinet, Additional Recording, Acoustic Bass, Performance, Fretless Bass, MainArtist, ExecutiveProducer - DAVID ISAAC, Mixer - Ruben Blades, FeaturedArtist - IVAN LINS, Composer - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Ramon Yslas, Percussion - Chris Finney, Additional Recording - Gretchen Parlato, Vocals, FeaturedArtist - Taka Honda, Additional Recording - Federico Gonzalez Peña, Piano, Fender Rhodes Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Louis Cato, Drums - Harold Goode, Producer, ExecutiveProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Bobby Sparks, Organ - Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Composer, Producer, Additional Recording, Bass, MainArtist - DAVID ISAAC, Mixer - Adam Rogers, Guitar - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Chris Finney, Additional Recording - Sean Jones, Trumpet - Taka Honda, Additional Recording - Federico Gonzalez Peña, Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Louis Cato, Drums - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Producer, Additional Recording, Bass, MainArtist - DAVID ISAAC, Mixer - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Ramon Yslas, Percussion - Chris Finney, Additional Recording - Luther Hanes, Composer - Taka Honda, Additional Recording - Federico Gonzalez Peña, Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Adam Agati, Guitar - Louis Cato, Drums - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Composer, Producer, Additional Recording, Bass, MainArtist - DAVID ISAAC, Mixer - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Ramon Yslas, Percussion - Chris Finney, Additional Recording - Taka Honda, Additional Recording - Federico Gonzalez Peña, Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Adam Agati, Guitar - Louis Cato, Drums - Harold Goode, Producer, ExecutiveProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Bruce Miller, Mixer - Weldon Irvine, Jr., Composer - Bobby Sparks, Organ, Clavinet - Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Producer, Additional Recording, Bass, MainArtist, ExecutiveProducer - Adam Rogers, Guitar - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Chris Finney, Additional Recording - Sean Jones, Trumpet - Taka Honda, Additional Recording - Federico Gonzalez Peña, Fender Rhodes Piano - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Louis Cato, Drums - Harold Goode, Producer, ExecutiveProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Composer, Producer, Bass Clarinet, Additional Recording, Bass, MainArtist, ExecutiveProducer - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Chris Finney, Additional Recording - Taka Honda, Mixer, Additional Recording - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Alex Han, Alto Saxophone - Harold Goode, Producer, ExecutiveProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Darcy Proper, Engineer, MasteringEngineer - Paul Jackson Jr., Guitar - MARCUS MILLER, Composer, Producer, Additional Recording, Bass, MainArtist, ExecutiveProducer - DAVID ISAAC, Mixer - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Maurice Brown, Trumpet - Chris Finney, Additional Recording - Taka Honda, Additional Recording - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Kris Bowers, Fender Rhodes Piano - Alex Han, Alto Saxophone - Adam Agati, Guitar - Louis Cato, Drums, Congas - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Antwan Patton, Composer - Dr. John, Vocals - Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Producer, Additional Recording, Bass, MainArtist - Bibi Green, Coordinator - Janelle Monáe Robinson, Composer - Chris Allen, Engineer, RecordingEngineer - Chris Finney, Additional Recording - Taka Honda, Mixer, Additional Recording - Charles Delbert Joseph II, Composer - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Kris Bowers, Piano - Alex Han, Alto Saxophone - Adam Agati, Guitar - Nathaniel Irvin, Composer - Louis Cato, Drums - Harold Goode, Producer, ExecutiveProducer - Harry Martin, Producer, ExecutiveProducer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Berry Gordy Jr., Composer - Willie Hutchinson, Composer - Bob West, Composer - Darcy Proper, Engineer, MasteringEngineer - MARCUS MILLER, Producer, Additional Recording, Bass, MainArtist - Bibi Green, Coordinator - Chris Allen, Engineer, RecordingEngineer - Chris Finney, Additional Recording - Taka Honda, Mixer, Additional Recording - Kevin Harper, Engineer, AssistantEngineer - George Shaw, Engineer, AssistantEngineer - Harold Goode, Producer, AssociateProducer - Harry Martin, Producer, ExecutiveProducer - Freddy Wexley, Composer
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Approfondimenti
Marcus Miller's career as a sideman, composer, and producer in jazz, R&B, and pop has been prolific. He's continuously pushed boundaries in order to blur and integrate genres. Renaissance is his first studio recording in five years (Free was released in 2007 in Europe and Japan, then re-released in the United States as Marcus in 2008). Renaissance's title reflects the idea that music needs a rebirth to keep up with the creative possibilities afforded by technology, and to reflect the ever-shifting, politically charged cultural landscape. The manner in which he posits this is anything but theoretical, however. Renaissance may be the most emotive offering in Miller's catalog. Groove and firepower are near constants here. Jazz-funk, R&B, rock, post-bop, club-jazz, and more come together in a wide-ranging collection that is deeply focused and expertly sequenced. Using a revolving cast whose core is alto saxophonist Alex Han, guitarist Adam Agati, and keyboardist Federico Gonzalez Peña, guests include trumpeters Maurice Brown and Sean Jones, organist Bobby Sparks, and more. Things get off to a skittering start on "Detroit," with Miller's bass riding heard over a knotty jazz-funk groove. Louis Cato's drums accent breaks in key sections, the souled-out horns highlight the choruses, and Agati's guitar nastily accents it all while Han's alto solo is a monster. The cover of "Slipping Into Darkness" melds Kris Bowers' piano and Sparks' organ with hand percussion, both trumpets, and Miller's funky reggae groove. The melody accents syncopation on the backbeat before weaving Bob Marley's and Peter Tosh's "Get Up, Stand Up" in as a logical yet surprising extension. Bowers' knotty piano solo illustrates the wide possibilities for jazz improvisation. "Jekyll & Hyde" combines alternate passages of elegant, soulful contemporary jazz with riff-driven rock as Agati and Miller complement and push one another. "Revelation" is a rumbling modal jam with funky highlights and fine soloing by Han. "Gorée (Go-ray)," with Miller on bass clarinet, is a lilting, post-bop ballad with lovely melodic interplay; it was inspired by his visit to the House of Slaves on Gorée Island, his feelings standing inside and reflecting on the horror of the slave experience. It's emotional quality contains numerous dimensions. It is a meditation on how the ends of the lives of these slaves as they knew them also birthed of the African-American experience, one of continued struggle that culturally evolved and transfromed into diverse musical forms that bore witness to tragedy but also triumph as the art created from this history has brought joy and meaning to individuals and societies across globe. Its tenderness and equanimity tells the whole story. "Cee-Tee-Eye," while a thoroughly contemporary jazz tune, pays excellent tribute to the inspiration of Creed Taylor's label. The set closer, a simple reading of "I'll Be There," showcases the bassist's gift for lyricism and understatement. Renaissance is a lofty title, but the inspired performances Miller puts on offer get very close to delivering on the ambition it promises.
© Thom Jurek /TiVo
A proposito dell'album
- 1 disco(i) - 13 traccia(e)
- Durata totale: 01:12:33
- Artisti principali: Marcus Miller
- Compositore: Various Composers
- Etichetta: Dreyfus Jazz
- Genere: Jazz
© 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company ℗ 2012 3 Deuces Records, Inc. under exclusive license to Francis Dreyfus Music SARL, a BMG Company
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