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Lingua disponibile: inglese
Doc Watson has never recorded a bad album, and Red Rocking Chair, drawn from sessions in California in December 1980 and January 1981, is no exception. With his son Merle Watson on additional guitar and banjo, and with T. Michael Coleman on bass, Watson brings his own considerable guitar and banjo skills to bear on this selection of folk and blues tunes. Doc's voice is as easy and as comfortable as an old fishing hat, and that quality makes tunes like "Sadie," "Old Rocking Chair," and "Mole in the Ground" appear as familiar as old friends at a cookout. Watson's version of Tom Paxton's "John Hurt" is taken at a slightly faster pace than the original, and may well be the definitive take of this homage to Mississippi John Hurt. The transformation of Leroy Carr's "How Long Blues" into an easy guitar shuffle, complete with Charlie Musselwhite on harmonica, is further proof of how Watson makes everything he touches fit into his personal and seamless tour of American folk music.
© Steve Leggett /TiVo
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Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist, ComposerLyricist - George Hill, ComposerLyricist
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Traditional, ComposerLyricist - Mitch Greenhill, Producer - Doc Watson, Arranger, Work Arranger - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Daniel Fogelberg, ComposerLyricist - Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Merle Travis, ComposerLyricist - Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist - Sollie Williams, ComposerLyricist
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Doc & Merle Watson, MainArtist - T. Michael Coleman, ComposerLyricist
℗ 2006 Rounder Records Corp.
Jimmie Rodgers, ComposerLyricist - Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist - Julien Bruyninx, ComposerLyricist
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Tom Paxton, ComposerLyricist - Ron Tutt, Drums, AssociatedPerformer - Mitch Greenhill, Producer - Doc Watson, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Merle Watson, Banjo, AssociatedPerformer - Doc & Merle Watson, MainArtist - T. Michael Coleman, Bass, AssociatedPerformer
℗ 2004 Rounder Records Corp.
Traditional, ComposerLyricist - Doc & Merle Watson, MainArtist
℗ 2006 Rounder Records Corp.
Jimmie Rodgers, ComposerLyricist - Doc & Merle Watson, MainArtist
℗ 2004 Rounder Records Corp.
Traditional, Composer - Mitch Greenhill, Producer - Doc Watson, Author, Arranger, Guitar, Vocals, Work Arranger, AssociatedPerformer - Merle Watson, Banjo, AssociatedPerformer - Doc & Merle Watson, MainArtist - T. Michael Coleman, Bass, FeaturedArtist, AssociatedPerformer
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Leroy Carr, ComposerLyricist - Doc & Merle Watson, MainArtist
℗ 2004 Rounder Records Corp.
Traditional, ComposerLyricist - Mitch Greenhill, Producer - Doc Watson, Arranger, Work Arranger - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist
℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
Approfondimenti
Doc Watson has never recorded a bad album, and Red Rocking Chair, drawn from sessions in California in December 1980 and January 1981, is no exception. With his son Merle Watson on additional guitar and banjo, and with T. Michael Coleman on bass, Watson brings his own considerable guitar and banjo skills to bear on this selection of folk and blues tunes. Doc's voice is as easy and as comfortable as an old fishing hat, and that quality makes tunes like "Sadie," "Old Rocking Chair," and "Mole in the Ground" appear as familiar as old friends at a cookout. Watson's version of Tom Paxton's "John Hurt" is taken at a slightly faster pace than the original, and may well be the definitive take of this homage to Mississippi John Hurt. The transformation of Leroy Carr's "How Long Blues" into an easy guitar shuffle, complete with Charlie Musselwhite on harmonica, is further proof of how Watson makes everything he touches fit into his personal and seamless tour of American folk music.
© Steve Leggett /TiVo
A proposito dell'album
- 1 disco(i) - 12 traccia(e)
- Durata totale: 00:30:08
- Artisti principali: Doc & Merle Watson
- Compositore: Various Composers
- Etichetta: Rounder Records
- Genere: Blues/Country/Folk Country
© 1981 Rounder Records, a division of Concord Music Group, Inc. ℗ 1981 Rounder Records, a division of Concord Music Group, Inc.
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