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Andreas Haefliger|Perspectives 7

Perspectives 7

Andreas Haefliger

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In 2004 the excellent Swiss pianist Andreas Haefliger started to concoct programmes for recitals which he called "Perspectives"; each time he would present one or two Beethoven sonatas, mirroring works by other composers, from Mozart to Berio. The seventh episode in this musical saga was a successful performance, in 2016, at the Edinburgh festival. Hailed as "inspiringly commanding, thoughtful, lucid and sheerly beautiful" by the Scottish press, this recital programme makes up the content of this record.
The pivot of this new album is Piano Sonata No. 28 in A major, Op. 101 by Beethoven, one of the first to throw wide open the doors of a modernity which would defeat many composers. In this demonstration, Haeflinger makes use of the Sonata op. 1 of Berg; Franz Liszt, who he gives a luminous and teeming rendition of the debussyist chirruping of St. Francis of Assisi's Sermon to the Birds, followed by Pictures at an Exhibition by Mussorgsky: a version which both respects the text and offers an infinite variety of colours and atmospheres.
From a family steeped in high culture – his father was a great tenor – Andreas Haeflinger has pursued a discreet career without any great media fanfare, building a repertoire that runs from Bach to the present day, notably alongside the French composer Karol Beffa, whose piano concerto La vie antérieure he performed in 2012 with the Orchestre de Paris, conducted by Paavo Järvi. Many have praised the alloy of power, elegance, and poetry that characterises his art. He is a regular fixture with the greatest orchestras and the most respected concert halls. His vast discography also includes chamber music from the Takács Quartet and recitals of Lieder with Matthias Goerne. © François Hudry/Qobuz

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Perspectives 7

Andreas Haefliger

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1
Piano Sonata, Op. 1
00:14:44

Alban Berg, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

2 Légendes, S. 175 (Franz Liszt)

2
No. 1, St. François d'Assise - La prédication aux oiseaux
00:10:52

Franz Liszt, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

Piano Sonata No. 28 in A Major, Op. 101 (Ludwig van Beethoven)

3
I. Etwas lebhaft und mit der innigsten Empfindung
00:04:50

Ludwig van Beethoven, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

4
II. Lebhaft. Marschmäẞig
00:06:18

Ludwig van Beethoven, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

5
III. Langsam und sehnsuchtsvoll
00:03:35

Ludwig van Beethoven, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

6
IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit
00:08:02

Ludwig van Beethoven, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

Pictures at an Exhibition (Modeste Moussorgski)

7
Promenade I
00:01:35

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

8
I. Gnomus
00:03:07

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

9
Promenade II
00:01:05

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

10
II. Old Castle
00:04:41

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

11
Promenade III
00:00:37

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

12
III. Tuileries
00:01:00

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

13
IV. Bydło
00:03:06

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

14
Promenade IV
00:01:03

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

15
V. Ballet of the Chickens in Their Shells
00:00:59

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

16
VI. Samuel Goldenberg & Schmuÿle
00:02:34

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

17
Promenade V
00:01:40

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

18
VII. The Marketplace at Limoges
00:01:21

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

19
VIIIa. Catacombæ (Sepulcrum Romanum)
00:02:37

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

20
VIIIb. Con mortuis in lingua mortua
00:02:49

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

21
IX. The Hut on Fowl's Legs (Baba-Yagá)
00:03:24

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

22
X. The Great Gate at Kiev
00:06:46

Modest Mussorgsky, Composer - Andreas Haefliger, MainArtist, AssociatedPerformer

2018 BIS 2018 (P) BIS

Approfondimenti

In 2004 the excellent Swiss pianist Andreas Haefliger started to concoct programmes for recitals which he called "Perspectives"; each time he would present one or two Beethoven sonatas, mirroring works by other composers, from Mozart to Berio. The seventh episode in this musical saga was a successful performance, in 2016, at the Edinburgh festival. Hailed as "inspiringly commanding, thoughtful, lucid and sheerly beautiful" by the Scottish press, this recital programme makes up the content of this record.
The pivot of this new album is Piano Sonata No. 28 in A major, Op. 101 by Beethoven, one of the first to throw wide open the doors of a modernity which would defeat many composers. In this demonstration, Haeflinger makes use of the Sonata op. 1 of Berg; Franz Liszt, who he gives a luminous and teeming rendition of the debussyist chirruping of St. Francis of Assisi's Sermon to the Birds, followed by Pictures at an Exhibition by Mussorgsky: a version which both respects the text and offers an infinite variety of colours and atmospheres.
From a family steeped in high culture – his father was a great tenor – Andreas Haeflinger has pursued a discreet career without any great media fanfare, building a repertoire that runs from Bach to the present day, notably alongside the French composer Karol Beffa, whose piano concerto La vie antérieure he performed in 2012 with the Orchestre de Paris, conducted by Paavo Järvi. Many have praised the alloy of power, elegance, and poetry that characterises his art. He is a regular fixture with the greatest orchestras and the most respected concert halls. His vast discography also includes chamber music from the Takács Quartet and recitals of Lieder with Matthias Goerne. © François Hudry/Qobuz

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