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Joonas Ahonen|Ligeti: Concertos

Ligeti: Concertos

Joonas Ahonen, Christian Poltéra, BIT20 Ensemble and Baldur Brönnimann

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The unifying idea of the concerto provides a way to get a handle on György Ligeti's experimental spirit, for a concerto here represents several fundamentally different things. The Cello Concerto of 1966, right at the height of Ligeti's exuberantly fearless adventures in 1960s Germany, might almost be called an anti-concerto, with the cello doing its best to hang on the edge of silence. Sample the very first movement, both for the precision of cellist Christian Poltéra's work at the low end of the dynamic spectrum and for the ideally clean engineering work by the BIS label, operating in a variety of Norwegian venues and mastering them, well, masterfully. The Chamber Concerto for 13 Instruments and the Melodien are essentially concertos for orchestra, with distinctive roles for each of the instruments, while the five-movement Piano Concerto, completed in 1988, is a fine and technically demanding example of Ligeti's later pulse-based, polyrhythmic style. Throughout, Norway's BIT20 Ensemble, a group of flexible size, delivers superb Ligeti performances, with the requisite laser-like focus on individual details but not losing a certain liveliness and humor that underlie it all. A superior Ligeti album.

© TiVo

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Ligeti: Concertos

Joonas Ahonen

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Cello Concerto (György Ligeti)

1
I. —
Christian Poltéra
00:07:02

Gyorgy Ligeti, Composer - Christian Poltera, MainArtist, AssociatedPerformer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

2
II. Lo stesso tempo
Christian Poltéra
00:09:08

Gyorgy Ligeti, Composer - Christian Poltera, MainArtist, AssociatedPerformer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

Chamber Concerto (György Ligeti)

3
I. Corrente (Fließend)
BIT20 Ensemble
00:04:58

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

4
II. Calmo, sostenuto
BIT20 Ensemble
00:05:59

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

5
III. Movimento preciso e meccanico
BIT20 Ensemble
00:03:51

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

6
IV. Presto
BIT20 Ensemble
00:03:48

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

7
Melodien
BIT20 Ensemble
00:12:45

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

Piano Concerto (György Ligeti)

8
I. Vivace molto ritmico e preciso
Joonas Ahonen
00:04:00

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - Joonas Ahonen, MainArtist, AssociatedPerformer - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

9
II. Lento e deserto
Joonas Ahonen
00:06:40

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - Joonas Ahonen, MainArtist, AssociatedPerformer - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

10
III. Vivace cantabile
Joonas Ahonen
00:04:16

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - Joonas Ahonen, MainArtist, AssociatedPerformer - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

11
IV. Allegro risoluto, molto ritmico
Joonas Ahonen
00:05:20

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - Joonas Ahonen, MainArtist, AssociatedPerformer - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

12
V. Presto luminoso. Fluido, costante, sempre molto ritmico
Joonas Ahonen
00:03:40

Gyorgy Ligeti, Composer - Baldur Brönnimann, Conductor, MainArtist - Joonas Ahonen, MainArtist, AssociatedPerformer - BIT20 Ensemble, Ensemble, MainArtist

2017 BIS 2017 (P) BIS

Approfondimenti

The unifying idea of the concerto provides a way to get a handle on György Ligeti's experimental spirit, for a concerto here represents several fundamentally different things. The Cello Concerto of 1966, right at the height of Ligeti's exuberantly fearless adventures in 1960s Germany, might almost be called an anti-concerto, with the cello doing its best to hang on the edge of silence. Sample the very first movement, both for the precision of cellist Christian Poltéra's work at the low end of the dynamic spectrum and for the ideally clean engineering work by the BIS label, operating in a variety of Norwegian venues and mastering them, well, masterfully. The Chamber Concerto for 13 Instruments and the Melodien are essentially concertos for orchestra, with distinctive roles for each of the instruments, while the five-movement Piano Concerto, completed in 1988, is a fine and technically demanding example of Ligeti's later pulse-based, polyrhythmic style. Throughout, Norway's BIT20 Ensemble, a group of flexible size, delivers superb Ligeti performances, with the requisite laser-like focus on individual details but not losing a certain liveliness and humor that underlie it all. A superior Ligeti album.

© TiVo

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