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Moon Taxi - Let The Record Play

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Let The Record Play

Moon Taxi

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The Nashville-based indie rockers' fourth full-length outing and first for RCA, Let the Record Play marks Moon Taxi's official foray into bona fide arena pop. Drawing just a little from their trad rock/jam band past, the group's major-label debut is a bigger, bolder, and decidedly more pop-centric affair than its predecessor, pairing electro stadium beats with easy hooks and breezy island rhythms, suggesting Vampire Weekend by way of Imagine Dragons and Maroon 5. The airy, reggae-tinged title cut sets the timbre, laying down wave after wave of sonic optimism. There are deviations, but even at their most inward-looking, the band is never brooding, and less immediately propulsive cuts like "Trouble" and "No More Worry" eventually find their way onto the dancefloor. Still, it's the festival-ready, future fan faves like "Two High," "Not Too Late," and the aforementioned title cut that help bridge the gap between the two predilections, and while some may bemoan the shift from noodly guitar to seismic drops, the melodies are still there; it's just that the light show is way bigger. ~ James Christopher Monger

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Let The Record Play

Moon Taxi

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1
Let The Record Play
00:03:07

Eric Darken, Percussion - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Jody Dale Douglas, Saxophone - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir

(P) 2017 RCA Records, a division of Sony Music Entertainment

2
Not Too Late
00:03:15

Eric Darken, Percussion - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir

(P) 2017 RCA Records, a division of Sony Music Entertainment

3
Good As Gold
00:03:12

Kevin Griffin, Composer, Lyricist - Eric Darken, Percussion - Eleonore Denig, Violin - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Maggie Chaffee, Cello - Laura Epling, Violin - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir - Grace Laminack, Viola

(P) 2017 RCA Records, a division of Sony Music Entertainment

4
Two High
00:03:33

Eric Darken, Percussion - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Jody Dale Douglas, Saxophone - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir

(P) 2017 RCA Records, a division of Sony Music Entertainment

5
No More Worry
00:03:52

Eric Darken, Percussion - Eleonore Denig, Violin - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Maggie Chaffee, Cello - Laura Epling, Violin - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir - Grace Laminack, Viola

(P) 2017 RCA Records, a division of Sony Music Entertainment

6
Moving To The City
00:04:00

Eric Darken, Percussion - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir - Amythyst Kiah, Background Vocal

(P) 2017 RCA Records, a division of Sony Music Entertainment

7
Nothing Can Keep Us Apart
00:03:17

Eric Darken, Percussion - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir - Breanna Bartlelt, Background Vocal

(P) 2017 RCA Records, a division of Sony Music Entertainment

8
Keep Me Coming
00:03:03

Eric Darken, Percussion - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer

(P) 2017 RCA Records, a division of Sony Music Entertainment

9
Trouble
00:04:24

Eric Darken, Percussion - Eleonore Denig, Violin - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Maggie Chaffee, Cello - Laura Epling, Violin - Jody Dale Douglas, Saxophone - Grace Laminack, Viola - Breanna Bartlelt, Background Vocal

(P) 2017 RCA Records, a division of Sony Music Entertainment

10
The Way
00:03:25

Eric Darken, Percussion - Eleanor Turner, Choir - John Rausch, Engineer - Moon Taxi, Composer, Lyricist, MainArtist, AssociatedPerformer - Spencer Thomson, Producer, Engineer, Mixing Engineer - Dash Breaux, Choir - Caroline Conte, Choir - Eva Rose Daniel, Choir - Sydney Jackson, Choir - Landon Lapidus, Choir - Florian Sabatini, Choir - Lyda Smith, Choir - Lily Soto, Choir

(P) 2017 RCA Records, a division of Sony Music Entertainment

Descrizione dell'album

The Nashville-based indie rockers' fourth full-length outing and first for RCA, Let the Record Play marks Moon Taxi's official foray into bona fide arena pop. Drawing just a little from their trad rock/jam band past, the group's major-label debut is a bigger, bolder, and decidedly more pop-centric affair than its predecessor, pairing electro stadium beats with easy hooks and breezy island rhythms, suggesting Vampire Weekend by way of Imagine Dragons and Maroon 5. The airy, reggae-tinged title cut sets the timbre, laying down wave after wave of sonic optimism. There are deviations, but even at their most inward-looking, the band is never brooding, and less immediately propulsive cuts like "Trouble" and "No More Worry" eventually find their way onto the dancefloor. Still, it's the festival-ready, future fan faves like "Two High," "Not Too Late," and the aforementioned title cut that help bridge the gap between the two predilections, and while some may bemoan the shift from noodly guitar to seismic drops, the melodies are still there; it's just that the light show is way bigger. ~ James Christopher Monger

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