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Lingua disponibile: inglese
Leopold I., Holy Roman emperor during whose lengthy reign (1658–1705) — King of Hungary, Croatia and Bohemia, Archduchy of Austria —, assigned music a central place in the cultural life of Baroque era. He encouraged the production of music at his Vienna court and composed over 150 arias in Italian, some German-language oratorios and musical comedies, and many sacred works. His oratorio Il Sagrificio d'Abramo occupies a special place among Viennese Passion compositions because the figure of Isaac is described as a prefiguration of Christ. Since the librettist, Conte Caldana, places the sacrifice scene in the foreground in the first part of his text, an entirely new level of meaning is created. As a result, Ubidienza (Obedience) and Humanità (Humanity) become Abraham's partners in dialogue from the very beginning. Although Leopold was only twenty years old at the time, he was already a composer of true mastery who was also able in his music to capture in tones the hopelessness of the situation and in part to venture beyond the actual limits of tonality as observed and understood by his contemporaries.
Leopold's Miserere is appealing above all because of its unusual instrumentation consisting exclusively of stringed instruments. (CPO)
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Il Sagrifizio d'Abramo (Prima Parte) (Leopold Felician)
Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Margaret Hunter, Soprano (Ubidienza) - Julian Podger, Tenor (Abramo) - Nele Gramß, Soprano (Humanità) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Nele Gramß, Soprano (Humanità) - Julian Podger, Tenor (Abramo) - Margaret Hunter, Soprano (Ubidienza) - Mirko Ludwig, Tenor (Servo) - Harry van der Kamp, Bass (Servo) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Julian Podger, Tenor (Abramo) - Margaret Hunter, Soprano (Ubidienza) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Julian Podger, Tenor (Abramo) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Julian Podger, Tenor (Abramo) - Monika Mauch, Sopran (Isac) - Nele Gramß, Soprano (Humanità) - Margaret Hunter, Soprano (Ubidienza) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Julian Podger, Tenor (Abramo) - Marie Luise Werneburg, Sopran (Angelo) - Monika Mauch, Sopran (Isac) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Il Sagrifizio d'Abramo (Seconda Parte) (Leopold Felician)
Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Marnix de Cat, Alto (Penitenza) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Margaret Hunter, Soprano - Monika Mauch, Soprano - Nele Gramß, Soprano - Marie Luise Werneburg, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Mirko Ludwig, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Margaret Hunter, Sopran (Peccator primo) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Mirko Ludwig, Tenor (Peccator secondo) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Julian Podger, Tenor (Peccator terzo) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Harry van der Kamp, Bass (Peccator quarto) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Marnix de Cat, Alto (Penitenza) - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Margaret Hunter, Soprano - Monika Mauch, Soprano - Nele Gramß, Soprano - Marie Luise Werneburg, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Mirko Ludwig, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Miserere (Leopold Felician)
Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Monika Mauch, Soprano - Marnix de Cat, Alto - Julian Podger, Tenor - Harry van der Kamp, Bass - Weser-Renaissance Bremen - Manfred Cordes, Conductor - Leopold I., Composer
(C) 2020 CPO (P) 2020 CPO
Approfondimenti
Leopold I., Holy Roman emperor during whose lengthy reign (1658–1705) — King of Hungary, Croatia and Bohemia, Archduchy of Austria —, assigned music a central place in the cultural life of Baroque era. He encouraged the production of music at his Vienna court and composed over 150 arias in Italian, some German-language oratorios and musical comedies, and many sacred works. His oratorio Il Sagrificio d'Abramo occupies a special place among Viennese Passion compositions because the figure of Isaac is described as a prefiguration of Christ. Since the librettist, Conte Caldana, places the sacrifice scene in the foreground in the first part of his text, an entirely new level of meaning is created. As a result, Ubidienza (Obedience) and Humanità (Humanity) become Abraham's partners in dialogue from the very beginning. Although Leopold was only twenty years old at the time, he was already a composer of true mastery who was also able in his music to capture in tones the hopelessness of the situation and in part to venture beyond the actual limits of tonality as observed and understood by his contemporaries.
Leopold's Miserere is appealing above all because of its unusual instrumentation consisting exclusively of stringed instruments. (CPO)
Dettagli della registrazione originale : Recorded Kirche Sankt Damian und Cosman, Thedinghausen-Lunsen, April 22-24, 2016 - Co-Production CPO / Radio Bremem
A proposito dell'album
- 1 disco(i) - 20 traccia(e)
- Durata totale: 01:15:49
- 1 Libretto digitale
- Artisti principali: Bremen Weser-Renaissance
- Compositore: Leopold I.
- Etichetta: CPO
- Zona: Allemagne
- Genere: Classica
- Periodo: Musica barocca
(C) 2020 CPO (P) 2020 CPO
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