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The Future Sound Of London|ISDN (30th Anniversary Edition)

ISDN (30th Anniversary Edition)

The Future Sound Of London

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Lingua disponibile: inglese

While webcast concerts and performances swiftly became commonplace by the end of the 1990s, there had to be pioneers somewhere in earlier years, and FSOL was among them. Instead of touring for the Lifeforms album in 1994, they instead set up a series of appearances on a variety of radio stations, as well as concert dates involving broadcasting to specific venues. ISDN, named after the high-speed connection that made these ventures possible, compiles a variety of cuts from four different sessions, including one with Robert Fripp. All four were live performances, with only new material appearing on ISDN itself, making it a fine standalone collection of intrinsic value beyond its gee-whiz factor. While not a cohesive listen like Lifeforms by default -- the selections aren't organized in chronological fashion -- all are edited together to provide a reasonable enough simulation of a standalone performance. Stylistically the duo explore both the experimental reaches of Lifeforms' unsettling ambient approach and the rougher sounds which would come to dominate on Dead Cities. "The Far Out Son of Lung and the Ramblings of a Madman" makes for a great taste of the latter, with a steady, aggressive hip-hop loop mixed with muted jazz trumpet and cascading, unnerving synth swirls and sighs, not to mention sudden guitar stabs. Similarly aggro efforts appear, like the steady, booming breakbeat echo and intense synth bassline on "Slider." On the calmer but no less intriguing side, standouts include "Just a Fuckin' Idiot" and especially "Dirty Shadows," subtle and threatening in atmosphere, resembling a spooked-out In the Nursery track. Besides Fripp, there's one other guest on the album -- sort of: John Williams gets some of his acoustic bass work sampled for a core loop on "Smokin Japanese Babe," which predates the commercial explosion of trip-hop by mere months.

© Ned Raggett /TiVo

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ISDN (30th Anniversary Edition)

The Future Sound Of London

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1
Just A Fuckin' Idiot
00:05:45

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

2
The Far Out Son Of Lung And The Ramblings Of A Madman
00:04:08

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

3
Appendage
00:02:36

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

4
Slider
00:07:22

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

5
Smokin' Japanese Babe
00:04:46

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

6
You're Creeping Me Out
00:07:11

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

7
Eyes Pop - Skin Explodes - Everybody Dead
00:03:04

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

8
It's My Mind That Works
00:03:28

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

9
Dirty Shadows
00:06:44

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

10
Tired
00:06:04

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

11
Egypt
00:04:28

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

12
Are They Fighting Us?
00:06:15

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

13
Hot Knives
00:02:51

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

14
A Study Of Six Guitars
00:04:23

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

15
An End Of Sorts
00:05:24

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

16
Kai
00:04:03

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1995 Virgin Records Limited

17
Amoeba
00:05:58

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1995 Virgin Records Limited

18
Snake Hips
00:05:32

The Future Sound Of London, Producer, MainArtist - Brian Dougans, Composer - Yage, Engineer, StudioPersonnel - Garry Cobain, Composer

℗ 1994 Virgin Records Limited

Approfondimenti

While webcast concerts and performances swiftly became commonplace by the end of the 1990s, there had to be pioneers somewhere in earlier years, and FSOL was among them. Instead of touring for the Lifeforms album in 1994, they instead set up a series of appearances on a variety of radio stations, as well as concert dates involving broadcasting to specific venues. ISDN, named after the high-speed connection that made these ventures possible, compiles a variety of cuts from four different sessions, including one with Robert Fripp. All four were live performances, with only new material appearing on ISDN itself, making it a fine standalone collection of intrinsic value beyond its gee-whiz factor. While not a cohesive listen like Lifeforms by default -- the selections aren't organized in chronological fashion -- all are edited together to provide a reasonable enough simulation of a standalone performance. Stylistically the duo explore both the experimental reaches of Lifeforms' unsettling ambient approach and the rougher sounds which would come to dominate on Dead Cities. "The Far Out Son of Lung and the Ramblings of a Madman" makes for a great taste of the latter, with a steady, aggressive hip-hop loop mixed with muted jazz trumpet and cascading, unnerving synth swirls and sighs, not to mention sudden guitar stabs. Similarly aggro efforts appear, like the steady, booming breakbeat echo and intense synth bassline on "Slider." On the calmer but no less intriguing side, standouts include "Just a Fuckin' Idiot" and especially "Dirty Shadows," subtle and threatening in atmosphere, resembling a spooked-out In the Nursery track. Besides Fripp, there's one other guest on the album -- sort of: John Williams gets some of his acoustic bass work sampled for a core loop on "Smokin Japanese Babe," which predates the commercial explosion of trip-hop by mere months.

© Ned Raggett /TiVo

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