Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
In offerta - 50%Lingua disponibile: inglese
A protean innovator, Lou Harrison (1917-2003) espoused ‘world music’ before it even had a name, and this recording documents his pioneering rôles as a composer for percussion and well as a highly original integrator of Western and Indonesian idioms. The Concerto for Violin and Percussion, the first two movements of which were written in 1940 and revised in 59 while a third movement was added, demonstrates his experimental enthusiasm in the use of non-pitched percussion. Movement one alternates proclamatory and motoric episodes; for the central section Harrison instructs: “Here the orchestra should finely shimmer & glitter while the violin chants.” The two main ideas of movement two are a song in stressed long notes and quieter, more intimate music, while the finale is a vigorous dance. The whole score includes precise percussion instructions by Harrison – e.g., “For the washtubs, drill holes up from center on the sides of inverted galvanized iron tubs & suspend by strong elastic cords.” For the coffee cans, “cork or rubber-ended pen-holders make good beaters & are best for the clock coils as well.” The Grand Duo for Violin and Piano (1988) is a remarkable example of gamelan-infused chamber music, no small feat considering a traditional Indonesian gamelan does not belong to the western well-tempered world; while Double Music, co-composed in 1941 with Harrison’s friend John Cage, is a well-known product of their celebrated San Francisco percussion concerts, and makes full usage of an imposing paraphernalia of Asian percussion instruments. This recording of Harrisons highly original music features violonist Tim Fain, pianist Michael Boriskin, and the PostClassical Ensemble conducted by Angel Gil-Ordóñez. © SM/Qobuz
Maggiori informazioniAl momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Violin Concerto (Lou Harrison)
Lou Harrison, Composer - Tim Fain, Artist, MainArtist - Angel Gil-Ordóñez, Conductor - PostClassical Ensemble, Ensemble - Aaron Müller, Producer - Antonino D'Urzo, Engineer
(C) 2017 Naxos (P) 2017 Naxos
Lou Harrison, Composer - Tim Fain, Artist, MainArtist - Angel Gil-Ordóñez, Conductor - PostClassical Ensemble, Ensemble
(C) 2017 Naxos (P) 2017 Naxos
Lou Harrison, Composer - Tim Fain, Artist, MainArtist - Angel Gil-Ordóñez, Conductor - PostClassical Ensemble, Ensemble
(C) 2017 Naxos (P) 2017 Naxos
Grand Duo (Lou Harrison)
Michael Boriskin, Artist - Lou Harrison, Composer - Tim Fain, Artist, MainArtist - Ryan Steber, Producer
(C) 2017 Naxos (P) 2017 Naxos
Michael Boriskin, Artist - Lou Harrison, Composer - Tim Fain, Artist, MainArtist
(C) 2017 Naxos (P) 2017 Naxos
Michael Boriskin, Artist - Lou Harrison, Composer - Tim Fain, Artist, MainArtist
(C) 2017 Naxos (P) 2017 Naxos
Michael Boriskin, Artist - Lou Harrison, Composer - Tim Fain, Artist, MainArtist
(C) 2017 Naxos (P) 2017 Naxos
Michael Boriskin, Artist - Lou Harrison, Composer - Tim Fain, Artist, MainArtist
(C) 2017 Naxos (P) 2017 Naxos
Double Music (Lou Harrison)
John Cage, Composer - Lou Harrison, Composer - Angel Gil-Ordóñez, Conductor - PostClassical Ensemble, Ensemble, MainArtist - Aaron Müller, Producer - Antonino D'Urzo, Engineer
(C) 2017 Naxos (P) 2017 Naxos
Approfondimenti
A protean innovator, Lou Harrison (1917-2003) espoused ‘world music’ before it even had a name, and this recording documents his pioneering rôles as a composer for percussion and well as a highly original integrator of Western and Indonesian idioms. The Concerto for Violin and Percussion, the first two movements of which were written in 1940 and revised in 59 while a third movement was added, demonstrates his experimental enthusiasm in the use of non-pitched percussion. Movement one alternates proclamatory and motoric episodes; for the central section Harrison instructs: “Here the orchestra should finely shimmer & glitter while the violin chants.” The two main ideas of movement two are a song in stressed long notes and quieter, more intimate music, while the finale is a vigorous dance. The whole score includes precise percussion instructions by Harrison – e.g., “For the washtubs, drill holes up from center on the sides of inverted galvanized iron tubs & suspend by strong elastic cords.” For the coffee cans, “cork or rubber-ended pen-holders make good beaters & are best for the clock coils as well.” The Grand Duo for Violin and Piano (1988) is a remarkable example of gamelan-infused chamber music, no small feat considering a traditional Indonesian gamelan does not belong to the western well-tempered world; while Double Music, co-composed in 1941 with Harrison’s friend John Cage, is a well-known product of their celebrated San Francisco percussion concerts, and makes full usage of an imposing paraphernalia of Asian percussion instruments. This recording of Harrisons highly original music features violonist Tim Fain, pianist Michael Boriskin, and the PostClassical Ensemble conducted by Angel Gil-Ordóñez. © SM/Qobuz
A proposito dell'album
- 1 disco(i) - 9 traccia(e)
- Durata totale: 01:01:37
- 1 Libretto digitale
- Artisti principali: Tim Fain PostClassical Ensemble Michael Boriskin Angel Gil-Ordoñez
- Compositore: Various Composers
- Etichetta: Naxos
- Genere: Classica
(C) 2017 Naxos (P) 2017 Naxos
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.