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Britney Spears|Greatest Hits: My Prerogative

Greatest Hits: My Prerogative

Britney Spears

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Greatest Hits: My Prerogative appeared at the tail end of a year where Britney Spears was married twice, canceled a tour, injured her knee, lost the movie role of Daisy Duke to rival teen pop diva Jessica Simpson, was a punch line in Fahrenheit 9/11, and had countless paparazzi shots of her drinking and making out in public. It was enough high-profile shenanigans for a career, and it was par for the course for Britney, who hadn't been out of the pop culture headlines since she released her debut album, ...Baby One More Time, in January 1999. In the nearly six years separating that debut album and the release of Greatest Hits in November 2004, Britney was omnipresent, representing both the entire teen pop phenomenon of the turn of the millennium, plus the teasing, Maxim-fueled sexuality of the time; it's not for nothing that Tom Wolfe name drops Britney Spears, not archrival Christina Aguilera, in his 2004 novel I Am Charlotte Simmons -- Britney alone captured the era, which in turn is captured on this 17-track hits collection. If Bob Dylan had a hard time being a voice of a generation (which he does acknowledge in his autobiography, Chronicles), imagine the weight put upon this simple Louisiana girl who just wanted to be famous and became a cultural icon instead! During those six years, she kept turning out product, selling herself with increasingly racy photographs, all the while being used as an example of everything that's wrong with pop culture, or even worse, as the subject of cultural theses explaining pop culture. No wonder that after six years of mind-boggling fame she wanted to abandon her career for motherhood -- it's exhausting being in the limelight, even for a shameless pop star! So, Greatest Hits arrived at a perfect time -- just as her star was fading, just as the teen pop era grew to a close, and just as she readied herself for retirement.
As a time capsule, Greatest Hits does its job well. It has all of her hits outside of "From the Bottom of My Broken Heart," a largely forgotten ballad from her debut released just before her second album, Oops!...I Did It Again, and it contains two very good previously unreleased tunes, including the In the Zone outtake "I've Just Begun (Having My Fun)," an infectious spin on No Doubt's "Hella Good" that betters most of the songs that were featured on the album (it also has a useless remake of Bobby Brown's "My Prerogative," which seems to exist solely for its video). Clearly, this is the album not just for the casual fan, but for any fan of Spears, because like most teen pop singers, her albums are notoriously spotty affairs, memorable largely for the singles themselves. What is surprising is that those singles -- all presented here in their hit forms, which means this has the "Stop Remix" of "(You Drive Me) Crazy," not the album version -- are somewhat less than the sum of their parts when collected together. The similarities in Max Martin's clanking, insistent writing and production become blindingly evident, and Britney's thin, squeaky voice wears thin over the course of 17 songs. Also, the song selection and sequencing emphasize keeping the perfect beat over chronology, which not only makes it a little harder to listen to as an album, it puts the focus on the individual songs, which seem neither as hooky or catchy as they did when they were initially on the radio. There are exceptions to the rule, of course -- "...Baby One More Time" still retains its punch, "Oops!...I Did It Again" is so silly it's hard to resist, "(You Drive Me) Crazy" is fluffy dance-pop at its best, and "Toxic" is a delirious, intoxicating rush -- but they're all better as individual moments, even if when taken together, they do illustrate the cacophonous monotony of her music and, yes, her time quite well. So, even if it isn't a great listen as a cohesive album, Greatest Hits does perform the valuable function of offering all of Britney's hits in one place, and it does work as a portrait of the time when Britney Spears was the defining figure of American pop culture. But if you compare it to The Immaculate Collection, which captured the time when Madonna was the defining figure of American pop culture and does work as an album, it's clear that a cultural artifact isn't necessarily the same thing as great music.

© Stephen Thomas Erlewine /TiVo

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Greatest Hits: My Prerogative

Britney Spears

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1
My Prerogative
Britney Spears
00:03:33

Tom Coyne, Mastering Engineer - BlackCell, Background Vocal - Bobby Brown, Composer - Bobby Brown, Lyricist - Gene Griffin, Lyricist - Gene Griffin, Composer - Emma Holgren, Background Vocal - Avant, Arranger - Avant, Producer - Avant, Edited By - Avant, Recording Engineer - Avant, Programmer - Niklas Flyckt, Mixing Engineer - Steve Lunt, Arranger - Steve Lunt, A&R Director - Bloodshy, Programmer - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Recording Engineer - Bloodshy, Producer - Uwe Lietzow, Engineer - Tobias Lehmann, Engineer - Henrik Jonback, Guitar - Edward Riley, Lyricist - Edward Riley, Composer - Britney Spears, Performer - Britney Spears, Background Vocal

(P) 2004 RCA/JIVE Label Group, a unit of Sony Music Entertainment

2
Toxic
Britney Spears
00:03:18

BlackCell, Background Vocal - Emma Holmgren, Background Vocal - Cathy Dennis, Composer - Cathy Dennis, Lyricist - Cathy Dennis, Background Vocal - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Avant, Arranger - Avant, Producer - Avant, Recording Engineer - Avant, Edited By - Avant, Performer - Niklas Flyckt, Mixing Engineer - Jonas Ostman, 2nd Engineer - Pontis Winnberg, Composer - Pontis Winnberg, Lyricist - Bloodshy, Arranger - Bloodshy, Producer - Bloodshy, Recording Engineer - Bloodshy, Edited By - Bloodshy, Performer - Steve Lunt, Arranger - Janson & Janson, Conductor - Henrik Jonback, Composer - Henrik Jonback, Lyricist - Henrik Jonback, Guitar - Thomas Lindberg, Acoustic Bass - Britney Spears, Performer - Britney Spears, Background Vocal - Stockholm Session Strings, Strings - JD Andrew, 2nd Engineer

(P) 2003 RCA Records, a division of Sony Music Entertainment

3
I'm a Slave 4 U
Britney Spears
00:03:23

Tom Coyne, Mastering Engineer - Andrew Coleman, Recording Engineer - Serban Ghenea, Mixing Engineer - Charles Edward Hugo, Composer - Charles Edward Hugo, Lyricist - Britney Spears, Performer - Pharrell Williams, Composer - Pharrell Williams, Lyricist - The Neptunes, Producer - Brian Garten, Recording Engineer

(P) 2001 RCA Records, a division of Sony Music Entertainment

4
Oops!...I Did It Again (Album Version)
Britney Spears
00:03:30

Esbjörn Öhrwall, Guitar - Britney Spears, Speaker - Britney Spears, Performer - Britney Spears, Background Vocal - Johan Carlberg, Guitar - Nana Hedin, Background Vocal - Max Martin, Producer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Speaker - Max Martin, Background Vocal - Max Martin, Recording Engineer - Rami, Producer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Recording Engineer - Tomas Lindberg, Bass

(P) 2000 RCA Records, a division of Sony Music Entertainment

5
Me Against the Music (LP Version / Video Mix) (LP Version/Video Mix)
Britney Spears featuring Madonna
00:03:44

Mark Stent, Recording Engineer - Mark Stent, Mixing Engineer - Britney Spears featuring Madonna, Performer - Brian Thomas, Recording Engineer - Brian Thomas, Edited By - Thabiso Nkhereanye, Composer - Thabiso Nkhereanye, Lyricist - P-Dub Walton, Edited By - Tim Roberts, 2nd Engineer - David Treahern, 2nd Engineer - Trixster, Producer - Britney Spears, Composer - Britney Spears, Arranger - Britney Spears, Lyricist - Britney Spears, Background Vocal - Madonna, Composer - Madonna, Lyricist - Emma Roads, Background Vocal - Penelope Magnet, Composer - Penelope Magnet, Co-Producer - Penelope Magnet, Arranger - Penelope Magnet, Lyricist - Penelope Magnet, Background Vocal - Tom Coyne, Mastering Engineer - Christopher Stewart, Composer - Christopher Stewart, Arranger - Christopher Stewart, Lyricist - Charles McCrorey, 2nd Engineer - Ted Nash, Composer - Ted Nash, Lyricist - Gary O'Brien, Composer - Gary O'Brien, Lyricist - Gary O'Brien, Guitar - Steve Lunt, Arranger - Robert Haggart, 2nd Engineer - John Hanes, Edited By - Serban Ghenea, Mixing Engineer

(P) 2003 RCA Records, a division of Sony Music Entertainment

6
Stronger
Britney Spears
00:03:23

Tom Coyne, Mastering Engineer - John Amatiello, Engineer - Britney Spears, Performer - Max Martin, Producer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Rami, Producer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer

(P) 2000 RCA Records, a division of Sony Music Entertainment

7
Everytime
Britney Spears
00:03:50

Tom Coyne, Mastering Engineer - Sean McGhee, Engineer - Sean McGhee, Mixing Engineer - Sean McGhee, Edited By - A. Stamatelatos, Composer - A. Stamatelatos, Lyricist - Britney Spears, Performer - Britney Spears, Composer - Britney Spears, Lyricist - Guy Sigsworth, Producer - Guy Sigsworth, Performer - Seth Waldman, 2nd Engineer

(P) 2003 RCA Records, a division of Sony Music Entertainment

8
...Baby One More Time
Britney Spears
00:03:30

Britney Spears, Background Vocal - Britney Spears, Performer - Johan Carlberg, Guitar - Nana Hedin, Background Vocal - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer - Max Martin, Mixing Engineer - Max Martin, Recording Engineer - Max Martin, Background Vocal - Rami, Producer - Rami, Mixing Engineer - Rami, Recording Engineer - Tomas Lindberg, Acoustic Bass

(P) 1998 Sony Music Entertainment

9
(You Drive Me) Crazy (The Stop Remix!)
Britney Spears
00:03:16

Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Rami, Producer - Rami, Mixing Engineer - Rami, Background Vocal - The Fanchoir, Background Vocal - David Kreuger, Composer - David Kreuger, Lyricist - Tomas Lindberg, Bass - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer - Max Martin, Mixing Engineer - Max Martin, Background Vocal - Johan Carlberg, Guitar - Jeanette Söderholm, Background Vocal - Stephen George, Engineer - Britney Spears, Performer - Per Magnusson, Composer - Per Magnusson, Lyricist - Esbjörn Öhrwall, Guitar

(P) 1999 RCA/JIVE Label Group, a unit of Sony Music Entertainment

10
Boys (Co-Ed Remix featuring Pharrell Williams of N.E.R.D.)
Britney Spears feat. Pharrell Williams
00:03:44

Andrew Coleman, Recording Engineer - Serban Ghenea, Mixing Engineer - Charles Edward Hugo, Composer - Charles Edward Hugo, Lyricist - Charles Edward Hugo, Performer - Britney Spears, Performer - Chaz Harper, Mastering Engineer - Pharrell Williams, Composer - Pharrell Williams, Lyricist - Pharrell Williams, Performer - The Neptunes, Producer - The Neptunes, Re-Mixer

(P) 2001 RCA/JIVE Label Group, a unit of Sony Music Entertainment

11
Sometimes
Britney Spears
00:04:05

Tom Coyne, Mastering Engineer - Britney Spears, Performer - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Jörgen Elofsson, Co-Producer - Per Merguson, Producer - Per Magnusson, Producer - David Kreuger, Producer

(P) 1999 RCA Records, a division of Sony Music Entertainment

12
Overprotected (Album Version (Radio Edit))
Britney Spears
00:03:18

John Amatiello, Engineer - Michael Tucker, Engineer - Britney Spears, Performer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Recording Engineer - Max Martin, Producer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Recording Engineer - Rami, Producer

(P) 2001 RCA Records, a division of Sony Music Entertainment

13
Lucky (Album Version)
Britney Spears
00:03:25

John Amatiello, Engineer - Britney Spears, Performer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer - Max Martin, Mixing Engineer - Rami, Composer - Rami, Lyricist - Rami, Producer - Rami, Mixing Engineer - Alexander Kronlund, Composer - Alexander Kronlund, Lyricist

(P) 2000 RCA Records, a division of Sony Music Entertainment

14
Outrageous
Britney Spears
00:03:26

Roxanne Estrada, Background Vocal - Kendall Nesbitt, Keyboards - Andy Gallas, Recording Engineer - Tim Roberts, 2nd Engineer - Steve Bearsley, 2nd Engineer - Trixster, Vocal Arranger - Britney Spears, Performer - Britney Spears, Background Vocal - Abel Garibaldi, Recording Engineer - Abel Garibaldi, Programmer - R. Kelly, Composer - R. Kelly, Lyricist - R. Kelly, Producer - R. Kelly, Mixing Engineer - R. Kelly, Background Vocal - Donnie Lyle, Guitar - Penelope Magnet, Vocal Arranger - Penelope Magnet, Background Vocal - Rich Tapper, 2nd Engineer - Jason Mlodzinski, 2nd Engineer - John Hanes, Edited By - Serban Ghenea, Mixing Engineer - Brian "B. Luv" Thomas, Recording Engineer - Brian "B. Luv" Thomas, Edited By - Nathan Wheeler, 2nd Engineer - Ian Mereness, Recording Engineer - Ian Mereness, Programmer

(P) 2003 RCA Records, a division of Sony Music Entertainment

15
Don't Let Me Be the Last to Know
Britney Spears
00:03:50

Kevin Churko, Programmer - Keith Scott, Composer - Keith Scott, Lyricist - Chris Trevett, Recording Engineer - Robert John "Mutt" Lange, Lyricist - Robert John "Mutt" Lange, Composer - Robert John "Mutt" Lange, Producer - Nigel Green, Mixing Engineer - Shania Twain, Composer - Shania Twain, Lyricist - Richard Meyer, Programmer - Cory Churko, Programmer - Britney Spears, Performer

(P) 2000 RCA Records, a division of Sony Music Entertainment

16
Born to Make You Happy
Britney Spears
00:04:03

Britney Spears, Performer - Andreas Carlsson, Composer - Andreas Carlsson, Lyricist - Kristian Lundin, Composer - Kristian Lundin, Lyricist

(P) 1998 RCA Records, a division of Sony Music Entertainment

17
I Love Rock 'N' Roll (Album Version)
Britney Spears
00:03:05

Rodney Jerkins, Producer - Britney Spears, Performer - Fabian Marasciullo, Recording Engineer - Brad Gilderman, Recording Engineer - Jake Hooker, Composer - Jake Hooker, Lyricist - Alan Merrill, Composer - Alan Merrill, Lyricist - Jean-Marie Horvat, Mixing Engineer

(P) 2001 RCA Records, a division of Sony Music Entertainment

18
I'm Not a Girl, Not Yet a Woman (Album Version)
Britney Spears
00:03:51

John Amatiello, Engineer - Michael Tucker, Recording Engineer - Britney Spears, Performer - Dido, Composer - Dido, Lyricist - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Producer - Max Martin, Mixing Engineer - Max Martin, Recording Engineer - Rami, Composer - Rami, Lyricist - Rami, Producer - Rami, Mixing Engineer - Rami, Recording Engineer

(P) 2001 RCA Records, a division of Sony Music Entertainment

19
(I've Just Begun) Having My Fun (Non-Album Bonus Track)
Britney Spears
00:03:22

Jeanette Olsson, Background Vocal - Henrik Jonback, Lyricist - Henrik Jonback, Guitar - Henrik Jonback, Composer - Tom Soares, Recording Engineer - Michelle Bell, Composer - Michelle Bell, Background Vocal - Michelle Bell, Lyricist - Thomas Lindberg, Acoustic Bass - Britney Spears, Composer - Britney Spears, Background Vocal - Britney Spears, Lyricist - Britney Spears, Performer - Avant, Programmer - Avant, Producer - Avant, Edited By - Avant, Recording Engineer - Avant, Arranger - Bloodshy, Arranger - Bloodshy, Programmer - Bloodshy, Producer - Bloodshy, Edited By - Bloodshy, Recording Engineer - Pontis Winnberg, Lyricist - Pontis Winnberg, Composer - Janson & Janson, Arranger - Janson & Janson, Conductor - Charles McCrorey, 2nd Engineer - Stockholm Session Strings, Strings - Steve Wolf, Drums - Steve Lunt, Arranger - BlackCell, Background Vocal - Niklas Flyckt, Mixing Engineer - Jonas Ostman, 2nd Engineer - Christian Karlsson, Lyricist - Christian Karlsson, Composer

(P) 2003 RCA/JIVE Label Group, a unit of Sony Music Entertainment

20
Do Somethin'
Britney Spears
00:03:22

BlackCell, Background Vocal - Angela Hunte, Composer - Angela Hunte, Lyricist - Angela Hunte, Background Vocal - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Charles McCrorey, 2nd Engineer - Avant, Producer - Avant, Arranger - Avant, Recording Engineer - Avant, Performer - Avant, Edited By - Niklas Flyckt, Mixing Engineer - Jonas Ostman, 2nd Engineer - Pontis Winnberg, Composer - Pontis Winnberg, Lyricist - Bloodshy, Producer - Bloodshy, Arranger - Bloodshy, Recording Engineer - Bloodshy, Performer - Bloodshy, Edited By - Steve Lunt, Arranger - Henrik Jonback, Composer - Henrik Jonback, Lyricist - Henrik Jonback, Guitar - Britney Spears, Performer - Britney Spears, Background Vocal

(P) 2004 RCA/JIVE Label Group, a unit of Sony Music Entertainment

DISCO 2

1
Toxic (Armand Van Helden Remix)
Britney Spears
00:09:34

BlackCell, Background Vocal - Emma Holmgren, Background Vocal - Cathy Dennis, Composer - Cathy Dennis, Lyricist - Cathy Dennis, Background Vocal - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Armand van Helden, Producer - Armand van Helden, Re-Mixer - Avant, Arranger - Avant, Producer - Avant, Recording Engineer - Pontis Winnberg, Composer - Pontis Winnberg, Lyricist - Bloodshy, Arranger - Bloodshy, Producer - Bloodshy, Recording Engineer - Steve Lunt, Arranger - Henrik Jonback, Composer - Henrik Jonback, Lyricist - Britney Spears, Performer - Britney Spears, Background Vocal

(P) 2004 Zomba Recording LLC

2
Everytime (Hi-Bias Radio Remix)
Britney Spears
00:03:25

Taras, Re-Mixer - Sean McGhee, Engineer - Sean McGhee, Mixing Engineer - Sean McGhee, Edited By - Nick Fiorucci, Re-Mixer - A. Stamatelatos, Composer - A. Stamatelatos, Lyricist - Britney Spears, Performer - Britney Spears, Composer - Britney Spears, Lyricist - Guy Sigsworth, Producer - Guy Sigsworth, Performer - Chaz Harper, Mastering Engineer - Seth Waldman, 2nd Engineer

(P) 2004 Zomba Recording LLC

3
Breathe On Me (Jacques Lu Cont Mix)
Britney Spears
00:08:09

Pablos Munguia, Recording Engineer - Rich Tapper, 2nd Engineer - Lisa Greene, Background Vocal - Lisa Greene, Composer - Lisa Greene, Lyricist - Jon Uk Yoon, 2nd Engineer - Matt Furmidge, 2nd Engineer - Mark Taylor, Producer - Mark Taylor, Recording Engineer - Mark Taylor, Mixing Engineer - Steve Anderson, Keyboards - Steve Anderson, Lyricist - Steve Anderson, Composer - Vanessa Letocq, Coordinator - Britney Spears, Performer - Britney Spears, Background Vocal - Steve Lee, Composer - Steve Lee, Lyricist

(P) 2004 Zomba Recording LLC

4
Outrageous (Junkie XL's Dancehall Mix)
Britney Spears
00:02:55

Abel Garibaldi, Recording Engineer - Abel Garibaldi, Programmer - Jason Mlodzinski, 2nd Engineer - Donnie Lyle, Guitar - Penelope Magnet, Producer - Penelope Magnet, Background Vocal - Roxanne Estrada, Background Vocal - Trixster, Producer - Nathan Wheeler, 2nd Engineer - Ian Mereness, Recording Engineer - Ian Mereness, Programmer - Ian Mereness, Mixing Engineer - Andy Gallas, Recording Engineer - R. Kelly, Composer - R. Kelly, Lyricist - R. Kelly, Producer - R. Kelly, Mixing Engineer - Britney Spears, Performer - Britney Spears, Background Vocal - Kendall Nesbitt, Keyboards - Steve Bearsley, 2nd Engineer - Brian "B. Luv" Thomas, Recording Engineer

(P) 2004 Zomba Recording LLC

5
Stronger (Miguel 'Migs' Vocal Mix)
Britney Spears
00:06:31

Tom Coyne, Mastering Engineer - John Amatiello, Engineer - Jay-J, Engineer - Britney Spears, Performer - Max Martin, Writer - Max Martin, Producer - Max Martin, Lyricist - Max Martin, Composer - Max Martin, Mixing Engineer - Miguel Migs, Re-Mixer - Miguel Migs, Arranger - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer - Rami, Writer

(P) 2000 Zomba Recording LLC

6
I'm A Slave 4 U (Thunderpuss Club Mix)
Britney Spears
00:08:45

Brian Garten, Recording Engineer - Thunderpuss, Re-Mixer - Pharrell Williams, Performer - Pharrell Williams, Lyricist - Pharrell Williams, Composer - Charles Edward Hugo, Lyricist - Charles Edward Hugo, Composer - Andrew Coleman, Recording Engineer - Chris Cox, Programmer - Chris Cox, Keyboards - Chris Cox, Mixing Engineer - The Neptunes, Producer - Chad Hugo, Performer - Chaz Harper, Mastering Engineer - Barry Harris, Mixing Engineer - Barry Harris, Keyboards - Barry Harris, Programmer - Britney Spears, Performer - Britney Spears, Vocal

(P) 2001 Zomba Recording LLC

7
Chris Cox Megamix
Britney Spears
00:04:57

Chad Hugo, Performer - JD Andrew, 2nd Engineer - BlackCell, Background Vocal - The Fanchoir, Background Vocal - Seth Waldman, 2nd Engineer - Jonas Ostman, 2nd Engineer - A. Stamatelatos, Composer - A. Stamatelatos, Lyricist - Chaz Harper, Mastering Engineer - Stephen George, Engineer - Henrik Jonback, Guitar - Henrik Jonback, Composer - Henrik Jonback, Lyricist - Janson & Janson, Conductor - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Emma Holmgren, Background Vocal - Andrew Coleman, Recording Engineer - Larry "Rock" Campbell, Programmer - Avant, Arranger - Avant, Performer - Avant, Producer - Avant, Edited By - Avant, Recording Engineer - Guy Sigsworth, Producer - Guy Sigsworth, Performer - Charles Edward Hugo, Composer - Charles Edward Hugo, Lyricist - Pharrell Williams, Performer - Pharrell Williams, Composer - Pharrell Williams, Lyricist - Niklas Flyckt, Mixing Engineer - Brian Garten, Recording Engineer - Thomas Lindberg, Acoustic Bass - Tom Coyne, Mastering Engineer - Tomas Lindberg, Bass - Chris Cox, Engineer - Chris Cox, Producer - Chris Cox, Mixing Engineer - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Esbjörn Öhrwall, Guitar - John Amatiello, Engineer - Nana Hedin, Background Vocal - Johan Carlberg, Guitar - Serban Ghenea, Mixing Engineer - Britney Spears, Composer - Britney Spears, Performer - Britney Spears, Lyricist - David Kreuger, Composer - David Kreuger, Lyricist - Stockholm Session Strings, Strings - Steve Lunt, Arranger - Rami, Mixing Engineer - Rami, Producer - Rami, Lyricist - Rami, Composer - Cathy Dennis, Background Vocal - Cathy Dennis, Composer - Cathy Dennis, Lyricist - The Neptunes, Producer - Per Magnusson, Composer - Per Magnusson, Lyricist - Pontis Winnberg, Composer - Pontis Winnberg, Lyricist - Bloodshy, Edited By - Bloodshy, Recording Engineer - Bloodshy, Producer - Bloodshy, Arranger - Bloodshy, Performer - Max Martin, Speaker - Max Martin, Mixing Engineer - Max Martin, Background Vocal - Max Martin, Producer - Max Martin, Composer - Max Martin, Lyricist - Sean McGhee, Engineer - Sean McGhee, Edited By - Sean McGhee, Mixing Engineer - Jeanette Söderholm, Background Vocal

(P) 2004 Zomba Recording LLC

Approfondimenti

Greatest Hits: My Prerogative appeared at the tail end of a year where Britney Spears was married twice, canceled a tour, injured her knee, lost the movie role of Daisy Duke to rival teen pop diva Jessica Simpson, was a punch line in Fahrenheit 9/11, and had countless paparazzi shots of her drinking and making out in public. It was enough high-profile shenanigans for a career, and it was par for the course for Britney, who hadn't been out of the pop culture headlines since she released her debut album, ...Baby One More Time, in January 1999. In the nearly six years separating that debut album and the release of Greatest Hits in November 2004, Britney was omnipresent, representing both the entire teen pop phenomenon of the turn of the millennium, plus the teasing, Maxim-fueled sexuality of the time; it's not for nothing that Tom Wolfe name drops Britney Spears, not archrival Christina Aguilera, in his 2004 novel I Am Charlotte Simmons -- Britney alone captured the era, which in turn is captured on this 17-track hits collection. If Bob Dylan had a hard time being a voice of a generation (which he does acknowledge in his autobiography, Chronicles), imagine the weight put upon this simple Louisiana girl who just wanted to be famous and became a cultural icon instead! During those six years, she kept turning out product, selling herself with increasingly racy photographs, all the while being used as an example of everything that's wrong with pop culture, or even worse, as the subject of cultural theses explaining pop culture. No wonder that after six years of mind-boggling fame she wanted to abandon her career for motherhood -- it's exhausting being in the limelight, even for a shameless pop star! So, Greatest Hits arrived at a perfect time -- just as her star was fading, just as the teen pop era grew to a close, and just as she readied herself for retirement.
As a time capsule, Greatest Hits does its job well. It has all of her hits outside of "From the Bottom of My Broken Heart," a largely forgotten ballad from her debut released just before her second album, Oops!...I Did It Again, and it contains two very good previously unreleased tunes, including the In the Zone outtake "I've Just Begun (Having My Fun)," an infectious spin on No Doubt's "Hella Good" that betters most of the songs that were featured on the album (it also has a useless remake of Bobby Brown's "My Prerogative," which seems to exist solely for its video). Clearly, this is the album not just for the casual fan, but for any fan of Spears, because like most teen pop singers, her albums are notoriously spotty affairs, memorable largely for the singles themselves. What is surprising is that those singles -- all presented here in their hit forms, which means this has the "Stop Remix" of "(You Drive Me) Crazy," not the album version -- are somewhat less than the sum of their parts when collected together. The similarities in Max Martin's clanking, insistent writing and production become blindingly evident, and Britney's thin, squeaky voice wears thin over the course of 17 songs. Also, the song selection and sequencing emphasize keeping the perfect beat over chronology, which not only makes it a little harder to listen to as an album, it puts the focus on the individual songs, which seem neither as hooky or catchy as they did when they were initially on the radio. There are exceptions to the rule, of course -- "...Baby One More Time" still retains its punch, "Oops!...I Did It Again" is so silly it's hard to resist, "(You Drive Me) Crazy" is fluffy dance-pop at its best, and "Toxic" is a delirious, intoxicating rush -- but they're all better as individual moments, even if when taken together, they do illustrate the cacophonous monotony of her music and, yes, her time quite well. So, even if it isn't a great listen as a cohesive album, Greatest Hits does perform the valuable function of offering all of Britney's hits in one place, and it does work as a portrait of the time when Britney Spears was the defining figure of American pop culture. But if you compare it to The Immaculate Collection, which captured the time when Madonna was the defining figure of American pop culture and does work as an album, it's clear that a cultural artifact isn't necessarily the same thing as great music.

© Stephen Thomas Erlewine /TiVo

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Taylor Swift