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The Damned|Fiendish Shadows

Fiendish Shadows

The Damned

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Lingua disponibile: inglese

Emerging in 1997 as part of Cleopatra's reissue/release series of nearly everything Damned it could get its hands on, Fiendish Shadows documents a show or shows (recording dates aren't provided) from its 1985/1986 tour in support of Phantasmagoria. At this point, the Scabies/Vanian/Jugg/Merrick lineup had a fair couple of years experience under its belt, first with Captain Sensible and then without; the relative stability of this arrangement likely helped the band put on a crackerjack show. Sound quality is quite good, though the mix is off; for instance, on the fantastic opening cut, a run through the first part of the epic "Curtain Call," Vanian's voice suddenly plunges in volume once the drumming kicks in and only recovers from that a few songs in. About half of Phantasmagoria shows up, with an explosive take on "Is It a Dream" and a bravura "Street of Dreams." A couple of cuts from the not far gone Strawberries make the grade as well, including a great take on "Stranger on the Town" and a sprightly version of "Gun Fury." Faves of yore that turn up unsurprisingly include "New Rose" and "Smash It Up," while "Love Song" makes a brief, fun appearance and the disc as a whole concludes with the always hilarious kiss-off "Disco Man," initially delivered in the 'Val Doonican way, as Vanian puts it. Even more intriguing are the two covers that take a bow; one, the Electric Prunes' "I Had Too Much to Dream Last Night," had originally surfaced via the band's Naz Nomad and the Nightmares incarnation. The other was never formally recorded: Iggy Pop's "Lust for Life" given the energetic blast you'd expect any punk rockers worth their salt would. On a technical note, while a ticket from an American gig is part of the cover art, the recording itself seems to have taken place in London based on Vanian's between-song comments. Go figure!

© Ned Raggett /TiVo

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Fiendish Shadows

The Damned

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1
Curtain Call (Part I)
00:06:01

Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

2
Shadow Of Love
00:04:00

Merrick, Composer - The Damned, MainArtist - Vanian, Composer - Scabies, Composer - Jugg, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

3
Wait For The Blackout
00:03:36

Karloff, Composer - Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

4
Grimly Fiendish
00:04:02

Merrick, Composer - The Damned, MainArtist - Doctor, Composer - Vanian, Composer - Scabies, Composer - Jugg, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

5
Stranger On The Town
00:04:47

Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

6
Is It A Dream
00:03:54

Merrick, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer - Jugg, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

7
There'll Come A Day
00:04:14

Merrick, Composer - The Damned, MainArtist - Vanian, Composer - Scabies, Composer - Jugg, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

8
Smash It Up
00:04:45

Ward, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

9
I Had Too Much To Dream Last Night
00:02:41

Nancie Mantz, Composer - Annette Tucker, Composer - The Damned, MainArtist

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

10
Gun Fury
00:02:47

The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

11
Street Of Dreams
00:05:22

Merrick, Composer - The Damned, MainArtist - Vanian, Composer - Scabies, Composer - Jugg, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

12
Lust For Life
00:05:16

Iggy Pop, Composer - David Bowie, Composer - The Damned, MainArtist

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

13
Love Song
00:02:01

Ward, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

14
New Rose
00:03:01

Brian James, Composer - The Damned, MainArtist

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

15
Disco Man
00:03:52

Gray, Composer - The Damned, MainArtist - Vanian, Composer - SENSIBLE, Composer - Scabies, Composer

(C) 2006 Cleopatra Records (P) 2006 Cleopatra Records

Approfondimenti

Emerging in 1997 as part of Cleopatra's reissue/release series of nearly everything Damned it could get its hands on, Fiendish Shadows documents a show or shows (recording dates aren't provided) from its 1985/1986 tour in support of Phantasmagoria. At this point, the Scabies/Vanian/Jugg/Merrick lineup had a fair couple of years experience under its belt, first with Captain Sensible and then without; the relative stability of this arrangement likely helped the band put on a crackerjack show. Sound quality is quite good, though the mix is off; for instance, on the fantastic opening cut, a run through the first part of the epic "Curtain Call," Vanian's voice suddenly plunges in volume once the drumming kicks in and only recovers from that a few songs in. About half of Phantasmagoria shows up, with an explosive take on "Is It a Dream" and a bravura "Street of Dreams." A couple of cuts from the not far gone Strawberries make the grade as well, including a great take on "Stranger on the Town" and a sprightly version of "Gun Fury." Faves of yore that turn up unsurprisingly include "New Rose" and "Smash It Up," while "Love Song" makes a brief, fun appearance and the disc as a whole concludes with the always hilarious kiss-off "Disco Man," initially delivered in the 'Val Doonican way, as Vanian puts it. Even more intriguing are the two covers that take a bow; one, the Electric Prunes' "I Had Too Much to Dream Last Night," had originally surfaced via the band's Naz Nomad and the Nightmares incarnation. The other was never formally recorded: Iggy Pop's "Lust for Life" given the energetic blast you'd expect any punk rockers worth their salt would. On a technical note, while a ticket from an American gig is part of the cover art, the recording itself seems to have taken place in London based on Vanian's between-song comments. Go figure!

© Ned Raggett /TiVo

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