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Michelle Breedt|Elgar: The Dream of Gerontius, Symphony No. 1

Elgar: The Dream of Gerontius, Symphony No. 1

Edo de Waart, Royal Flemish Philharmonic

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Edward Elgar's The Dream of Gerontius is not everyone's cup of tea, with its gigantism and its massive recitatives of Catholic doctrine. But it hangs on, and from the beginning it has had adherents beyond Britain. The work tells the story of a soul's passage into death. Elgar objected to the term oratorio, and he was right: it's more of a giant cantata. The protagonist, Gerontius, is an ordinary individual; he is sung by a tenor, and there are solo parts for an angel (a mezzo-soprano), a priest (a baritone), and an Angel of Agony (a bass, here also sung by baritone John Hancock). The choir fills various roles, including visions of angelic harmony, souls in purgatory, demons, and friends attending the dying man. This is perhaps an ideal performance. The Dream of Gerontius is a work much-beloved by choral societies, for the choir is given a lot to do, and a lot of different kinds of things to do. The beefed-up Collegium Vocale Gent is not the first choir you'd pick for this work, but they inhabit the various characters convincingly. Veteran conductor Edo de Waart, who has also championed the work in the U.S. with the Milwaukee Symphony Orchestra, provides solid support in all the details with the Royal Flemish Philharmonic. The three soloists are very strong: they get the fact that for all its size, the work is actually personal in tone, and tenor Peter Auty avoids heroic mannerisms. The performance of the Symphony No. 1 that rounds out the second disc is clean and broadly appealing. But the real stars here are the engineers from the PentaTone label in the Netherlands. The album was auditioned on a good conventional stereo, where it revealed impressive spatial separation of the huge forces, and previously unnoticed levels of detail. With super audio-capable equipment, the album promises to give The Dream of Gerontius the environment it has been waiting for. Undoubtedly worth the money.
© TiVo

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Elgar: The Dream of Gerontius, Symphony No. 1

Michelle Breedt

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The Dream of Gerontius, Op. 38, Pt. I (Edward Elgar)

1
Prelude
Michelle Breedt
00:09:33

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

2
Jesu, Maria - I am near to death (Gerontius)
Michelle Breedt
00:03:43

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

3
Kyrie eleison (Chorus)
Michelle Breedt
00:05:47

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

4
Sanctus fortis, Sanctus Deus (Gerontius)
Michelle Breedt
00:07:15

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

5
Rescue him, O Lord (Chorus)
Michelle Breedt
00:03:39

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

6
Profiscere, anima Christiana (The Priest)
Michelle Breedt
00:06:39

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

The Dream of Gerontius, Op. 38, Pt. II (Edward Elgar)

7
Andantino
Michelle Breedt
00:01:39

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

8
I went to sleep (Soul of Gerontius)
Michelle Breedt
00:12:08

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

9
Low-born clods of brute earth (Chorus)
Michelle Breedt
00:04:31

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

10
I see not those false spirits (Soul of Gerontius, Angel)
Michelle Breedt
00:03:06

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

11
Praise to the Holiest (Chorus, Angel)
Michelle Breedt
00:05:04

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

12
And now the threshold - Praise to the Holiest (Angel, Chorus)
Michelle Breedt
00:07:51

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

DISCO 2

1
The judgment now is near (Angel, Soul of Gerontius)
Michelle Breedt
00:02:42

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

2
Jesu! By that shuddering dread (Angel of Agony)
Michelle Breedt
00:03:56

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

3
I go before my Judge - Be merciful, o Lord (Soul of Gerontius, Angel, Chorus)
Michelle Breedt
00:06:05

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

4
Lord, Thou hast been our refuge (Chorus)
Michelle Breedt
00:01:24

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

5
Angel's Farewell (Angel, Chorus)
Michelle Breedt
00:06:33

Peter Auty, Artist - Edo de Waart, Conductor - Edward Elgar, Composer - Collegium Vocale Gent, Choir - John Hancock, Artist - Michelle Breedt, Artist, MainArtist - Royal Flemish Philharmonic, Orchestra

(C) 2013 PENTATONE (P) 2013 PENTATONE

Symphony No. 1 in A-flat Major, Op. 55 (Edward Elgar)

6
I. Andante nobilmente e semplice - Allegro
Royal Flemish Philharmonic
00:19:17

Edo de Waart, Conductor - Edward Elgar, Composer - Royal Flemish Philharmonic, Orchestra, MainArtist

(C) 2013 PENTATONE (P) 2013 PENTATONE

7
II. Allegro molto
Royal Flemish Philharmonic
00:07:23

Edo de Waart, Conductor - Edward Elgar, Composer - Royal Flemish Philharmonic, Orchestra, MainArtist

(C) 2013 PENTATONE (P) 2013 PENTATONE

8
III. Adagio
Royal Flemish Philharmonic
00:11:24

Edo de Waart, Conductor - Edward Elgar, Composer - Royal Flemish Philharmonic, Orchestra, MainArtist

(C) 2013 PENTATONE (P) 2013 PENTATONE

9
IV. Lento - Allegro
Royal Flemish Philharmonic
00:12:23

Edo de Waart, Conductor - Edward Elgar, Composer - Royal Flemish Philharmonic, Orchestra, MainArtist

(C) 2013 PENTATONE (P) 2013 PENTATONE

Approfondimenti

Edward Elgar's The Dream of Gerontius is not everyone's cup of tea, with its gigantism and its massive recitatives of Catholic doctrine. But it hangs on, and from the beginning it has had adherents beyond Britain. The work tells the story of a soul's passage into death. Elgar objected to the term oratorio, and he was right: it's more of a giant cantata. The protagonist, Gerontius, is an ordinary individual; he is sung by a tenor, and there are solo parts for an angel (a mezzo-soprano), a priest (a baritone), and an Angel of Agony (a bass, here also sung by baritone John Hancock). The choir fills various roles, including visions of angelic harmony, souls in purgatory, demons, and friends attending the dying man. This is perhaps an ideal performance. The Dream of Gerontius is a work much-beloved by choral societies, for the choir is given a lot to do, and a lot of different kinds of things to do. The beefed-up Collegium Vocale Gent is not the first choir you'd pick for this work, but they inhabit the various characters convincingly. Veteran conductor Edo de Waart, who has also championed the work in the U.S. with the Milwaukee Symphony Orchestra, provides solid support in all the details with the Royal Flemish Philharmonic. The three soloists are very strong: they get the fact that for all its size, the work is actually personal in tone, and tenor Peter Auty avoids heroic mannerisms. The performance of the Symphony No. 1 that rounds out the second disc is clean and broadly appealing. But the real stars here are the engineers from the PentaTone label in the Netherlands. The album was auditioned on a good conventional stereo, where it revealed impressive spatial separation of the huge forces, and previously unnoticed levels of detail. With super audio-capable equipment, the album promises to give The Dream of Gerontius the environment it has been waiting for. Undoubtedly worth the money.
© TiVo

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