Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download non disponibile
Lingua disponibile: inglese
Mozart explicitly alluded to the influence of C.P.E. Bach on his own music, and you can hear it in these three cello concertos, written in the early 1750s, even though Mozart did not write cello concertos of his own. Mozart's treatment of the solo part in a concerto, having the soloist ask questions as well as simply elaborating on the basic thematic material, seems akin to what you get in C.P.E.'s opening movements. This was cutting-edge music in the 1750s, with the Cello Concerto in A minor, Wq 170, pointing toward the dramatic empfindsamer Stil that was to come, and toward Mozart's expansive concerto designs in the Cello Concerto in A major, Wq 172. C.P.E. Bach himself had no doubts about the influence of these concertos; he went on to arrange them for flute and for keyboard. They are delightful works with many small, trenchant details. Cellist Christophe Coin, playing and directing the Orquesta Barroca de Sevilla, has a slight tendency to make these pieces sound like French Baroque music, with a flat dynamic in the dotted-rhythm passages, and Passacaille's church sound is rather harsh. The recording was made in 2014 but not released until 2018, for unspecified reasons. However, better late than never; these are important works by C.P.E. Bach, not easy to obtain on recordings.
© TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Christophe Coin, Conductor, MainArtist - Carl Philipp Emanuel Bach, Composer - Orquesta Barroca de Sevilla, Orchestra
(C) 2018 Passacaille (P) 2019 Passacaille
Approfondimenti
Mozart explicitly alluded to the influence of C.P.E. Bach on his own music, and you can hear it in these three cello concertos, written in the early 1750s, even though Mozart did not write cello concertos of his own. Mozart's treatment of the solo part in a concerto, having the soloist ask questions as well as simply elaborating on the basic thematic material, seems akin to what you get in C.P.E.'s opening movements. This was cutting-edge music in the 1750s, with the Cello Concerto in A minor, Wq 170, pointing toward the dramatic empfindsamer Stil that was to come, and toward Mozart's expansive concerto designs in the Cello Concerto in A major, Wq 172. C.P.E. Bach himself had no doubts about the influence of these concertos; he went on to arrange them for flute and for keyboard. They are delightful works with many small, trenchant details. Cellist Christophe Coin, playing and directing the Orquesta Barroca de Sevilla, has a slight tendency to make these pieces sound like French Baroque music, with a flat dynamic in the dotted-rhythm passages, and Passacaille's church sound is rather harsh. The recording was made in 2014 but not released until 2018, for unspecified reasons. However, better late than never; these are important works by C.P.E. Bach, not easy to obtain on recordings.
© TiVo
A proposito dell'album
- 1 disco(i) - 9 traccia(e)
- Durata totale: 01:08:34
- 1 Libretto digitale
- Artisti principali: Christophe Coin
- Compositore: Carl Philipp Emanuel Bach
- Etichetta: Passacaille
- Genere: Classica
(C) 2018 Passacaille (P) 2019 Passacaille
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.