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Philippe Pierlot - Buxtehude : Membra Jesu Nostri

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Buxtehude : Membra Jesu Nostri

Ricercar Consort - Philippe Pierlot

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Composed by Dietrich Buxtehude in 1680 for the church of Lübeck, where he had been working for ten years, Membra Jesu Nostri describes the scars of the Passion of Christ through a cycle of seven cantatas. The work owes its title to a Latin manuscript written by a relative of Saint Bernard. Typical of the pietism of 17th century Lutheran Germany, the piece is a descent into the darkness of suffering and an ode to the promise of consolation. Grounded in rhetoric, Buxtehude’s music influenced a generation of innovative musicians. It would later be an inspiration to Johann Sebastian Bach, who traveled to Lübeck specifically to meet Buxtehude.


Membra Jesus Nostri was written for a five-voice ensemble. It requires a set of soloists with three lower voices and two upper parts, as well as a subtle instrumental accompaniment featuring two violins, five viols, and one basso continuo chose by the musicians. Some authors have seen the influence of the “Versailles Motet,” which Buxtehude knew well, in this setup. The influence of Italian music, especially Monteverdi, which he may have known through his interest in Schütz’s music, is also clear. The work is the testimony to Buxtehude’s incredibly expressive power and deserves to be considered as a masterpiece among other spiritual compositions such as Schütz’s Musikalische Exequien, Bach’s Passions and, on an instrumental level, Biber’s Sonates du Rosaire.


According to Philippe Pierlot, who can be heard on the record, “Buxtehude is appealing directly to our senses and making us experience the suffering of Christ. We can feel the wounds, the blows, and the heart when it ceases to beat. Thanks to the genius of his music, the composer not only moves his listener to intense emotion, but also enlightens him, giving him access to the deep meaning of the text it sings” © François Hudry/Qobuz

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Buxtehude : Membra Jesu Nostri

Philippe Pierlot

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Membra Jesu Nostri, BuxWV 75 (Dieterich Buxtehude)

1
[Ad pedes] Sonata 00:00:41

Maria Keohane, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

2
[Ad pedes] Concerto "Ecce super montes pedes evangelizantis" 00:01:08

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

3
[Ad pedes] Aria "Salve mundi salutare" 00:01:32

Maria Keohane, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

4
[Ad pedes] Aria "Clavos pedum, plagas duras" 00:01:33

Hanna Bayodi-Hirt, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

5
[Ad pedes] Aria "Dulcis Jesu, pie Deus" 00:01:39

Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

6
[Ad pedes] Concerto 00:01:07

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

7
[Ad pedes] Salve mundi salutare 00:01:07

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

8
[Ad genua] Sonata in tremulo 00:01:15

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

9
[Ad genua] Concerto Ad ubera portabimini 00:02:08

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

10
[Ad genua] Aria "Salve Jesu, rex sanctorum" 00:01:16

Jeffrey Thompson, Tenor - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

11
[Ad genua] Aria "Quid sum tibi responsurus" 00:01:11

Carlos Mena, Alto - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

12
[Ad genua] Aria "Ut te quaeram mente pura" 00:01:15

Maria Keohane, Soprano - Hanna Bayodi, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

13
[Ad genua] Concerto 00:02:17

Carlos Mena, Alto - Maria Keohane, Soprano - Jeffrey Thompson, Tenor - Hanna Bayodi, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

14
[Ad manus] Sonata 00:00:44

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

15
[Ad manus] Concerto "Quid sunt plagae istae in medio manuum tuarum?" 00:01:55

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

16
[Ad manus] Aria "Salve Jesu, pastor bone" 00:01:34

Maria Keohane, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

17
[Ad manus] Aria "Manus sanctae, vos amplector" 00:01:37

Hanna Bayodi-Hirt, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

18
[Ad manus] Aria "In cruore tuo lotum" 00:01:41

Carlos Mena, Alto - Jeffrey Thompson, Tenor - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

19
[Ad manus] Concerto 00:02:19

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

20
[Ad latus] Sonata 00:00:34

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

21
[Ad latus] Concerto "Surge, amica mea" 00:01:32

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

22
[Ad latus] Aria "Salve latus salvatoris" 00:01:21

Maria Keohane, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

23
[Ad latus] Aria "Ecce tibi appropinquo" 00:01:16

Carlos Mena, Alto - Jeffrey Thompson, Tenor - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

24
[Ad latus] Aria "Hora mortis meus flatus" 00:01:30

Hanna Bayodi-Hirt, Soprano - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

25
[Ad latus] Concerto 00:01:41

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

26
[Ad pectus] Sonata 00:00:40

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

27
[Ad pectus] Concerto a 3 voci "Sicut modo geniti infantes rationabiles" 00:02:48

Carlos Mena, Alto - Jeffrey Thompson, Tenor - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

28
[Ad pectus] Aria "Salve, salus mea" 00:01:23

Jeffrey Thompson, Tenor - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

29
[Ad pectus] Aria "Pectus mihi confer mundum" 00:01:26

Carlos Mena, Alto - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

30
[Ad pectus] Aria "Ave, verum templum Dei" 00:01:31

Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

31
[Ad pectus] Concerto a 3 voci 00:03:18

Carlos Mena, Alto - Jeffrey Thompson, Tenor - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

32
[Ad cor] Sonata 00:01:55

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

33
[Ad cor] Concerto a 3 voci "Vulnerasti cor meum" 00:02:18

Maria Keohane, Soprano - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

34
[Ad cor] Aria "Summi regis cor, aveto" 00:00:50

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

35
[Ad cor] Aria "Per medullam cordis mei" 00:00:52

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

36
[Ad cor] Aria "Viva cordis voce clamo" 00:01:21

Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

37
[Ad cor] Concerto a 3 voci 00:02:20

Maria Keohane, Soprano - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

38
[Ad faciem] Sonata 00:00:42

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

39
[Ad faciem] Concerto "Illustra faciem tuam" 00:01:31

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

40
[Ad faciem] Aria "Salve, caput cruentatum" 00:01:19

Carlos Mena, Alto - Jeffrey Thompson, Tenor - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

41
[Ad faciem] Aria "Dum me mori est necesse" 00:01:09

Carlos Mena, Alto - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

42
[Ad faciem] Aria "Cum me jubes emigrare" 00:00:54

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

43
[Ad faciem] Concerto "Amen" 00:01:29

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

Gott hilf mir, BuxWV 34 (Dieterich Buxtehude)

44
Sonata 00:01:45

Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

45
Gott, hilf mir 00:03:01

Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

46
Concerto "Fürchte dich nicht" 00:01:12

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

47
"Israel, hoffe auf den Herren" 00:01:00

Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

48
Choral "Wer hofft in Gott" 00:01:41

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

49
Aria "Ach ja, mein Gott, ich hoff auf dich" 00:04:26

Maria Keohane, Soprano - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

50
Concerto "Israel, hoffe auf den Herren" 00:02:34

Maria Keohane, Soprano - Carlos Mena, Alto - Jeffrey Thompson, Tenor - Hanna Bayodi-Hirt, Soprano - Matthias Vieweg, Bass - Ricercar Consort - Philippe Pierlot, Conductor - Dietrich Buxtehude, Composer

- ℗ 2019 Mirare

Descrizione dell'album

Composed by Dietrich Buxtehude in 1680 for the church of Lübeck, where he had been working for ten years, Membra Jesu Nostri describes the scars of the Passion of Christ through a cycle of seven cantatas. The work owes its title to a Latin manuscript written by a relative of Saint Bernard. Typical of the pietism of 17th century Lutheran Germany, the piece is a descent into the darkness of suffering and an ode to the promise of consolation. Grounded in rhetoric, Buxtehude’s music influenced a generation of innovative musicians. It would later be an inspiration to Johann Sebastian Bach, who traveled to Lübeck specifically to meet Buxtehude.


Membra Jesus Nostri was written for a five-voice ensemble. It requires a set of soloists with three lower voices and two upper parts, as well as a subtle instrumental accompaniment featuring two violins, five viols, and one basso continuo chose by the musicians. Some authors have seen the influence of the “Versailles Motet,” which Buxtehude knew well, in this setup. The influence of Italian music, especially Monteverdi, which he may have known through his interest in Schütz’s music, is also clear. The work is the testimony to Buxtehude’s incredibly expressive power and deserves to be considered as a masterpiece among other spiritual compositions such as Schütz’s Musikalische Exequien, Bach’s Passions and, on an instrumental level, Biber’s Sonates du Rosaire.


According to Philippe Pierlot, who can be heard on the record, “Buxtehude is appealing directly to our senses and making us experience the suffering of Christ. We can feel the wounds, the blows, and the heart when it ceases to beat. Thanks to the genius of his music, the composer not only moves his listener to intense emotion, but also enlightens him, giving him access to the deep meaning of the text it sings” © François Hudry/Qobuz

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