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Curtis Fuller|Bone & Bari

Bone & Bari

Curtis Fuller

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Curtis Fuller emerged during the 1950s as a leading hard bop trombonist. A native of Detroit, Fuller was initially inspired by hearing J.J. Johnson, who became a mentor for the young musician. This recording was completed only weeks before Fuller went into the studio to record John Coltrane's Blue Trane. The session is unique in its pairing of trombone with the baritone sax of Tate Houston. The resultant front line sound is thick and rotund. The rhythm section of Sonny Clark, Paul Chambers and Art Taylor had a lovely rapport; individually and collectively, these three made many important recordings in the late 1950s, especially for the Blue Note label. Highlights of Bone & Bari include the title tune, penned by Fuller, and the group's rendering of the standard "Heart and Soul."

© Lee Bloom /TiVo

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Bone & Bari

Curtis Fuller

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1
Algonquin
00:05:01

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Curtis Fuller, Composer, MainArtist

℗ 1958 Capitol Records, LLC

2
Nita's Waltz
00:06:53

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Curtis Fuller, Composer, MainArtist

℗ 1958 Capitol Records, LLC

3
Bone & Bari
00:06:16

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Curtis Fuller, Composer, MainArtist

℗ 1958 Capitol Records, LLC

4
Heart And Soul
00:04:46

HOAGY CARMICHAEL, Composer - FRANK LOESSER, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Curtis Fuller, MainArtist

℗ 1958 Capitol Records, LLC

5
Again
00:07:16

Dorcas Cochran, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Curtis Fuller, MainArtist - Lionel Newman, Composer

℗ 1958 Capitol Records, LLC

6
Pickup
00:05:45

Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Curtis Fuller, Composer, MainArtist

℗ 1958 Capitol Records, LLC

Approfondimenti

Curtis Fuller emerged during the 1950s as a leading hard bop trombonist. A native of Detroit, Fuller was initially inspired by hearing J.J. Johnson, who became a mentor for the young musician. This recording was completed only weeks before Fuller went into the studio to record John Coltrane's Blue Trane. The session is unique in its pairing of trombone with the baritone sax of Tate Houston. The resultant front line sound is thick and rotund. The rhythm section of Sonny Clark, Paul Chambers and Art Taylor had a lovely rapport; individually and collectively, these three made many important recordings in the late 1950s, especially for the Blue Note label. Highlights of Bone & Bari include the title tune, penned by Fuller, and the group's rendering of the standard "Heart and Soul."

© Lee Bloom /TiVo

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