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Love|Black out in the Red Room

Black out in the Red Room

Love/Hate

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On the surface, the music of Love/Hate's debut may seem no different than most any late-'80s L.A. pop-metal, but the band's performance exudes a fury and belligerence that posers such as Poison or Warrant could never even grasp; actually, they would turn on their heels and run away screaming from it. The band literally "plays on 11," from the very first crunching power chord of the title track to the last cymbal crash of the frenzied "Hell Ca., Pop. 4." In between, they alternate the sheer power of "Rock Queen," "One More Round," and "Straightjacket" with the haunting yet beautiful melodies of "Mary Jane" and "She's an Angel." The strangely message-oriented "Why Do You Think They Call It Dope?" does stick out like a sore thumb -- no thanks to its funk-metal bassline and overtly commercial mix. But with delirious performances, such as guitarist Jon E. Love's on the massive "Tumbleweed," there is little here to criticize. Blackout in the Red Room is a very impressive album.

© Eduardo Rivadavia /TiVo

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Black out in the Red Room

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1
Blackout in the Red Room
00:02:33

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

2
Rock Queen
00:02:21

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

3
Tumbleweed
00:03:31

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

4
Why do you think they call it Dope?
00:03:58

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

5
Fuel to Run
00:03:18

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

6
One More Round
00:03:23

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

7
She's an Angel
00:04:09

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

8
Mary Jane
00:04:32

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

9
Straight Jacket
00:03:15

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

10
Slutsy Tipsy
00:03:09

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

11
Slave Girl
00:03:51

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

12
Hell, CA, Pop. 4
00:02:46

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

13
Tinseltown (bonus track)
00:02:36

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

14
Blackout in the Red Room (Live) (bonus track)
00:05:53

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

15
Mary Jane (Live) (bonus track)
00:04:25

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

16
Fuel to Run (Live) (bonus track)
00:03:10

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

17
She's an Angel (Live) (bonus track)
00:04:06

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

18
One More Round (Live) (bonus track)
00:03:16

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

19
Slave Girl (Live) (bonus track)
00:03:42

Skid, Composer - LOVE, MainArtist - Hate, Artist

2005 Bad Reputation 2005 Love/Hate Music / Ascap

Approfondimenti

On the surface, the music of Love/Hate's debut may seem no different than most any late-'80s L.A. pop-metal, but the band's performance exudes a fury and belligerence that posers such as Poison or Warrant could never even grasp; actually, they would turn on their heels and run away screaming from it. The band literally "plays on 11," from the very first crunching power chord of the title track to the last cymbal crash of the frenzied "Hell Ca., Pop. 4." In between, they alternate the sheer power of "Rock Queen," "One More Round," and "Straightjacket" with the haunting yet beautiful melodies of "Mary Jane" and "She's an Angel." The strangely message-oriented "Why Do You Think They Call It Dope?" does stick out like a sore thumb -- no thanks to its funk-metal bassline and overtly commercial mix. But with delirious performances, such as guitarist Jon E. Love's on the massive "Tumbleweed," there is little here to criticize. Blackout in the Red Room is a very impressive album.

© Eduardo Rivadavia /TiVo

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