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Joni Mitchell|Miles of Aisles  (Live)

Miles of Aisles (Live)

Joni Mitchell

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Langue disponible : anglais

A 1974 live effort recorded with backing band the L.A. Express, Miles of Aisles consists of fairly straightforward versions of songs from Canadian songstress Joni Mitchell's first five (pre-Court and Spark) albums. Although the record includes some soulful, Santana-esque lead guitar work from Robben Ford, and an extremely tight rhythm section, the best tracks are the ones where Mitchell is accompanied only by her own acoustic guitar or piano. In this setting, Mitchell is better able, both vocally and emotionally, to navigate the subtle peaks and valleys of her early material.
Standout tracks include a surprisingly (considering how many times she must have had to sing it, even in 1974) heartfelt and sensitive version of "Both Sides Now" and a very sweetly sung "Blue." Although by no means essential compared to her other work, the performances on Miles of Aisles do have a certain offhandedness that may be of interest to those who think Mitchell often takes herself too seriously.

© TiVo Staff /TiVo

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Miles of Aisles (Live)

Joni Mitchell

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1
You Turn Me On, I'm a Radio (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:04:09

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

2
Big Yellow Taxi (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
JOHN GUERIN
00:03:09

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

3
Rainy Night House (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
JOHN GUERIN
00:04:04

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

4
Woodstock (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
JOHN GUERIN
00:04:30

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

5
Cactus Tree (Live at Los Angeles Music Center, Los Angeles, CA, 3/4/1974)
Joni Mitchell
00:05:01

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

6
Cold Blue Steel and Sweet Fire (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:05:23

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

7
Woman of Heart and Mind (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:03:40

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

8
A Case of You (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:04:42

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

9
Blue (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:02:49

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

10
Circle Game (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:06:28

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

11
People's Parties (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:02:42

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

12
All I Want (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:03:20

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

13
Real Good for Free (Live at Berkeley Community Theater, Berkeley, CA, 3/2/1974)
Joni Mitchell
00:04:27

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

14
Both Sides Now (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:04:14

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

15
Carey (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:03:30

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

16
The Last Time I Saw Richard (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:03:35

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

17
Jericho (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:03:26

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

18
Love or Money (Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974)
Joni Mitchell
00:04:50

Bernie Grundman, MasteringEngineer - Tom Scott, Woodwinds - JOHN GUERIN, Drums, Percussion, MixingEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, Dulcimer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar - Ken Caillat, AssistantEngineer - The L.A. Express, Arranger

© 1974 Asylum Records, a label of Elektra Entertainment Group, a Warner Music Group company ℗ 1974 Asylum Records

Chronique

A 1974 live effort recorded with backing band the L.A. Express, Miles of Aisles consists of fairly straightforward versions of songs from Canadian songstress Joni Mitchell's first five (pre-Court and Spark) albums. Although the record includes some soulful, Santana-esque lead guitar work from Robben Ford, and an extremely tight rhythm section, the best tracks are the ones where Mitchell is accompanied only by her own acoustic guitar or piano. In this setting, Mitchell is better able, both vocally and emotionally, to navigate the subtle peaks and valleys of her early material.
Standout tracks include a surprisingly (considering how many times she must have had to sing it, even in 1974) heartfelt and sensitive version of "Both Sides Now" and a very sweetly sung "Blue." Although by no means essential compared to her other work, the performances on Miles of Aisles do have a certain offhandedness that may be of interest to those who think Mitchell often takes herself too seriously.

© TiVo Staff /TiVo

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