Reynaldo Hahn
Reynaldo Hahn is often considered an archetypal French composer -- a product of effective French music education coupled with the cosmopolitan atmosphere of Paris. The fact that Hahn was not actually French (he was born in Caracas, Venezuela) has never deterred this notion -- even among the nationalistic French -- since he made Paris his home for nearly his entire life. Today, as he was during his life, he is best known for his vocal works, ranging from serious opera and operetta to solo songs. His affinity for both the stage and the human voice eventually led to his appointment in 1945 as director of the Paris Opéra.
Hahn's parents were of German and Venezuelan extraction; when he was three years old the family relocated to Paris, where Hahn entered the Paris Conservatoire in 1886. He studied harmony with Théodore Dubois, piano with Decombes and composition with Jules Massenet. Massenet's influence is clear in one of Hahn's earliest, and most famous, songs, Si mes vers avaient des ailes (If my verses had wings); written when the composer was only 13, it is a charming setting of verses by Victor Hugo. The combined forces of Massenet's advocacy on his behalf (enough to have his cycle of songs on the poetry of Paul Verlaine, Chansons grises, published in 1893) and Hahn's own fine singing voice (enabling him to accompany himself in salons and concert halls) helped to establish his reputation in the city.
Early in his career, Hahn made the acquaintance of Sarah Bernhardt and Marcel Proust; Proust, especially, would instill in Hahn a deep appreciation and understanding of poetry, which had a profound effect on Hahn's approach to vocal composition. Hahn once wrote, "The genuine beauty of singing consists in a perfect unison, an amalgam, a mysterious alloy of the singing and the speaking voice, or to put it better, the melody and the spoken word." Hahn found himself seduced by the poetry of Victor Hugo, Théophile Gautier, and Paul Verlaine; he put his efforts toward creating musical phrasing and rhythmic gestures that would allow the words to speak for themselves. Hahn believed that "[o]nly form can give a piece a chance of lasting...." This perhaps explains his predilection for the older, repetitive formal structures evident in some of his songs, such as "L'automne" (Autumn), "Le printemps" (Spring), and "Quand je fus pris au pavillion" (When I was Lured to her Pavilion).
Hahn's first stage composition was incidental music for Daudet's L'obstacle in 1890; his first opera to reach the stage was the three-act L'île du rêve, performed in Paris at the Opéra-Comique in 1898; a more successful serious opera appeared in 1935 (Le marchand de Venise, in three acts, with a libretto by Zamacoïs, after Shakespeare). Notably, with Le marchand de Venise, Hahn deliberately returned to the "old-fashioned" division between musical numbers and recitatives and returned the orchestra to a purely accompanimental role. Hahn's most important ballet, Le dieu bleu, was composed in 1912 for Diaghilev's company (to a scenario by Cocteau and Madrazo). By far, Hahn's most successful theater piece is his operetta Ciboulette; it premiered to instant acclaim in Paris in 1923, and has received innumerable performances since.
As a conductor and impresario at the Paris Opéra, Hahn favored the operas of Mozart; he found the earlier composer so fascinating, in fact, that he composed a musical comedy on his life (Mozart, 1925), in which he included pastiches of Mozart's own music.
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Discografía
15 álbum(es) • Ordenado por Mejores ventas
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Magda Tagliaferro, Vol. 1
Magda Tagliaferro, Reynaldo Hahn, Orchestre de l'Association des Concerts de Chambre de Paris, Unknown Artist, Fernand Oubradous
Clásica - Editado por DOREMI el 13 oct. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Reynaldo Hahn - Les plus grands succès
Ópera - Editado por DOM el 11 feb. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
The Art of Magda Tagliaferro
Clásica - Editado por Heritage Records el 20 ago. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Les instruments de l'orchestre (Mono Version)
Pop - Editado por BNF Collection el 1 ene. 1900
24-Bit 96.0 kHz - Stereo -
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Reynaldo Hahn: Malvina (1961)
Ópera - Editado por Classical Moments el 20 mar. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Berceuse pour la veille de Noël
Clásica - Editado por soundnotation el 26 jul. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Berceuse pensive
Clásica - Editado por soundnotation el 31 jul. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Berceuse pour les enfants de marins
Clásica - Editado por soundnotation el 28 jul. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Berceuse des soirs d'automne
Clásica - Editado por soundnotation el 29 jul. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
"Selfiana", berceuse créole
Clásica - Editado por soundnotation el 30 jul. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Berceuse des jours sans nuages
Clásica - Editado por soundnotation el 26 jul. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Berceuse tendre
Clásica - Editado por soundnotation el 1 ago. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Reynaldo Hahn: Pastorale de Noël (1947)
Orchestre de la Radio Television Française, Louis Beydts, Jeanne Rolland
Clásica - Editado por Classical Moments el 30 abr. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Milestones of a Piano Legend: Magda Tagliaferro, Vol. 10
Magda Tagliaferro, Reynaldo Hahn, Unknown Artist
Clásica - Editado por Intense Media GmbH el 3 may. 2019
16-Bit CD Quality 44.1 kHz - Stereo