François Couperin
François Couperin was the most important member of the illustrious Couperin family and was one of the leading composers of the French Baroque era. He is best known for his harpsichord works, all of which are found in the collection of more than 220 pieces entitled Pièces de clavecin, consisting of four books. His music showed the influence of Lully and incorporated elements from the Italian school. Indeed, both these sources would be acknowledged by Couperin himself in two chamber works, Apothéose de Corelli (1724) and Apothéose de Lully (1725). Moreover, he successfully integrated the French and Italian styles in his Les goût réunis ou nouveaux concerts (1724), a collection of chamber compositions for unspecified instruments. Many of his works were lost to posterity, as none of his original manuscripts have survived.
Couperin was born in Paris on November 10, 1668. His father, Charles, was an organist, and young François' early musical training probably came from him. An only child, François and his mother were reasonably well-cared for following Charles' death (probably in 1679), in part because of the kindness of Jacques Thomelin, organist at Saint-Jacques de la Boucherie, who looked after the young boy and instructed him in music.
Couperin became the organist at Saint-Gervais at age 17. In 1689, four years later, he married Marie-Anne Ansault, daughter of a wine merchant who had many relatives in other business endeavors. The following year, he published his so-called "organ masses," known as Pièces d'orgue, comprising two masses (Messe des Paroisses and Messe des Couvents) and several smaller pieces.
It was around this time that the composer came under the sway of the Italian school. He would display this influence in several chamber works he wrote in 1692 that he called sonades, a name that is a Gallic version of "sonata."
On December 26, 1693, Couperin was appointed organist at the Royal Chapel by King Louis XIV, sharing the post with Buterne, Nivers, and Lebègue, and performing his duties only in the first quarter of each year. He maintained his position at Saint-Gervais for the other nine months. He also taught the Duke of Burgundy harpsichord and six other princes and princesses. The composer would later write an important treatise on playing the harpsichord entitled, L'Art de toucher le clavecin.
Couperin wrote a fair amount of sacred non-liturgical vocal music for the Royal Chapel. Beginning around 1697, he wrote a series of motets, completed in 1702. They include Motet Saint-Barthélemy, Motet de Sainte-Anne, and Motet de Saint-Augustin.
In the early part of the 18th century, Couperin began composing a large number of works for the harpsichord, which would appear in the Premier Livre from the Pièces de clavecin in 1713. The Second Book was published in 1717, and the final two came in 1722 and 1730.
There is evidence that Couperin also found time for concerts in the early part of the 18th century in Versailles and other nearby locales. Actually, relatively little is known about Couperin's life from about 1700 onward. There is a record of his renting a country home in 1710 at Saint-Germain-en-Laye, confirming the view he was financially secure. In 1719, Couperin became harpsichordist to King Louis XV, a position he'd probably held in all but title for a number of years. By this time, he was recognized as the leading composer in France and the greatest exponent of organ and harpsichord teaching as well. Couperin died on September 11, 1733.
© Robert Cummings /TiVo
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François Couperin : Pièces de violes (1728)
Clásica - Editado por Alia Vox el 4 mar. 1988
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François Couperin : Pièces de clavecin
Clásica - Editado por Passacaille el 31 mar. 2016
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François Couperin: Pièces de Clavecin à deux violes
Myrna Herzog, Giomar Sthel, Ensemble Phoenix
Clásica - Editado por Tratore el 22 may. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
François Couperin - Antonio Vivaldi - Carl Philipp Emanuel Bach - Johann Sebastian Bach
Clásica - Editado por RHI el 1 ene. 1974
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Gustav Leonhardt - A Portrait
Gustav Leonhardt, Henry Purcell, François Couperin
Clásica - Editado por UME - Global Clearing House el 2 sept. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Lully - Couperin - Corrette: French Baroque Masterpieces
Clásica - Editado por Int - Bertus el 4 oct. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Fr. Couperin: Les folies françoises - Debussy: 12 Préludes, 2e livre - Messiaen: Le courlis cendré
Clásica - Editado por Claves Records el 15 feb. 2008
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François Couperin : Concerts Royaux
Clásica - Editado por Analekta el 12 feb. 2013
24-Bit 88.2 kHz - Stereo -
Couperin: Book 4, 25th Ordre
Clásica - Editado por VDE-GALLO el 14 abr. 2013
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Trio Concertant
Dennis James, Annabelle Hoffman, Paul Meyers
Clásica - Editado por GM Recordings el 1 ene. 1991
16-Bit CD Quality 44.1 kHz - Stereo -
La Muse et La Mise (En concert) (Live)
Clásica - Editado por Antarctica Records el 6 may. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Cantates et Petits Macarons
Stefan Plewniak, Natalia Kawalek
Clásica - Editado por Ëvoe Music el 11 sept. 2015
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Les Barricades Mystérieuses (arr. Jürg Kindle)
François Couperin, Jurg Kindle
Clásica - Editado por Modern Classical X el 2 feb. 2024
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Couperin: Trois suites pour clavecin (3 Suites for Harpsichord)
Clásica - Editado por VDE-GALLO el 19 jun. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Maastricht, Netherlands (O.L.V. Baseliek)
Clásica - Editado por P4Y JQZ el 15 abr. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
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François Couperin: Messe pour les Couvents
Clásica - Editado por CDklassisk el 5 ene. 2016
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Les Grâces Françoises: Music of the French Baroque
Clásica - Editado por MSR Classics el 11 dic. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Couperin: Messe pour les Convents
Clásica - Editado por Danacord Records el 26 abr. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Classical Church Organ, Volume 9
Clásica - Editado por P4Y JQZ el 15 abr. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Couperin: Messe pour les Paroisses
Clásica - Editado por Danacord Records el 1 ene. 1999
16-Bit CD Quality 44.1 kHz - Stereo