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Cabaret Voltaire|The Living Legends

The Living Legends

Cabaret Voltaire

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If one needs a starting place to discover how an obscure trio of Sheffield sound experimentalists became one of the founders of industrial/EBM music, not to mention a whole range of artists interested in pushing the boundaries of recorded sound, The Living Legends is it. Conveniently collecting the series of singles the classic trio lineup released on Rough Trade, Legends makes for astonishing listening even today, as alien now as it was then, and perhaps even more so. Compiled in more or less chronological order with a few exceptions, the tracks range from the quietly mysterious to astonishing, in-your-face sonics. The earliest single, "Do the Mussolini," and its various B-sides initially cast the band as gloomy, dour figures interested in fooling around with tape machines, rhythm boxes, and a sense of echo that always made them sound like they were recording in the deep bowels of the earth. The Velvet Underground's "Here She Comes Now" gets an intriguing revamp here, Kirk's guitar buzzing the main riff in the background. After that, things really kick in with the groundbreaking "Nag Nag Nag," brilliantly co-produced by Rough Trade boss Geoff Travis and Red Krayola bandleader Mayo Thompson. Mallinder's abstract aggression as his electronically treated voice roars the title line is breathtaking enough, but the combination of heavily treated guitar and keyboard noise over the basic but effective rhythm pulse adds to the fantastic effect. Many other standouts follow from here, including the lengthy drone/groove of "Walls of Jerico" and the near-clinical push of "Second Too Late," with a gripping duet between a distanced Mallinder vocal and an upfront, vocodered, and dead-sounding voice. The sense of how the Cabs used everything from the more chaotic end of Krautrock to dub techniques surfaces throughout, capturing the sense of how they at once synthesized past approaches and created new ones.
© Ned Raggett /TiVo

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The Living Legends

Cabaret Voltaire

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1
Do the Mussolini (Head Kick)
00:03:11

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

2
Talk Over
00:03:27

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

3
Here She Comes Now
00:04:49

Lou Reed, Composer - Cabaret Voltaire, MainArtist

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

4
The Set Up
00:04:49

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

5
Nag, Nag, Nag
00:04:41

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

6
Silent Command
00:04:12

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

7
Jazz the Glass
00:03:04

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

8
Walls of Jericho
00:07:51

Cabaret Voltaire, MainArtist - Watson/Kirk/ Mallinder, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

9
Seconds Too Late
00:04:22

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

10
Eddies Out
00:09:57

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

11
Burnt to the Ground
00:02:27

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

12
Extract From: Chance Versus Causality
00:05:48

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

13
Control Addict
00:03:19

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

14
Is the Me (Finding Someone at the Door Again)
00:05:46

Cabaret Voltaire, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Richard H. Kirk, Composer

1990 Mute Records Ltd This label copy information is the subject of copyright protection. All rights reserved. 1990 The copyright in this compilation is owned by Mute Records Ltd

Presentación del Álbum

If one needs a starting place to discover how an obscure trio of Sheffield sound experimentalists became one of the founders of industrial/EBM music, not to mention a whole range of artists interested in pushing the boundaries of recorded sound, The Living Legends is it. Conveniently collecting the series of singles the classic trio lineup released on Rough Trade, Legends makes for astonishing listening even today, as alien now as it was then, and perhaps even more so. Compiled in more or less chronological order with a few exceptions, the tracks range from the quietly mysterious to astonishing, in-your-face sonics. The earliest single, "Do the Mussolini," and its various B-sides initially cast the band as gloomy, dour figures interested in fooling around with tape machines, rhythm boxes, and a sense of echo that always made them sound like they were recording in the deep bowels of the earth. The Velvet Underground's "Here She Comes Now" gets an intriguing revamp here, Kirk's guitar buzzing the main riff in the background. After that, things really kick in with the groundbreaking "Nag Nag Nag," brilliantly co-produced by Rough Trade boss Geoff Travis and Red Krayola bandleader Mayo Thompson. Mallinder's abstract aggression as his electronically treated voice roars the title line is breathtaking enough, but the combination of heavily treated guitar and keyboard noise over the basic but effective rhythm pulse adds to the fantastic effect. Many other standouts follow from here, including the lengthy drone/groove of "Walls of Jerico" and the near-clinical push of "Second Too Late," with a gripping duet between a distanced Mallinder vocal and an upfront, vocodered, and dead-sounding voice. The sense of how the Cabs used everything from the more chaotic end of Krautrock to dub techniques surfaces throughout, capturing the sense of how they at once synthesized past approaches and created new ones.
© Ned Raggett /TiVo

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