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Torsten Mossberg|Songs to Harp from the Old and New World (Arr. for Voice and Harp)

Songs to Harp from the Old and New World (Arr. for Voice and Harp)

Torsten Mossberg & Stina Hellberg Agback

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A harp creates completely different overtones than a grand piano, which makes a big difference between singing with the accompaniment of a harp, and a grand piano. The singer has to adjust the ears to a completely different sound that partly supports the song well, but also makes it difficult for the singer to intonate; the singer is more vulnerable than with a piano accompaniment. The harp’s design makes it hard for the harpist to quickly make key changes and modulations, that for a pianist is natural, or even simple. Sometimes the key has to be adapted to the harp’s capability. A good and direct communication between singer and accompanist is always essential, regardless of accompaniment. Even a flexible and sensitive harpist can experience more difficulties to shift tempo than a pianist, forcing the singer to phrase different than singing to the piano or guitar. However, such difficulties must be tackled and afterwards the cooperation can be rewarded with an emergence of a magical atmosphere. Since the harpist Stina Hellberg Agback is also a skillful improviser, another dimension is added, here in the songs by George Gershwin. © Sterling Records

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Songs to Harp from the Old and New World (Arr. for Voice and Harp)

Torsten Mossberg

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1
O Captain! My Captain! (Arr. for Voice and Harp)
00:04:08

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

2
Dirge for Two Veterans (Arr. for Voice and Harp)
00:03:58

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

3
Es Regnet (Arr. for Voice and Harp)
00:03:15

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

4
My Ship (Arr. for Voice and Harp)
00:04:43

Kurt Weill, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

5
Acht Gedichte aus, Letzte Blätter, Op. 10 No. 3: Die Nacht (Arr. for Voice and Harp)
00:02:40

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

6
Sechs Lieder aus Lotosblätter, Op. 19 No. 2: Breit' über mein Haupt dein schwarzes Haar (Arr. for Voice and Harp)
00:01:44

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

7
4 Lieder, Op. 27 No, 4: Morgen! (Arr. for Voice and Harp)
00:03:22

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

8
3 Songs, Op. 29 No. 1: Traum durch die Dämmerung (Arr. for Voice and Harp)
00:02:49

Richard Strauss, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

9
Lady Be Good: Oh, Lady, Be Good (Arr. for Voice and Harp)
00:04:20

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

10
Oh, Kay!: Someone To Watch Over Me (Arr. for Voice and Harp)
00:06:45

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

11
Rosalie: How Long Has This Been Going On (Arr. for Voice and Harp)
00:04:28

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

12
Girl Crazy: But Not for Me (Arr. for Voice and Harp)
00:04:20

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

13
Shall We Dance: They Can't Take That Away From Me (Arr. for Voice and Harp)
00:04:17

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

14
The Goldwyn Follies: Love is Here to Stay (Arr. for Voice and Harp)
00:04:16

George Gershwin, Composer - Torsten Mossberg, MainArtist - Stina Hellberg Agback, MainArtist

(C) 2021 Sterling Records (P) 2021 Sterling Records

Presentación del Álbum

A harp creates completely different overtones than a grand piano, which makes a big difference between singing with the accompaniment of a harp, and a grand piano. The singer has to adjust the ears to a completely different sound that partly supports the song well, but also makes it difficult for the singer to intonate; the singer is more vulnerable than with a piano accompaniment. The harp’s design makes it hard for the harpist to quickly make key changes and modulations, that for a pianist is natural, or even simple. Sometimes the key has to be adapted to the harp’s capability. A good and direct communication between singer and accompanist is always essential, regardless of accompaniment. Even a flexible and sensitive harpist can experience more difficulties to shift tempo than a pianist, forcing the singer to phrase different than singing to the piano or guitar. However, such difficulties must be tackled and afterwards the cooperation can be rewarded with an emergence of a magical atmosphere. Since the harpist Stina Hellberg Agback is also a skillful improviser, another dimension is added, here in the songs by George Gershwin. © Sterling Records

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(C) 2021 Sterling Records (P) 2021 Sterling Records

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