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Paul Cauthen|Room 41

Room 41

Paul Cauthen

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Paul Cauthen named his second album Room 41 after the hotel room he called home following the release of his debut album My Gospel in 2016. He stayed in that lodging in Dallas for the better part of two years, living the life that resulted in the blown-out and frequently bizarre Room 41. Cauthen doesn't abandon the outlaw country of My Gospel so much as force it into a disco, then stands back to see which one emerges victorious. Based on Room 41, it's difficult to declare either side a clear winner. Cauthen ping-pongs between dark ballads and gonzo country-rock fusions, dressing each extremity in overlapping layers of haunted harmonies, smeary synths, freeze-dried funk, and slamming backbeats. Drenched in alcohol and cocaine, Room 41 seems allergic to daylight, and not overly concerned with whether a listener is on its wavelength, either. This can mean that Room 41 may seem a bit alienating if it's played at the wrong time, when its low-rent melodrama seems not only skeevy, but a bit ill-formed. But if the mood strikes, it's a risky, compelling listen and certainly one of the oddest albums of 2019, regardless of genre.

© Stephen Thomas Erlewine /TiVo

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Room 41

Paul Cauthen

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1
Holy Ghost Fire
00:03:59

Paul Cauthen, Composer, MainArtist - Jason Burt, Composer - Jason Burt, Echo Music, MusicPublisher

2019 Lightning Rod Records 2019 Jason Burt, Echo Music

2
Prayed for Rain
00:03:16

Ward Davis, Composer - Beau Bedford, Composer - Paul Cauthen, Composer, MainArtist - Jason Burt, Composer - Jason Burt, Echo Music, MusicPublisher

2019 Lightning Rod Records 2019 Jason Burt, Echo Music

3
Cocaine Country Dancing
00:04:16

Paul Cauthen, MainArtist - Jason Burt, Echo Music, MusicPublisher - Paul Cauthen, Jason Burt, Composer

2019 Lightning Rod Records 2019 Jason Burt, Echo Music

4
Slow Down
00:03:10

Paul Cauthen, MainArtist - Echo Music, North Patrick Music, Jason Burt, MusicPublisher - Paul Cauthen, Jason Burt, Beau Bedford, Composer

2019 Lightning Rod Records 2019 Echo Music, North Patrick Music, Jason Burt

5
Big Velvet
00:03:25

Paul Cauthen, MainArtist - Echo Music, Wesley Geiger, MusicPublisher - Paul Cauthen, Wesley Geiger, Composer

2019 Lightning Rod Records 2019 Echo Music, Wesley Geiger

6
Can't Be Alone
00:04:05

Echo Music, MusicPublisher - Paul Cauthen, Composer, MainArtist

2019 Lightning Rod Records 2019 Echo Music

7
Freak
00:04:01

Paul Cauthen, MainArtist - Echo Music, North Patrick Music, MusicPublisher - Paul Cauthen, Beau Bedford, Composer

2019 Lightning Rod Records 2019 Echo Music, North Patrick Music

8
Angel
00:04:18

Paul Cauthen, MainArtist - Echo Music, North Patrick Music , Jonathan Tyler Music Publishing, MusicPublisher - Paul Cauthen, Beau Bedford, Jonathan Tyler, Composer

2019 Lightning Rod Records 2019 Echo Music, North Patrick Music , Jonathan Tyler Music Publishing

9
Give 'em Peace
00:03:59

Echo Music, MusicPublisher - Paul Cauthen, Composer, MainArtist

2019 Lightning Rod Records 2019 Echo Music

10
Lay Me Down
00:05:20

Paul Cauthen, MainArtist - Echo Music, Weston Boys Publishing, Regan Schmidt, MusicPublisher - Paul Cauthen, Dan Cohen, Regan Schmidt, Composer

2019 Lightning Rod Records 2019 Echo Music, Weston Boys Publishing, Regan Schmidt

Presentación del Álbum

Paul Cauthen named his second album Room 41 after the hotel room he called home following the release of his debut album My Gospel in 2016. He stayed in that lodging in Dallas for the better part of two years, living the life that resulted in the blown-out and frequently bizarre Room 41. Cauthen doesn't abandon the outlaw country of My Gospel so much as force it into a disco, then stands back to see which one emerges victorious. Based on Room 41, it's difficult to declare either side a clear winner. Cauthen ping-pongs between dark ballads and gonzo country-rock fusions, dressing each extremity in overlapping layers of haunted harmonies, smeary synths, freeze-dried funk, and slamming backbeats. Drenched in alcohol and cocaine, Room 41 seems allergic to daylight, and not overly concerned with whether a listener is on its wavelength, either. This can mean that Room 41 may seem a bit alienating if it's played at the wrong time, when its low-rent melodrama seems not only skeevy, but a bit ill-formed. But if the mood strikes, it's a risky, compelling listen and certainly one of the oddest albums of 2019, regardless of genre.

© Stephen Thomas Erlewine /TiVo

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