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The Hollies|Radio Fun

Radio Fun

The Hollies

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While the Hollies didn't break through in the U.S. with the same force as the Beatles or the Who, they were still one of the strongest groups of the British Invasion, and their prolific output and constant evolution were as bold as even the most shape-shifting of their peers. Radio Fun is a testament to the Hollies' ever-changing face as well as their strength as a live entity, collecting a dizzying 32 tracks recorded between 1964 and 1971 for various BBC programs such as Top of the Pops, Saturday Club, and Top Gear. The collection captures the band in its prime, roving from early R&B and Merseybeat-style rave-ups to Everly Brothers-inspired pop harmonies to more rambling rock material as the '60s wore on. Radio Fun isn't presented in chronological order, so the disc begins with the band's light-hearted beat romper "Here I Go Again" from 1964 and jumps ahead four years with the considerably more groovy and psychedelic pop of "Jennifer Eccles." The collection also spans three lineup changes for the group, seeing both bassist Eric Haydock and founding member Graham Nash cycle out of the band over the album's course, the loss of the latter altering the band's sound greatly. With the exception of "Bus Stop," many of the Hollies' greatest hits are absent from these sessions. Their blue-eyed renditions of soul classics like "That's How Strong My Love Is" and Sam Cooke's rowdy "Shake" highlight the band's R&B roots, and lesser-known tunes like "The Games We Play" and "Wishyouawish" show the group experimenting with brass arrangements and increasingly complex harmonies. In classic BBC style, a lot of the songs start abruptly, the introductions probably being yapped over by a DJ on the original recordings. The sessions are raw, mostly mono affairs, which works both for and against the overall flow of Radio Fun. It's great to hear the bright harmonies and direct, unproduced performances of the band at its tightest and most hungry. After a while, however, even the most devoted fans might have to take a step away from the collection's incredibly extensive amassment of sounds, which can become monotonous when taken in one sitting. When examined bit by bit, the collection has countless examples of the Hollies' brilliance, with the more obscure later material and most revved-up earliest R&B covers offering a candid picture of a hard-working band having fun in a long-stretching heyday.

© Fred Thomas /TiVo

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Radio Fun

The Hollies

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1
Here I Go Again (Saturday Club 28th September 1964)
00:02:12

Clive Westlake, Writer - Mort Shuman, Writer - The Hollies, Vocals, Performance, MainArtist

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

2
Jennifer Eccles (David Symonds 25th March 1968)
00:02:37

Tony Hicks, Vocals, Lead Guitar - Allan Clarke, Vocals, Writer, Rhythm Guitar - Ron Richards, Producer - The Hollies, MainArtist - Graham nash, Vocals, Writer, Rhythm Guitar - Bobby Elliott, Drums - Eric Haydock, Bass Guitar

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

3
Bus Stop (Saturday Club 28th June 1966)
00:02:57

The Hollies, MainArtist - Graham Gouldman, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

4
I've Got a Way of My Own (Saturday Club 13th December 1965)
00:02:04

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

5
Wings (David Symonds 25th March 1968)
00:02:59

Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

6
Step Inside (David Symonds 25th March 1968)
00:02:43

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

7
Wishyouawish (Saturday Club Late 1968)
00:01:39

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

8
Shake (Saturday Club 28th June 1966)
00:02:07

Sam Cooke, Writer - The Hollies, Vocals, Performance, MainArtist

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

9
Put Yourself in My Place (Saturday Club 6th September 1965)
00:02:33

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

10
Ride Your Pony (Saturday Club 6th September 1965)
00:02:22

The Hollies, Vocals, Performance, MainArtist - Naomi Neville, Composer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

11
I Take What I Want (Saturday Club 23rd March 1966)
00:02:28

Mabon Hodges, Writer - Isaac Hayes, Writer - The Hollies, Vocals, Performance, MainArtist - David Porter, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

12
Little Bitty Pretty One (Saturday Club 25th January 1966)
00:02:09

Robert Byrd, Writer - The Hollies, Vocals, Performance, MainArtist

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

13
Away Away Away (Top Gear 13th October 1967)
00:01:59

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, MainArtist - Graham nash, Vocals, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

14
Charlie and Fred (Top Gear 13th October 1967)
00:02:44

Tony Hicks, Vocals, Writer, Lead Guitar - Allan Clarke, Vocals, Writer, Rhythm Guitar - The Hollies, MainArtist - Graham nash, Vocals, Writer, Rhythm Guitar - Bobby Elliott, Producer, Drums - Eric Haydock, Bass Guitar

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

15
I Can't Let Go (This Must Be the Place 14th January 1966)
00:02:24

Al Gorgoni, Writer - Ron Richards, Producer - Peter Bown, RecordingEngineer - The Hollies, Vocals, Performance, MainArtist - CHIP TAYLOR, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

16
Hard Hard Year (Saturday Club 28th June 1966)
00:02:11

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

17
If I Needed Someone (Saturday Club 13th December 1965)
00:02:18

GEORGE HARRISON, Writer - The Hollies, Vocals, MainArtist, Audio Generator Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

18
That's How Strong My Love Is (Saturday Club 23rd March 1966)
00:02:33

The Hollies, Vocals, Performance, MainArtist - Roosevelt Jamison, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

19
To You My Love (This Must Be the Place 14th January 1966)
00:01:53

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

20
So Lonely (This Must Be the Place 28th September 1965)
00:02:16

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

21
Somethings Got a Hold On Me (Saturday Club 29th September 1964)
00:02:52

Leroy Kirkland, Writer - Pearl Woods, Writer - The Hollies, Vocals, Performance, MainArtist - Etta James, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

22
Nobody (Delaneys Delight 26th January 1965)
00:02:35

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

23
Set Me Free (Saturday Club 28th September 1964)
00:01:52

Tony Hicks, Vocals, Writer, Lead Guitar - Allan Clarke, Vocals, Writer - Ron Richards, Producer - The Hollies, MainArtist - Graham nash, Vocals, Writer, Rhythm Guitar - Bobby Elliott, Drums, Percussion - Eric Haydock, Bass Guitar

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

24
She Said Yeah (Delaney's Delight 26th January 1965)
00:01:49

The Hollies, Vocals, Performance, MainArtist - Don Christy, Writer - Roddy Jackson, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

25
You Must Believe Me (Top Gear 19th February 1965)
00:02:03

Tony Hicks, Vocals, Lead Guitar - Allan Clarke, Vocals, Harmonica - Curtis Mayfield, Writer - Ron Richards, Producer - The Hollies, MainArtist - Peter Mew, Engineer - Graham nash, Vocals, Rhythm Guitar - Bobby Elliott, Drums - Eric Haydock, Bass Guitar

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

26
Lawdy Miss Clawdy (Saturday Swings 28th July 1965)
00:01:37

The Hollies, Vocals, Performance, MainArtist - Lloyd Price, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music

27
Too Many People (This Must Be the Place 28th September 1965)
00:02:38

Tony Hicks, Vocals, Writer, Lead Guitar - Allan Clarke, Vocals, Writer, Harmonica - Ron Richards, Producer - The Hollies, MainArtist - Peter Mew, Engineer - Graham nash, Vocals, Writer, Rhythm Guitar - Bobby Elliott, Drums - Eric Haydock, Bass Guitar

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

28
Look Through Any Window (Saturday Swings 28th July 1965)
00:02:09

The Hollies, Vocals, Performance, MainArtist - Graham Gouldman, Writer - Charles Silverman, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

29
Too Young to Be Married 3rd March 1971) (Top of the Pops (TV) 3rd March 1971)
00:04:10

Tony Hicks, Writer - The Hollies, Producer, Vocals, Performance, MainArtist

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

30
I'm Alive (Saturday Club 24th May 1965)
00:02:18

Clint Ballard Jr., Writer - The Hollies, Vocals, Performance, MainArtist

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

31
The Games We Play (Top Gear 13th October 1967)
00:02:38

Tony Hicks, Writer - Allan Clarke, Writer - The Hollies, Vocals, Performance, MainArtist - Graham nash, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

32
He Ain't Heavy He's My Brother (Top of the Pops TV, 2nd October 1969)
00:04:11

The Hollies, Vocals, Performance, MainArtist - Bob Russell, Writer - Bobby Scott, Writer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 BBC Music under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company

Presentación del Álbum

While the Hollies didn't break through in the U.S. with the same force as the Beatles or the Who, they were still one of the strongest groups of the British Invasion, and their prolific output and constant evolution were as bold as even the most shape-shifting of their peers. Radio Fun is a testament to the Hollies' ever-changing face as well as their strength as a live entity, collecting a dizzying 32 tracks recorded between 1964 and 1971 for various BBC programs such as Top of the Pops, Saturday Club, and Top Gear. The collection captures the band in its prime, roving from early R&B and Merseybeat-style rave-ups to Everly Brothers-inspired pop harmonies to more rambling rock material as the '60s wore on. Radio Fun isn't presented in chronological order, so the disc begins with the band's light-hearted beat romper "Here I Go Again" from 1964 and jumps ahead four years with the considerably more groovy and psychedelic pop of "Jennifer Eccles." The collection also spans three lineup changes for the group, seeing both bassist Eric Haydock and founding member Graham Nash cycle out of the band over the album's course, the loss of the latter altering the band's sound greatly. With the exception of "Bus Stop," many of the Hollies' greatest hits are absent from these sessions. Their blue-eyed renditions of soul classics like "That's How Strong My Love Is" and Sam Cooke's rowdy "Shake" highlight the band's R&B roots, and lesser-known tunes like "The Games We Play" and "Wishyouawish" show the group experimenting with brass arrangements and increasingly complex harmonies. In classic BBC style, a lot of the songs start abruptly, the introductions probably being yapped over by a DJ on the original recordings. The sessions are raw, mostly mono affairs, which works both for and against the overall flow of Radio Fun. It's great to hear the bright harmonies and direct, unproduced performances of the band at its tightest and most hungry. After a while, however, even the most devoted fans might have to take a step away from the collection's incredibly extensive amassment of sounds, which can become monotonous when taken in one sitting. When examined bit by bit, the collection has countless examples of the Hollies' brilliance, with the more obscure later material and most revved-up earliest R&B covers offering a candid picture of a hard-working band having fun in a long-stretching heyday.

© Fred Thomas /TiVo

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