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Ute Lemper|Paris Days, Berlin Nights

Paris Days, Berlin Nights

Ute Lemper

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Idioma disponible: inglés

The title Paris Days, Berlin Nights is a little misleading. One might expect French songs about morning-after regrets and German ones about living cynically hedonistically, but this collection goes way beyond that. It includes songs about war, abandonment, the indifference of time to human suffering, and gritty street life, with music by Piazzolla and Polish-Jewish composer Chava Alberstein in addition to the expected Kurt Weill, Hanns Eisler, and Jacques Brel. Uniting them all is Lemper's incredible voice and sense of drama, no matter what language. The energy she puts into songs such as Der Graben or Ballade vom Wasserrad is so great, it's hard to believe that no physical harm is done, but she comes right back every time, putting just as much into the next one. She is well supported by the Vogler Quartet and accordionist/clarinetist/pianist Stefan Malzew, all of whom come close to matching Lemper's intensity when needed. Malzew made all the arrangements, and they are very well done. They not only provide interesting, textural accompaniment to the voice, the gestures also support the character and theme of the texts. Malzew even sneaks in little details, such as quoting La Marseillaise in L'Accordéoniste or a sustained, high-pitched note (like what is heard when a grenade falls) in Der Graben. Although the album's title might not fit the contents, Lemper and colleagues do make these culturally diverse songs go together. The concentration of their passion keeps the set as a whole from becoming desperately bleak and gives the music a fascinating presence.

© Patsy Morita /TiVo

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Paris Days, Berlin Nights

Ute Lemper

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1
Elle frequentait la rue Pigalle (Arr. S. Malzew)
00:04:59

Raymond Asso, Lyricist - Louis Maitrier, Composer - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

2
L'Accordeoniste (Arr. S. Malzew)
00:06:11

Michel Emer, Composer, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

Happy End (Kurt Weill)

3
Surabaya Johnny - Die Dreigroschenoper: Die Moritat von Mackie Messer
00:09:54

Kurt Weill, Composer - Bertolt Brecht, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Elisabeth Hauptmann, Lyricist - Stefan Malzew, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

4
Der Graben (Arr. S. Malzew)
00:05:03

Hanns Eisler, Composer - Kurt Tucholsky, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

Hollywooder Liederbuch (Hanns Eisler)

5
Uber den Selbstmord
00:03:02

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

6
Die Ballade vom Wasserrad
00:04:29

Hanns Eisler, Composer - Bertolt Brecht, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

7
La ultima grela (Arr. S. Malzew)
00:07:12

Astor Piazzolla, Composer - Horacio Ferrer, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

8
Oblivion (Arr. S. Malzew)
00:04:41

Astor Piazzolla, Composer - Ute Lemper, Lyricist, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

Maria de Buenos Aires (Astor Piazzolla)

9
Yo soy Maria (Arr. S. Malzew)
00:03:23

Astor Piazzolla, Composer - Horacio Ferrer, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

10
Tyomnaja Notch (Arr. S. Malzew)
00:05:59

Ute Lemper, MainArtist, AssociatedPerformer - Valdimir Agatov, Lyricist - Nikita Vladimirovich Bogoslovsky, Composer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

11
Ikh shtey unter a bokserboym (Arr. S. Malzew)
00:06:40

Chava Alberstein, Composer - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist - Zhame Telesin, Lyricist

2012 Steinway and Sons 2012 (P) Steinway and Sons

12
Stiller abend (Arr. S. Malzew)
00:06:05

Chava Alberstein, Composer - Ute Lemper, MainArtist, AssociatedPerformer - Itzik Manger, Lyricist - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

13
Ne me quitte pas (Arr. S. Malzew)
00:05:28

Jacques Brel, Composer, Lyricist - Ute Lemper, MainArtist, AssociatedPerformer - Stefan Malzew, Arranger, MainArtist, AssociatedPerformer - Vogler Quartett, Ensemble, MainArtist

2012 Steinway and Sons 2012 (P) Steinway and Sons

Presentación del Álbum

The title Paris Days, Berlin Nights is a little misleading. One might expect French songs about morning-after regrets and German ones about living cynically hedonistically, but this collection goes way beyond that. It includes songs about war, abandonment, the indifference of time to human suffering, and gritty street life, with music by Piazzolla and Polish-Jewish composer Chava Alberstein in addition to the expected Kurt Weill, Hanns Eisler, and Jacques Brel. Uniting them all is Lemper's incredible voice and sense of drama, no matter what language. The energy she puts into songs such as Der Graben or Ballade vom Wasserrad is so great, it's hard to believe that no physical harm is done, but she comes right back every time, putting just as much into the next one. She is well supported by the Vogler Quartet and accordionist/clarinetist/pianist Stefan Malzew, all of whom come close to matching Lemper's intensity when needed. Malzew made all the arrangements, and they are very well done. They not only provide interesting, textural accompaniment to the voice, the gestures also support the character and theme of the texts. Malzew even sneaks in little details, such as quoting La Marseillaise in L'Accordéoniste or a sustained, high-pitched note (like what is heard when a grenade falls) in Der Graben. Although the album's title might not fit the contents, Lemper and colleagues do make these culturally diverse songs go together. The concentration of their passion keeps the set as a whole from becoming desperately bleak and gives the music a fascinating presence.

© Patsy Morita /TiVo

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