Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga no disponible
Idioma disponible: inglés
Restless mastermind Klaus Schulze had already done time in early Krautrock bands Tangerine Dream, Cosmic Jokers, and Ash Ra Tempel by the time of his 1972 solo debut, Irrlicht. Schulze had worked mainly as a drummer in most of these bands, but his innovative approach to synthesizers that unfolded over the course of his dense, prolific, and always forward-reaching solo albums throughout the '70s and '80s would set the tone for almost every genre affiliated with electronic music. Irrlicht was in some ways even more ahead of its time than his work with electronics, seeing Schulze creating ambient drones and highly experimental cosmic sounds made completely without the use of synths. Even as soon as the 1973 follow-up Cyborg he would be deeply immersed in chains of synthesizers, sequencers, and other early electronic instruments, but the sounds on Irrlicht had a lot more in common with the philosophies of musique concrète, with Schulze manipulating tapes he made of an orchestra practicing and stirring those sounds into swelling sheets of electric organ and cosmic ping-pongs of delay and other effects. These raw elements were boiled down into three lengthy pieces of a science fiction symphony: the shifting, desolate "Satz Ebene"; a brief, somewhat terrifying respite with "Satz Gewitter"; and the darkly meditative 21-minute album closer, "Satz Exil Sils Maria." Though made largely outside of the electronic realm (the 24-minute bonus track "Dungeon" that surfaced on later reissued editions of the album in the CD age is shockingly noisy and minimal compared to what would follow), the foggy experiments of Irrlicht were still astonishing, setting Schulze off on a path that would inform everything from new age to trance to the more electronic camps of indie rock as his legacy grew over the next several decades.
© Fred Thomas /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Klaus Schulze, Composer, Producer, MainArtist - Eroc, Mastering Engineer, StudioPersonnel
℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH
Klaus Schulze, Composer, Producer, MainArtist - Eroc, Mastering Engineer, StudioPersonnel
℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH
Klaus Schulze, Composer, Producer, MainArtist - Eroc, Mastering Engineer, StudioPersonnel
℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH
Presentación del Álbum
Restless mastermind Klaus Schulze had already done time in early Krautrock bands Tangerine Dream, Cosmic Jokers, and Ash Ra Tempel by the time of his 1972 solo debut, Irrlicht. Schulze had worked mainly as a drummer in most of these bands, but his innovative approach to synthesizers that unfolded over the course of his dense, prolific, and always forward-reaching solo albums throughout the '70s and '80s would set the tone for almost every genre affiliated with electronic music. Irrlicht was in some ways even more ahead of its time than his work with electronics, seeing Schulze creating ambient drones and highly experimental cosmic sounds made completely without the use of synths. Even as soon as the 1973 follow-up Cyborg he would be deeply immersed in chains of synthesizers, sequencers, and other early electronic instruments, but the sounds on Irrlicht had a lot more in common with the philosophies of musique concrète, with Schulze manipulating tapes he made of an orchestra practicing and stirring those sounds into swelling sheets of electric organ and cosmic ping-pongs of delay and other effects. These raw elements were boiled down into three lengthy pieces of a science fiction symphony: the shifting, desolate "Satz Ebene"; a brief, somewhat terrifying respite with "Satz Gewitter"; and the darkly meditative 21-minute album closer, "Satz Exil Sils Maria." Though made largely outside of the electronic realm (the 24-minute bonus track "Dungeon" that surfaced on later reissued editions of the album in the CD age is shockingly noisy and minimal compared to what would follow), the foggy experiments of Irrlicht were still astonishing, setting Schulze off on a path that would inform everything from new age to trance to the more electronic camps of indie rock as his legacy grew over the next several decades.
© Fred Thomas /TiVo
Acerca del álbum
- 1 disco(s) - 4 pista(s)
- Duración total: 01:14:27
- Artistas principales: Klaus Schulze
- Compositor: Klaus Schulze
- Sello: Brain
- Género Electrónica
© 1972 Vertigo/Capitol, a division of Universal Music GmbH ℗ 2017 Vertigo/Capitol, a division of Universal Music GmbH
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.