Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Idioma disponible: inglés
The music of British composer Gavin Bryars has been shaped by a variety of influences, from the avant-garde aesthetic of John Cage and Cornelius Cardew to minimalism, but its roots were in jazz performance, and it's easy to hear the sensibilities of jazz underlying the solo piano works, After Handel's Vesper and Ramble on Cortona. Both have an improvisatory quality and a harmonic language derived more obviously from jazz than from the Handel or the 13th century laudes that provide the source material. They have a mellow sweetness, and they unfold with amiable leisure. Bryars' Piano Concerto (The Solway Canal) is a darker work, an evocative soundscape that features the accompaniment not only of an orchestra but a choir. The piano part, frequently a simple melodic solo line floated over an arppegiated or chordal accompaniment, is far from the virtuosic showcase that typifies most concertos. The chorus, perhaps inevitably, draws the listener's attention most powerfully, and the piano part frequently takes on the character of an accompaniment. This flexibility of roles and the shifting musical focus should be problematic only for purists who demand that a concerto follow a preordained form, because the result, if not simple to categorize, is hauntingly lovely. Like the solo works, it develops at a reflective, unhurried pace. Its lack of dramatic contrasts in tempo is another element that sets it apart from conventional concertos, but it is highly effective in its moods of subdued melancholy. The album doesn't make the kinds of demands that show off Ralph van Raat's considerable virtuosity, but he brings just the right gentle poetry to Bryars' music. Otto Tausk leads Cappella Amsterdam and Netherlands Chamber Orchestra in a colorful and expressive performance of the concerto. Naxos' sound is atmospheric, clean, and well-balanced.
© TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
After Handel's Vesper (Version for piano) (Gavin Bryars)
Gavin Bryars, Composer - Ralph van Raat, Artist, MainArtist
(C) 2011 Naxos (P) 2011 Naxos
Ramble on Cortona (Gavin Bryars)
Gavin Bryars, Composer - Ralph van Raat, Artist, MainArtist
(C) 2011 Naxos (P) 2011 Naxos
Piano Concerto, "the Solway Canal" (Gavin Bryars)
Gavin Bryars, Composer - Cappella Amsterdam, Choir - Ralph van Raat, Artist, MainArtist - Netherlands Radio Chamber Philharmonic, Orchestra - Otto Tausk, Conductor
(C) 2011 Naxos (P) 2011 Naxos
Presentación del Álbum
The music of British composer Gavin Bryars has been shaped by a variety of influences, from the avant-garde aesthetic of John Cage and Cornelius Cardew to minimalism, but its roots were in jazz performance, and it's easy to hear the sensibilities of jazz underlying the solo piano works, After Handel's Vesper and Ramble on Cortona. Both have an improvisatory quality and a harmonic language derived more obviously from jazz than from the Handel or the 13th century laudes that provide the source material. They have a mellow sweetness, and they unfold with amiable leisure. Bryars' Piano Concerto (The Solway Canal) is a darker work, an evocative soundscape that features the accompaniment not only of an orchestra but a choir. The piano part, frequently a simple melodic solo line floated over an arppegiated or chordal accompaniment, is far from the virtuosic showcase that typifies most concertos. The chorus, perhaps inevitably, draws the listener's attention most powerfully, and the piano part frequently takes on the character of an accompaniment. This flexibility of roles and the shifting musical focus should be problematic only for purists who demand that a concerto follow a preordained form, because the result, if not simple to categorize, is hauntingly lovely. Like the solo works, it develops at a reflective, unhurried pace. Its lack of dramatic contrasts in tempo is another element that sets it apart from conventional concertos, but it is highly effective in its moods of subdued melancholy. The album doesn't make the kinds of demands that show off Ralph van Raat's considerable virtuosity, but he brings just the right gentle poetry to Bryars' music. Otto Tausk leads Cappella Amsterdam and Netherlands Chamber Orchestra in a colorful and expressive performance of the concerto. Naxos' sound is atmospheric, clean, and well-balanced.
© TiVo
Detalles de la grabación original : 52:42 - DDD - Enregistré en février et août 2010 à Amsterdam - Notes en anglais
Acerca del álbum
- 1 disco(s) - 3 pista(s)
- Duración total: 00:52:35
- 1 Libreto digital
- Artistas principales: Ralph Van Raat Cappella Amsterdam Netherlands Radio Chamber Philharmonic Otto Tausk
- Compositor: Gavin Bryars
- Sello: Naxos
- Género Clásica
(C) 2011 Naxos (P) 2011 Naxos
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.