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The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Reconquista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle. These songs are interesting not only for their absolutely unique musical language but also for their Portuguese and Galician texts in which are combined poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary. Starting from illuminated manuscripts that give us an idea of the instruments used at the king’s court, Hana Blažikova and her partners perform these works like a dialogue between two women’s voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation. © Qobuz
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Hana Blazikova, Performer - Margit Übellacker, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Margit Übellacker, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Margit Übellacker, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Barbora Kabátková, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Margit Übellacker, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Margit Übellacker, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Margit Übellacker, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Hana Blazikova, Performer - Barbora Kabátková, Performer - Margit Übellacker, Performer - Martin Novák, Performer - Anonymous, Composer
2015 Outhere 2015 Outhere
Presentación del Álbum
The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Reconquista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle. These songs are interesting not only for their absolutely unique musical language but also for their Portuguese and Galician texts in which are combined poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary. Starting from illuminated manuscripts that give us an idea of the instruments used at the king’s court, Hana Blažikova and her partners perform these works like a dialogue between two women’s voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation. © Qobuz
Acerca del álbum
- 1 disco(s) - 19 pista(s)
- Duración total: 01:12:19
- 1 Libreto digital
- Artistas principales: Hana Blažíková Barbora Kabátková Margit Übellacker Martin Novák
- Compositor: Anonymous
- Sello: Phi
- Género Clásica
2015 Outhere 2015 Outhere
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