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Will Smith|Big Willie Style

Big Willie Style

Will Smith

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Will Smith wisely decided not to change his style too much on Big Willie Style, the first record he released since becoming a major movie star with appearances in Independence Day and Men in Black. Instead of trying to toughen his image, Smith continued with the friendly, humorous pop-rap that has been his trademark since He's the DJ, I'm the Rapper. Of course, he gives the music a glossy modern sheen (ironically based on early-'80s funk) in order to prove that he's still hip -- and it works. Sure, there's filler scattered all the way the through the album, but the best moments -- the disco-thumping "Gettin' Jiggy Wit It," the Larry Blackmon duet "Candy," the ballad "I Loved You," and the riotous "Men in Black" -- rank among his best singles.

© Stephen Thomas Erlewine /TiVo

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Big Willie Style

Will Smith

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1
Intro (album version)
00:01:51

Poke, Recording Engineer - James Lassiter, Executive Producer - Will Smith, Performer - Will Smith, Composer - Will Smith, Co-Producer - Will Smith, Lyricist - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Poke and Tone, Producer - Poke and Tone, Executive Producer - Benny Medina, Executive Producer

(P) 1997 Sony Music Entertainment Inc.

2
Y'All Know (album version)
00:03:57

Rob Chiarelli, Mixing Engineer - Ken Ifill, Recording Engineer - Ann Carli, Executive Producer - Will Smith, Performer - Will Smith, Composer - Will Smith, Lyricist - Andreao Heard, Producer - Andreao Heard, Composer - Andreao Heard, Lyricist - Jonathan Pinks, 2nd Engineer - Benny Medina, Executive Producer - James Lassiter, Executive Producer - Poke and Tone, Executive Producer - Ian Dalsemer, 2nd Engineer

(P) 1997 Columbia Records, a division of Sony Music Entertainment

3
Gettin' Jiggy Wit It (Album Version)
00:03:47

DJ Jazzy Jeff, Scratches - Ken "Duro" Ifill, Recording Engineer - Joe Robinson, Composer - Joe Robinson, Lyricist - Nile Rodgers, Composer - Nile Rodgers, Lyricist - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Les, Co-Producer - Will Smith, Composer - Will Smith, Vocal - Will Smith, Performer - Will Smith, Lyricist - Lanar "Kern" Brantley, Guitar - James Lassiter, Executive Producer - Benny Medina, Executive Producer - Bernard Edwards, Composer - Bernard Edwards, Lyricist - David Foreman, Guitar - Poke and Tone, Producer - Poke and Tone, Executive Producer - Timothy "Tyme" Riley, Keyboards - Chris Riband, 2nd Engineer - Samuel J. Barnes, Composer - Samuel J. Barnes, Lyricist

(P) 1997 Columbia Records, a division of Sony Music Entertainment

4
Candy (Featuring Larry Blackmon and Cameo) (album version)
00:03:56

L. Blackmon, Composer - L. Blackmon, Lyricist - Ryan Toby, Composer - Ryan Toby, Lyricist - Chris Ribando, 2nd Engineer - Ken Ifill, Recording Engineer - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Les, Producer - Will Smith, Composer - Will Smith, Lyricist - Lanar "Kern" Brantley, Acoustic Bass - James Lassiter, Executive Producer - Benny Medina, Executive Producer - Will Smith Featuring Larry Blackmon and Cameo, Performer - David Foreman, Guitar - Poke and Tone, Producer - Poke and Tone, Executive Producer - Keith Winfield, Keyboards - T. Jenkins, Composer - T. Jenkins, Lyricist

(P) 1997 Columbia Records, a division of Sony Music Entertainment

5
Chasing Forever (album version)
00:04:15

Kenny Greene, Background Vocal - Kenny Greene, Composer - Kenny Greene, Lyricist - Chris Ribando, 2nd Engineer - Nasir Jones, Composer - Nasir Jones, Lyricist - Ken Ifill, Recording Engineer - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Les, Co-Producer - Trey Lorenz, Background Vocal - Will Smith, Composer - Will Smith, Performer - Will Smith, Lyricist - James Lassiter, Executive Producer - Benny Medina, Executive Producer - Poke and Tone, Producer - Poke and Tone, Drum Programmer - Poke and Tone, Executive Producer - Timothy "Tyme" Riley, Keyboards - S. Wonder, Composer - S. Wonder, Lyricist - Robert Burnette, 2nd Engineer

(P) 1997 Columbia Records, a division of Sony Music Entertainment

6
Keith B-Real I (Interlude) (album version)
00:01:07

Poke, Recording Engineer - James Lassiter, Executive Producer - Will Smith, Performer - Will Smith, Composer - Will Smith, Co-Producer - Will Smith, Lyricist - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Poke and Tone, Producer - Poke and Tone, Executive Producer - Benny Medina, Executive Producer

(P) 1997 Sony Music Entertainment Inc.

7
Don't Say Nothin' (album version)
00:04:22

DJ Jazzy Jeff, Scratches - Ryan Toby, Composer - Ryan Toby, Co-Producer - Ryan Toby, Lyricist - Rob Chiarelli, Mixing Engineer - Rob Chiarelli, Drum Programmer - Jeff Townes, Producer - Ann Carli, Executive Producer - Will Smith, Performer - Will Smith, Composer - Will Smith, Lyricist - Jonathan Pinks, 2nd Engineer - James Lassiter, Executive Producer - Benny Medina, Executive Producer - Poke and Tone, Executive Producer - Keith Pelzer, Producer - Keith Pelzer, Composer - Keith Pelzer, Lyricist - Keith Pelzer, Recording Engineer - Ian Dalsemer, 2nd Engineer

(P) 1997 Columbia Records, a division of Sony Music Entertainment

8
Miami (album version)
00:03:17

William. Shelby, Composer - William. Shelby, Lyricist - Ryan Toby, Composer - Ryan Toby, Lyricist - Ken Ifill, Recording Engineer - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Stephen Shockley, Composer - Stephen Shockley, Lyricist - Les, Producer - Will Smith, Composer - Will Smith, Performer - Will Smith, Lyricist - James Lassiter, Executive Producer - L.E.S., Drum Programmer - Benny Medina, Executive Producer - Leon Sylvers III, Composer - Leon Sylvers III, Lyricist - Poke and Tone, Producer - Poke and Tone, Executive Producer - Keith Winfield, Keyboards - Samuel J. Barnes, Composer - Samuel J. Barnes, Lyricist - Robert Burnette, 2nd Engineer

(P) 1997 Columbia Records, a division of Sony Music Entertainment

9
Yes Yes Y'All (Featuring Camp Lo) (album version)
00:04:23

Will Smith Featuring Camp Lo, Performer - Ann Carli, Executive Producer - J. Robinson, Composer - J. Robinson, Lyricist - Ken Ifill, Mixing Engineer - Ken Ifill, Recording Engineer - R. Wilson, Composer - R. Wilson, Lyricist - Lanar "Kern" Brantley, Acoustic Bass - C. Jasper, Composer - C. Jasper, Lyricist - Will Smith, Composer - Will Smith, Lyricist - James Lassiter, Executive Producer - Poke and Tone, Producer - Poke and Tone, Drum Programmer - Poke and Tone, Executive Producer - The Isley Brothers, Composer - The Isley Brothers, Lyricist - Timothy "Tyme" Riley, Keyboards - Benny Medina, Executive Producer - Robert Burnette, 2nd Engineer - DJ Jazzy Jeff, Scratches - David Foreman, Guitar - Nasir Jones, Composer - Nasir Jones, Lyricist - O. Scott, Composer - O. Scott, Lyricist - Les, Co-Producer

(P) 1997 Columbia Records, a division of Sony Music Entertainment

10
I Loved You (album version)
00:04:12

Joe Farrell, Composer - Joe Farrell, Lyricist - Ryan Toby, Vocal - Ryan Toby, Composer - Ryan Toby, Co-Producer - Ryan Toby, Lyricist - Jeff Townes, Producer - Rob Chiarelli, Mixing Engineer - Rob Chiarelli, Drum Programmer - Ann Carli, Executive Producer - Will Smith, Composer - Will Smith, Performer - Will Smith, Lyricist - Jonathan Pinks, 2nd Engineer - James Lassiter, Executive Producer - Benny Medina, Executive Producer - Poke and Tone, Executive Producer - Ian Dalsemer, 2nd Engineer - Keith Pelzer, Producer - Keith Pelzer, Composer - Keith Pelzer, Lyricist - Keith Pelzer, Recording Engineer - Valvin Roane, Producer - Valvin Roane, Vocal - Valvin Roane, Composer - Valvin Roane, Lyricist

(P) 1997 Columbia Records, a division of Sony Music Entertainment

11
Keith B-Real II (Interlude) (album version)
00:00:30

Poke, Recording Engineer - James Lassiter, Executive Producer - Will Smith, Performer - Will Smith, Composer - Will Smith, Co-Producer - Will Smith, Lyricist - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Poke and Tone, Producer - Poke and Tone, Executive Producer - Benny Medina, Executive Producer

(P) 1997 Sony Music Entertainment Inc.

12
It's All Good (album version)
00:04:04

DJ Jazzy Jeff, Scratches - Jeff Townes, Producer - Jeff Townes, Composer - Jeff Townes, Lyricist - Jeff Townes, Recording Engineer - Rob Chiarelli, Mixing Engineer - Rob Chiarelli, Drum Programmer - Ann Carli, Executive Producer - Will Smith, Composer - Will Smith, Performer - Will Smith, Lyricist - N. Rodgers, Composer - N. Rodgers, Lyricist - Jonathan Pinks, 2nd Engineer - James Lassiter, Executive Producer - Benny Medina, Executive Producer - Poke and Tone, Executive Producer - Carvin Haggins, Composer - Carvin Haggins, Lyricist - B. Edwards, Composer - B. Edwards, Lyricist - Tia Mintze, Vocal - Ian Dalsemer, 2nd Engineer - Keith Pelzer, Recording Engineer

(P) 1997 Columbia Records, a division of Sony Music Entertainment

13
Just The Two Of Us (album version)
00:05:15

Sauce, Producer - Sauce, Performer - Fuzzy, Vocal - Fuzzy, Background Vocal - William Salter, Composer - William Salter, Lyricist - Ann Carli, Executive Producer - Ralph MacDonald, Composer - Ralph MacDonald, Lyricist - Will Smith, Composer - Will Smith, Performer - Will Smith, Lyricist - James Lassiter, Executive Producer - Trisha Covington, Background Vocal - Benny Medina, Executive Producer - Poke and Tone, Executive Producer - Bill Withers, Composer - Bill Withers, Lyricist

(P) 1997 Columbia Records, a division of Sony Music Entertainment

14
Keith B-Real III (Interlude) (album version)
00:01:54

Poke, Recording Engineer - James Lassiter, Executive Producer - Will Smith, Performer - Will Smith, Composer - Will Smith, Co-Producer - Will Smith, Lyricist - Rich Travali, Mixing Engineer - Ann Carli, Executive Producer - Poke and Tone, Producer - Poke and Tone, Executive Producer - Benny Medina, Executive Producer

(P) 1997 Sony Music Entertainment Inc.

15
Big Willie Style (Featuring Left Eye) (album version)
00:03:35

Ann Carli, Executive Producer - Timothy Riley, Composer - Timothy Riley, Lyricist - W. L. Vaughn, Composer - W. L. Vaughn, Lyricist - Ken Ifill, Recording Engineer - Lanar "Kern" Brantley, Acoustic Bass - Will Smith, Composer - Will Smith, Lyricist - James Lassiter, Executive Producer - W. Vaughn, Composer - W. Vaughn, Lyricist - Poke and Tone, Co-Producer - Poke and Tone, Executive Producer - Rich Travali, Mixing Engineer - Timothy "Tyme" Riley, Keyboards - Benny Medina, Executive Producer - Will Smith Featuring Left Eye, Performer - Robert Burnette, 2nd Engineer - David Foreman, Guitar - Maurice White, Composer - Maurice White, Lyricist - Left Eye, Vocal - Les, Producer

(P) 1997 Sony Music Entertainment Inc.

16
Men In Black (From "Men In Black" Soundtrack) (album version)
00:03:45

Ann Carli, Executive Producer - F. Washington, Composer - F. Washington, Lyricist - John Shriver, Recording Engineer - T. McFadden, Lyricist - T. McFadden, Composer - Coko (aka Cheryl Gamble), Background Vocal - Commissioner Gordon, Mixing Engineer - Terry McFadden, Composer - Terry McFadden, Lyricist - Coko, Background Vocal - Will Smith, Performer - Will Smith, Composer - Will Smith, Lyricist - Fred Washington, Composer - Fred Washington, Lyricist - Tony Maserati, Mixing Engineer - James Lassiter, Executive Producer - Poke and Tone, Producer - Poke and Tone, Drum Programmer - Poke and Tone, Executive Producer - William Smith, Lyricist - William Smith, Composer - P. Rushen, Composer - P. Rushen, Lyricist - Benny Medina, Executive Producer - Herb Powers, Mastering Engineer - Patrice Rushen, Composer - Patrice Rushen, Lyricist

(P) 1997 Columbia Records, a division of Sony Music Entertainment

17
Just Cruisin' (Remix)
00:04:14

E. Townsend, Composer - E. Townsend, Lyricist - Will Smith, Performer - Will Smith, Composer - Will Smith, Lyricist - D. Conley, Composer - D. Conley, Lyricist - Rich Travali, Mixing Engineer - Les, Producer - Poke and Tone, Producer - Nasir Jones, Composer - Nasir Jones, Lyricist - D. Culler, Composer - D. Culler, Lyricist

(P) 1997 Sony Music Entertainment Inc.

Presentación del Álbum

Will Smith wisely decided not to change his style too much on Big Willie Style, the first record he released since becoming a major movie star with appearances in Independence Day and Men in Black. Instead of trying to toughen his image, Smith continued with the friendly, humorous pop-rap that has been his trademark since He's the DJ, I'm the Rapper. Of course, he gives the music a glossy modern sheen (ironically based on early-'80s funk) in order to prove that he's still hip -- and it works. Sure, there's filler scattered all the way the through the album, but the best moments -- the disco-thumping "Gettin' Jiggy Wit It," the Larry Blackmon duet "Candy," the ballad "I Loved You," and the riotous "Men in Black" -- rank among his best singles.

© Stephen Thomas Erlewine /TiVo

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