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Barbra Streisand|Back To Broadway

Back To Broadway

Barbra Streisand

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While still an impressive recording, Back to Broadway is less impressive than its predecessor, The Broadway Album, for a number of reasons. The first is material. Barbra Streisand seems to be attracted to certain musicals, and here she chooses more songs from shows like West Side Story and Guys and Dolls that she didn't pick the last time around. Still attracted more to current composers than earlier ones, Streisand picks five songs by Stephen Sondheim (who has once again obligingly rewritten lyrics to suit her) and three by Andrew Lloyd Webber. The Sondheim material is worthy; the Lloyd Webber is not. (Though the intensity with which she sings "With One Look" from Sunset Boulevard suggests an eerie identification with the show's demented silent movie queen Norma Desmond.) Further, Streisand has done duets on two selections with people better identified with the material -- Michael Crawford, the original Phantom in Phantom of the Opera, on his signature song, "The Music of the Night," and Johnny Mathis, who has sung a medley of West Side Story songs in his shows for years, on a medley of "I Have a Love/One Hand, One Heart" from that show. Finally, the arrangements and production lean more toward contemporary pop and light jazz in many instances, the influence of commercial producers and arrangers like David Foster. All of which means that Back to Broadway is somewhat uneven. When Streisand takes on songs as well suited to her as "Everybody Says Don't" (from Sondheim's Anyone Can Whistle) and "Children Will Listen" (from his Into the Woods), she nears her work on The Broadway Album. Elsewhere, she is merely a phenomenal singer working against material or arrangements that aren't quite appropriate to her.

© William Ruhlmann /TiVo

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Back To Broadway

Barbra Streisand

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1
Some Enchanted Evening (Album Version)
Barbra Streisand
00:03:54

Andy Bass, 2nd Engineer - Eddie Karam, Conductor - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Mark Portmann, Synthesizer - R. RODGERS, Composer - R. RODGERS, Lyricist - Al Schmitt, Recording Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Johnny Mandel, Arranger - Johnny Mandel, Orchestrator - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - O. Hammerstein II, Composer - O. Hammerstein II, Lyricist - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - David Foster, Producer - David Foster, Arranger - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

2
Everybody Says Don't (Album Version)
Barbra Streisand
00:02:37

Bill Ross, Conductor - Bill Ross, Arranger - Andy Bass, 2nd Engineer - S. Sondheim, Composer - S. Sondheim, Lyricist - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - Simon Franglen, Synthesizer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Nathan East, Bass - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - Barbra Streisand, Arranger - David Foster, Producer - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

3
The Music of the Night (Album Version)
Various Interprets
00:05:37

Andy Bass, 2nd Engineer - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Humberto Gatica, Mixing Engineer - John Timperley (Orchestra), Recording Engineer - Sue McLean, 2nd Engineer - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Michael Crawford, Performer - Andrew Pryce Jackman, Conductor - Dave Reitzas, Engineer - George Marino, Mastering Engineer - Jeff Jarratt, Co-Producer - Charles Hart, Composer - Charles Hart, Lyricist - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Richard Stilgoe, Composer - Richard Stilgoe, Lyricist - Andrew Lloyd-Webber, Composer - Andrew Lloyd-Webber, Lyricist - Barbra Streisand, Performer - Barbra Streisand, Co-Producer - David Foster, Producer - Steve Holroyd, 2nd Engineer - Don Reedman, Co-Producer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

4
Speak Low (Album Version)
Barbra Streisand
00:04:11

Andy Bass, 2nd Engineer - Eddie Karam, Conductor - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - Barbra, Producer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Michael Thompson, Guitar - Al Schmitt, Recording Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Johnny Mandel, Arranger - Johnny Mandel, Orchestrator - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - Simon Franglen, Synthesizer - George Marino, Mastering Engineer - Kurt Weill (1900-1950), Composer - Kurt Weill (1900-1950), Lyricist - Felipe Elgueta, 2nd Engineer - Ogden Nash, Composer - Ogden Nash, Lyricist - Nathan East, Bass - Alex Rodriguez, 2nd Engineer - Pauliho Dacosta, Percussion - Barbra Streisand, Performer - David Foster, Producer - David Foster, Arranger - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

5
As If We Never Said Goodbye (Album Version)
Barbra Streisand
00:04:45

Amy Powers, Composer - Amy Powers, Lyricist - Andy Bass, 2nd Engineer - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Christopher Hampton, Composer - Christopher Hampton, Lyricist - Sue McLean, 2nd Engineer - John Cameron, Orchestrator - Craig Brock, 2nd Engineer - David Caddick, Conductor - Eric Stitt Greedy, 2nd Engineer - Don Black, Composer - Don Black, Lyricist - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Nigel Wright, Producer - David Cullen, Orchestrator - Barbra Streisand, Producer - Barbra Streisand, Performer - Andrew Lloyd-Webber, Producer - Andrew Lloyd-Webber, Orchestrator - Andrew Lloyd-Webber, Composer - Andrew Lloyd-Webber, Lyricist - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

6
Children Will Listen (Album Version)
Barbra Streisand
00:04:09

Andy Bass, 2nd Engineer - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Jonathan Tunick, Conductor - Jonathan Tunick, Arranger - Simon Fanglen, Synthesizer - STEPHEN SONDHEIM, Composer - STEPHEN SONDHEIM, Lyricist - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - John Berkman, Piano - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Producer - Barbra Streisand, Performer - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

7
I Have a Love/One Hand, One Heart (Album Version)
Barbra Streisand
00:04:45

Bill Ross, Conductor - Bill Ross, Orchestrator - Andy Bass, 2nd Engineer - Leonard Bernstein, Composer - Billy Byers, Arranger - Billy Byers, Orchestrator - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Al Schmitt, Recording Engineer - STEPHEN SONDHEIM, Lyricist - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Barbra Streisand duet with Johnny Mathis, Performer - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Johnny Mathis, Performer - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - David Foster, Producer - David Foster, Arranger - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

8
I've Never Been in Love Before (Album Version)
Barbra Streisand
00:03:54

Andy Bass, 2nd Engineer - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - Jeremy Lubbock, Conductor - Jeremy Lubbock, Arranger - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Humberto Gatica, Mixing Engineer - Sue McLean, 2nd Engineer - Craig Brock, 2nd Engineer - F. Loesser, Composer - F. Loesser, Lyricist - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - Barbra Streisand, Producer - David Foster, Producer - Shawn Murphy, Recording Engineer - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

9
Luck Be a Lady (Album Version)
Barbra Streisand
00:03:32

Andy Bass, 2nd Engineer - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - Jeremy Lubbock, Conductor - Jeremy Lubbock, Arranger - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Craig Brock, 2nd Engineer - F. Loesser, Composer - F. Loesser, Lyricist - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - Barbra Streisand, Co-Producer - David Foster, Producer - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

10
With One Look (From "Sunset Boulevard") (Album Version)
Barbra Streisand
00:03:35

George Doering, Guitar - Andy Bass, 2nd Engineer - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Bob Mann, Guitar - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - A. Powers, Composer - A. Powers, Lyricist - Sue McLean, 2nd Engineer - Greg Phillinganes, Piano - Craig Brock, 2nd Engineer - Mike Baird, Drums - David Caddick, Conductor - Eric Stitt Greedy, 2nd Engineer - A. Lloyd Webber, Composer - A. Lloyd Webber, Lyricist - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Nigel Wright, Producer - C. HAMPTON, Composer - C. HAMPTON, Lyricist - Alan Estes, Percussion - David Cullen, Orchestrator - Barbra Streisand, Producer - Barbra Streisand, Performer - Andrew Lloyd-Webber, Producer - Andrew Lloyd-Webber, Orchestrator - Neil Stubenhaus, Bass - Steve Holroyd, 2nd Engineer - D. Black, Composer - D. Black, Lyricist - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

11
The Man I Love (From "Lady, Be Good") (Album Version)
Barbra Streisand
00:03:44

George Gershwin-IRA Gershwin, Composer - George Gershwin-IRA Gershwin, Lyricist - Andy Bass, 2nd Engineer - Eddie Karam, Conductor - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Al Schmitt, Recording Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Johnny Mandel, Arranger - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - Barbra Streisand, Producer - David Foster, Producer - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

12
Move On (From, "Sunday in the Park with George") (Album Version)
Barbra Streisand
00:05:30

Andy Bass, 2nd Engineer - S. Sondheim, Composer - S. Sondheim, Lyricist - Mark Guilbeault, 2nd Engineer - Cary Butler, 2nd Engineer - Michael Starobin, Arranger - David Marquette, 2nd Engineer - David Eike, 2nd Engineer - Humberto Gatica, Mixing Engineer - Humberto Gatica, Recording Engineer - Sue McLean, 2nd Engineer - Craig Brock, 2nd Engineer - Eric Stitt Greedy, 2nd Engineer - Dave Reitzas, Recording Engineer - George Marino, Mastering Engineer - Felipe Elgueta, 2nd Engineer - Alex Rodriguez, 2nd Engineer - Barbra Streisand, Performer - Barbra Streisand, Producer - Shawn Murphy, Recording Engineer - Steve Holroyd, 2nd Engineer - Andy Smith, 2nd Engineer -

(P) 1993 Columbia Records, a division of Sony Music Entertainment

Presentación del Álbum

While still an impressive recording, Back to Broadway is less impressive than its predecessor, The Broadway Album, for a number of reasons. The first is material. Barbra Streisand seems to be attracted to certain musicals, and here she chooses more songs from shows like West Side Story and Guys and Dolls that she didn't pick the last time around. Still attracted more to current composers than earlier ones, Streisand picks five songs by Stephen Sondheim (who has once again obligingly rewritten lyrics to suit her) and three by Andrew Lloyd Webber. The Sondheim material is worthy; the Lloyd Webber is not. (Though the intensity with which she sings "With One Look" from Sunset Boulevard suggests an eerie identification with the show's demented silent movie queen Norma Desmond.) Further, Streisand has done duets on two selections with people better identified with the material -- Michael Crawford, the original Phantom in Phantom of the Opera, on his signature song, "The Music of the Night," and Johnny Mathis, who has sung a medley of West Side Story songs in his shows for years, on a medley of "I Have a Love/One Hand, One Heart" from that show. Finally, the arrangements and production lean more toward contemporary pop and light jazz in many instances, the influence of commercial producers and arrangers like David Foster. All of which means that Back to Broadway is somewhat uneven. When Streisand takes on songs as well suited to her as "Everybody Says Don't" (from Sondheim's Anyone Can Whistle) and "Children Will Listen" (from his Into the Woods), she nears her work on The Broadway Album. Elsewhere, she is merely a phenomenal singer working against material or arrangements that aren't quite appropriate to her.

© William Ruhlmann /TiVo

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