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The double-LP live album phenomenon was utilized in 1973 on Around the World With Three Dog Night to collect loads of hits and release them in another format. Three years later, Bob Seger's Live Bullet, J. Geils Band's Blow Your Face Out, and Frampton Comes Alive solidified the double disc as a way to bring important rock artists to the forefront. Come 1977, the Rolling Stones' Love You Live failed to live up to their single disc Get Your Ya Ya's Out or any of the brilliant bootleg performances of theirs proliferating. In the middle of all this arrives the very strong in-concert artist, Bette Midler, with her fourth album for Atlantic. This undated (probably 1976) performance from the Cleveland Music Hall, Cleveland, OH, does a decent job of capturing the magic of Midler. Having a show stretched across four sides was essential for this performer; the brilliance of her rendition of the Supremes' 1970 hit "Up the Ladder to the Roof" takes it out of the Motown context and brings it to Midler's Andrews Sisters world of girl group devotion. Segueing into a driving "Boogie Woogie Bugle Boy" answers the question asked in the opening medley of her signature tune, "Friends," with Ringo Starr's "Oh My My," Midler being astonished that anyone would ask the question if she can boogie. Another live LP, Divine Madness, was released only three years after this when she was riding her fame from the film The Rose, and that single disc concentrated on the comedienne's song performances ("Boogie Woogie Bugle Boy" gets reprised there), while 1985's single disc Mud Will Be Flung Tonight gave the fans her funny bits; thankfully with four sides of music and fun, Live at Last is allowed to run the gamut. With an adult contemporary (dare it be said, Vegas-style) act like Bette Midler, the sad thing is that bootlegs and live tapes don't proliferate. It's a shame, as she has lots to offer on every show, and when you think about it, only one double-live disc in a career this rich and this lengthy is unfair to both the artist and her fans. There are some brilliant moments here; along with "Up the Ladder to the Roof," her version of Johnny Mercer's "I'm Drinking Again" is better than the studio take on her self-titled second disc. "Delta Dawn" is wonderful, as are the up-tempo "Do You Wanna Dance" and John Prine's "Hello in There." Midler performs Neil Young's "Birds," tells raunchy jokes so cliché that they depend upon her brilliant delivery, and has her personality captured in audio form splendidly. There's a very interesting "intermission" which features a Tom Dowd studio production of "You're Moving out Today," a tune written by Bruce Roberts, Midler, and Carole Bayer Sager, who simultaneously released a studio version the same year. It was a neat trick sliding it onto this release. Live at Last has lots to offer and has yet to be appreciated as the pure document that it is. Atlantic should be given a thumbs up for giving their performer the chance to artistically breathe here. A similarly misunderstood Top 40 artist from this era was the Guess Who, and it took 30 years for that group's pivotal 1972 Live at the Paramount album to get the full treatment. Luckily for fans of Midler, she -- and they -- were spared the indignity that may have cost the Guess Who serious FM radio time. Classic stuff exists in the grooves of Live at Last. [The label did release a single-disc promo-only version to radio which contained highlights.]
© Joe Viglione /TiVo
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Bette Midler, Performed by, MainArtist - Arif Mardin, Recording Producer - Jeff Tweedy, Writer - LEW HAHN, Producer, RemixingEngineer - JAY BENNETT, Writer - Jack Malken, RecordingEngineer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Richard Starkey, Writer - Vini Poncia, Writer - Mark Klingman, Writer - Bette Midler, Vocals, MainArtist - Buzzy Linhart, Writer - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards - Vincent Poncia, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - NICKOLAS ASHFORD, Writer - Valerie Simpson, Writer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Director, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Titan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - Neil Young, Writer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Director, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Titan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Writer, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Jack Malken, RecordingEngineer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, Writer, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Andy Razaf, Writer - JOE GARLAND, Writer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Barry Mainlow, Writer - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards - Nellie Lutcher, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Tom Waits, Writer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, Writer, MainArtist - James B. Kennedy, Writer - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Victor Young, Writer - AL DUBIN, Writer - Harry Warren, Writer - Jimmy Kennedy, Writer - Harold Adamson, Writer - Ralph Freed, Writer - Johnny Noble, Writer - Francisco Centeno, Bass Guitar - Nat Simon, Writer - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jerry Blatt, Writer - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards - Prince Leleiohoku, Writer - Prince Leleiohaku, Writer - Rick Carlok, Writer - Rik Carlok, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Jimmy Douglass, Engineer - Bruce Roberts, Writer - Bette Midler, Vocals, Writer, MainArtist - Arif Mardin, Recording Producer - Charlie Calello, Arranger - LEW HAHN, Producer, RemixingEngineer - TOM DOWD, Producer - Carole Bayer Sager, Writer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Alex Harvey, Writer - Larry Collins, Writer - Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards - Tommy George, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Jack Malken, RecordingEngineer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Kurt Weill, Writer - Bette Midler, Vocals, Writer, MainArtist - Arif Mardin, Recording Producer - Jerry Leiber, Writer - Mike Stoller, Writer - LEW HAHN, Producer, RemixingEngineer - Johnny Mercer, Writer - CLAUS OGERMAN, Arranger - Howard Dietz, Writer - Arthur Schwartz, Writer - Bertolt Brecht, Writer - Bobby Freeman, Writer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - DORIS TAUBER, Writer - Ula Hedwig, Backing Vocals - Jerry Blatt, Writer - Jack Malken, RecordingEngineer - Howard Deitz, Writer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Bette Midler, Vocals, Writer, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
John Prine, Writer - Bette Midler, Vocals, MainArtist - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Hughie Prince, Writer - Mark Klingman, Writer - Bette Midler, Vocals, MainArtist - Buzzy Linhart, Writer - Arif Mardin, Recording Producer - LEW HAHN, Producer, RemixingEngineer - Don Raye, Writer - Frank Wilson, Writer - Francisco Centeno, Bass Guitar - Sharon Redd, Backing Vocals - Ula Hedwig, Backing Vocals - Jack Malken, RecordingEngineer - Charlot Crossley, Backing Vocals - Don York, Keyboards - Elizabeth Kane, Harp - Ira "Buddy" Williams, Drums - Joseph Mero, Percussion, Vibraphone - Lou Volpe, Guitar - Miles Krasner, Trumpet - Richard Trifan, Keyboards - Vincent Dimirco, Writer - William Linhart, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Albumbeschreibung
The double-LP live album phenomenon was utilized in 1973 on Around the World With Three Dog Night to collect loads of hits and release them in another format. Three years later, Bob Seger's Live Bullet, J. Geils Band's Blow Your Face Out, and Frampton Comes Alive solidified the double disc as a way to bring important rock artists to the forefront. Come 1977, the Rolling Stones' Love You Live failed to live up to their single disc Get Your Ya Ya's Out or any of the brilliant bootleg performances of theirs proliferating. In the middle of all this arrives the very strong in-concert artist, Bette Midler, with her fourth album for Atlantic. This undated (probably 1976) performance from the Cleveland Music Hall, Cleveland, OH, does a decent job of capturing the magic of Midler. Having a show stretched across four sides was essential for this performer; the brilliance of her rendition of the Supremes' 1970 hit "Up the Ladder to the Roof" takes it out of the Motown context and brings it to Midler's Andrews Sisters world of girl group devotion. Segueing into a driving "Boogie Woogie Bugle Boy" answers the question asked in the opening medley of her signature tune, "Friends," with Ringo Starr's "Oh My My," Midler being astonished that anyone would ask the question if she can boogie. Another live LP, Divine Madness, was released only three years after this when she was riding her fame from the film The Rose, and that single disc concentrated on the comedienne's song performances ("Boogie Woogie Bugle Boy" gets reprised there), while 1985's single disc Mud Will Be Flung Tonight gave the fans her funny bits; thankfully with four sides of music and fun, Live at Last is allowed to run the gamut. With an adult contemporary (dare it be said, Vegas-style) act like Bette Midler, the sad thing is that bootlegs and live tapes don't proliferate. It's a shame, as she has lots to offer on every show, and when you think about it, only one double-live disc in a career this rich and this lengthy is unfair to both the artist and her fans. There are some brilliant moments here; along with "Up the Ladder to the Roof," her version of Johnny Mercer's "I'm Drinking Again" is better than the studio take on her self-titled second disc. "Delta Dawn" is wonderful, as are the up-tempo "Do You Wanna Dance" and John Prine's "Hello in There." Midler performs Neil Young's "Birds," tells raunchy jokes so cliché that they depend upon her brilliant delivery, and has her personality captured in audio form splendidly. There's a very interesting "intermission" which features a Tom Dowd studio production of "You're Moving out Today," a tune written by Bruce Roberts, Midler, and Carole Bayer Sager, who simultaneously released a studio version the same year. It was a neat trick sliding it onto this release. Live at Last has lots to offer and has yet to be appreciated as the pure document that it is. Atlantic should be given a thumbs up for giving their performer the chance to artistically breathe here. A similarly misunderstood Top 40 artist from this era was the Guess Who, and it took 30 years for that group's pivotal 1972 Live at the Paramount album to get the full treatment. Luckily for fans of Midler, she -- and they -- were spared the indignity that may have cost the Guess Who serious FM radio time. Classic stuff exists in the grooves of Live at Last. [The label did release a single-disc promo-only version to radio which contained highlights.]
© Joe Viglione /TiVo
Informationen zu dem Album
- 1 Disc(s) - 17 Track(s)
- Gesamte Laufzeit: 01:27:19
- Künstler: Bette Midler
- Label: Rhino Atlantic
- Genre: Pop/Rock Pop
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing.
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