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Yannick Nézet-Séguin|Brahms: A German Requiem

Brahms: A German Requiem

Yannick Nézet-Séguin, London Philharmonic Orchestra, Elizabeth Watts, Stéphane Degout, London Philharmonic Choir, Neville Creed

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Canadian conductor Yannick Nézet-Séguin leads the London Philharmonic Orchestra and Choir in a luminous, expansive performance of Brahms' German Requiem recorded live in 2009, during Nézet-Séguin's first season as the orchestra's principal guest conductor. The conductor's conception is notable for creating a sense of breadth and serenity while maintaining a purposefulness and momentum that never allow the long lines to sag; it's a beautifully executed balancing act that allows the work to unfold with the spaciousness and grandeur it needs to make its maximum impact. Nézet-Séguin's opening of the first movement, for example, is a marvel of limpid, celestially tranquil assurance that at the same time has an almost throbbing sense of life. The choir, prepared by Neville Creed, and the orchestra respond to the conductor's flexible lead with sensitivity and deliver radiant, nuanced performances. Soloists soprano Elizabeth Watts and baritone Stéphane Degout sing with supple, deeply felt expressiveness and with tonal purity and fullness. While they may not possess the distinctiveness that characterizes some of most memorable performances of the piece, their singing is never less than exemplary. Unfortunately, the sound, which is overall somewhat distant, is a drawback to the album's appeal. The performers are miked at a low level that requires a considerable boost in volume to bring the sound up to a normal listening range. The sound is also noticeably lacking in warmth and is unforgivingly bright, which is a particular shame since it is evident that Nézet-Séguin and his players and singers are performing with ample warmth.
© TiVo

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Brahms: A German Requiem

Yannick Nézet-Séguin

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A German Requiem, Op. 45 (Johannes Brahms)

1
I. Selig sind, die da Leid tragen
00:12:05

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

2
II. Denn alles Fleisch es ist wie Gras
00:16:49

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

3
III. Herr, lehre doch mich
00:10:07

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

4
IV. Wie lieblich sind deine Wohnungen
00:05:54

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

5
V. Ihr habt nun Traurigkeit
00:07:00

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

6
VI. Denn wir haben keine bleibende Statt
00:12:18

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

7
VII. Selig sind die Toten
00:11:39

Johannes Brahms, Composer - London Philharmonic Choir, Choir, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Neville Creed, Conductor, MainArtist - Stéphane Degout, MainArtist, BaritoneVocals - Elizabeth Watts, MainArtist, SopranoSolo

2010 London Philharmonic Orchestra Ltd 2010 LPO

Albumbeschreibung

Canadian conductor Yannick Nézet-Séguin leads the London Philharmonic Orchestra and Choir in a luminous, expansive performance of Brahms' German Requiem recorded live in 2009, during Nézet-Séguin's first season as the orchestra's principal guest conductor. The conductor's conception is notable for creating a sense of breadth and serenity while maintaining a purposefulness and momentum that never allow the long lines to sag; it's a beautifully executed balancing act that allows the work to unfold with the spaciousness and grandeur it needs to make its maximum impact. Nézet-Séguin's opening of the first movement, for example, is a marvel of limpid, celestially tranquil assurance that at the same time has an almost throbbing sense of life. The choir, prepared by Neville Creed, and the orchestra respond to the conductor's flexible lead with sensitivity and deliver radiant, nuanced performances. Soloists soprano Elizabeth Watts and baritone Stéphane Degout sing with supple, deeply felt expressiveness and with tonal purity and fullness. While they may not possess the distinctiveness that characterizes some of most memorable performances of the piece, their singing is never less than exemplary. Unfortunately, the sound, which is overall somewhat distant, is a drawback to the album's appeal. The performers are miked at a low level that requires a considerable boost in volume to bring the sound up to a normal listening range. The sound is also noticeably lacking in warmth and is unforgivingly bright, which is a particular shame since it is evident that Nézet-Séguin and his players and singers are performing with ample warmth.
© TiVo

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