Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Olivier Messiaen's Turangalîla-Symphonie is a work of many layers: of meaning, of texture, of tonality, of form. Its name was a coinage by Messiaen himself, made up of two Sanskrit words: lîla, meaning play or love, and turanga, meaning time or rhythm of time. The work is scored for a huge orchestra, among whose parts are interwoven a piano -- here played by the very crisp Tamara Stefanovich -- and the ondes martenot, the pioneering electronic instrument. The tonality ranges from atonal with proto-total serial procedures to almost purely tonal, and the form contains cyclical elements. In short, this is a dense work with a great deal going on. Yet it lives up to Messiaen's description of the music as "love song, hymn to joy, time, movement, rhythm, life and death." The fourth-movement "Chant d'amour 2" is one of the few sections of a 20th century masterpiece that one might actually put on the player in a romantic situation. The Turangalîla-Symphonie was premiered in Boston by Leonard Bernstein, and plenty of conductors have followed his rather broad lead, but there's such a profusion of details that a cleaner, more neutral approach can also yield insights. That's what the listener gets here from the little-known Nationaltheater-Orchestra Mannheim -- apparently making its recording debut with this ambitious work -- and conductor Alexander Soddy. Listen to the last movement, "Final," with its layers upon layers in a high-energy dance for a sterling demonstration of the virtues of his approach. The ondes martenot part, played by Thomas Bloch, has an appropriately haunting quality, and Soddy is backed to the hilt by the crack Oehms engineering staff, working in the Rosengarten Mannheim Mozartsaal. This is a recording that will fascinate those with audiophile equipment, and indeed, will interest anyone whose attention has ever been caught by the Turangalîla-Symphonie.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Turangalîla-symphonie, I/29 (Olivier Messiaen)
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Thomas Bloch, Artist - Oliver Messiaen, Composer - Tamara Stefanovich, Artist - Alexander Soddy, Conductor - Nationaltheater-Orchester Mannheim, Orchestra, MainArtist
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Albumbeschreibung
Olivier Messiaen's Turangalîla-Symphonie is a work of many layers: of meaning, of texture, of tonality, of form. Its name was a coinage by Messiaen himself, made up of two Sanskrit words: lîla, meaning play or love, and turanga, meaning time or rhythm of time. The work is scored for a huge orchestra, among whose parts are interwoven a piano -- here played by the very crisp Tamara Stefanovich -- and the ondes martenot, the pioneering electronic instrument. The tonality ranges from atonal with proto-total serial procedures to almost purely tonal, and the form contains cyclical elements. In short, this is a dense work with a great deal going on. Yet it lives up to Messiaen's description of the music as "love song, hymn to joy, time, movement, rhythm, life and death." The fourth-movement "Chant d'amour 2" is one of the few sections of a 20th century masterpiece that one might actually put on the player in a romantic situation. The Turangalîla-Symphonie was premiered in Boston by Leonard Bernstein, and plenty of conductors have followed his rather broad lead, but there's such a profusion of details that a cleaner, more neutral approach can also yield insights. That's what the listener gets here from the little-known Nationaltheater-Orchestra Mannheim -- apparently making its recording debut with this ambitious work -- and conductor Alexander Soddy. Listen to the last movement, "Final," with its layers upon layers in a high-energy dance for a sterling demonstration of the virtues of his approach. The ondes martenot part, played by Thomas Bloch, has an appropriately haunting quality, and Soddy is backed to the hilt by the crack Oehms engineering staff, working in the Rosengarten Mannheim Mozartsaal. This is a recording that will fascinate those with audiophile equipment, and indeed, will interest anyone whose attention has ever been caught by the Turangalîla-Symphonie.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 01:18:18
- 1 digitales Booklet
- Künstler: Nationaltheater-Orchester Mannheim Alexander Soddy Tamara Stefanovich Thomas Bloch
- Komponist: Olivier Messiaen
- Label: Oehms Classics
- Genre: Klassik
(C) 2020 Oehms Classics (P) 2020 Oehms Classics
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.