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Anna Netrebko|The Russian Album (RDF)

The Russian Album (RDF)

Orchestra of the Mariinsky Theatre, Valery Gergiev

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What makes Anna Netrebko more than just the next Russian soprano? Is it her as direct but not as quite so refined technique, her less restrained but much more effective interpretations, and her intensely expressive but always under control tone? Or is it her distinctively non-Russian vibrato -- leaner, cleaner, and with a much tighter focus but just as much power? One has to listen to Netrebko's Russian Album and judge for one's self. Listen to her tenderly touching Arioso from Tchaikovsky's Iolanta, her brilliantly colorful arias from Rimsky-Korsakov's Snow Maiden, her passionately despairing songs from Rachmaninov's Russian years -- especially her inconsolable "Oh, Do Not Sing Me Those Sad Songs" -- and finally her utterly enchanting and deeply affecting "Letter Scene" from Eugene Onegin in which Tchaikovsky's Tatyana grows from a girl into a woman right before our ears. While in the past Netrebko has delivered terrific recordings -- her Violetta in La Traviata was absolutely riveting -- this disc seems to cut closer to the heart of the singer and her sympathetic understanding of the style, the music, and the idiom makes the Russian Album perhaps the her best and most characteristic calling card. Deutsche Grammophon's sound puts Netrebko center stage. Lamentably, it leaves Valery Gergiev and the Orchestra of the Mariinsky Theater in the pit.

© TiVo

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The Russian Album (RDF)

Anna Netrebko

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Iolanta Op. 69, TH 11 (Modeste Ilyitch Tchaïkovski)

1
"Atchevo eta prezhde ne znala"
Mariinsky Orchestra
00:02:58

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

12 Songs, Op. 21 - Arr. by Michael Rot (G. Galina)

2
VII. Zdes′ khorosho
Mariinsky Orchestra
00:02:23

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

Oh, Do Not Sing To Me (Ne poy, krasavitsa, pri mne) Op.4, No.4 (Alexander Pushkin)

3
Ne poy, krasavitsa, pri mne, Op. 4, No. 4 - Orch. by Nikolai Saveliev
Mariinsky Orchestra
00:05:04

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

The Tale of Tsar Saltan / Act II (Nikolai Rimsky-Korsakov)

4
"Ty, tsarevich, moy spasitel"
Mariinsky Orchestra
00:03:27

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

The Snow Maiden - Opera in Four Acts with a Prologue / Prologue (Nikolai Rimsky-Korsakov)

5
"Au, au - Akh, bednaya Snegurochka, dikarka - S podruzhkami po yagodu khodit¿¿
Mariinsky Orchestra
00:04:28

Anna Netrebko, Soprano - Zlata Bulycheva, Mezzo-Soprano - Ilya Bannik, Bass - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

The Snow Maiden - Opera in Four Acts with a Prologue / Act IV (Nikolai Rimsky-Korsakov)

6
"Velikiy car¿! Sprosi menya sto raz"
Mariinsky Orchestra
00:05:30

Anna Netrebko, Soprano - Dmitry Voropaev, Tenor - Vladimir Moroz, Baritone - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - Chorus of the Mariinsky Theatre, Chorus - Nikolai Kornev, Chorus Master - - - - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

The Tsar's Bride / Act IV (Nikolai Rimsky-Korsakov)

7
Scene & Aria: Ivan Sergeich, khochesh
Mariinsky Orchestra
00:05:29

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

Pimpinella, Op.38 No.6 (Traditional)

8
Pimpinella, Op. 38 No. 6 - Arr. by Elena Firsova
Mariinsky Orchestra
00:02:45

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

A Life for the Tsar - Ivan Susanin (Gorodetsky) / Act I (Yegor Fyodorovich Rozen)

9
V pole, pole, cistoye glyazu
Mariinsky Orchestra
00:06:41

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

War and Peace, Op. 91 (Sergei Prokofiev)

10
"Chuda, kak harasha ana"
Mariinsky Orchestra
00:08:10

Anna Netrebko, Soprano - Zlata Bulycheva, Mezzo-Soprano - Dmitry Voropaev, Tenor - Alexander Morozov, Bass - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - - - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

Francesca da Rimini Op. 25 (Modeste Ilyitch Tchaïkovski)

11
"O ne rydai, mai Paolo"
Mariinsky Orchestra
00:03:16

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

Eugene Onegin, Op. 24, TH. 5 / Act I (Konstantin Shilovsky)

12
Letter Scene. "Puskai pogibnu ya, no prezde"
Mariinsky Orchestra
00:13:03

Anna Netrebko, Soprano - Orchestra of the Mariinsky Theatre, Orchestra - Valery Gergiev, Conductor - - -

℗ 2006 Deutsche Grammophon GmbH, Berlin

Chronique

What makes Anna Netrebko more than just the next Russian soprano? Is it her as direct but not as quite so refined technique, her less restrained but much more effective interpretations, and her intensely expressive but always under control tone? Or is it her distinctively non-Russian vibrato -- leaner, cleaner, and with a much tighter focus but just as much power? One has to listen to Netrebko's Russian Album and judge for one's self. Listen to her tenderly touching Arioso from Tchaikovsky's Iolanta, her brilliantly colorful arias from Rimsky-Korsakov's Snow Maiden, her passionately despairing songs from Rachmaninov's Russian years -- especially her inconsolable "Oh, Do Not Sing Me Those Sad Songs" -- and finally her utterly enchanting and deeply affecting "Letter Scene" from Eugene Onegin in which Tchaikovsky's Tatyana grows from a girl into a woman right before our ears. While in the past Netrebko has delivered terrific recordings -- her Violetta in La Traviata was absolutely riveting -- this disc seems to cut closer to the heart of the singer and her sympathetic understanding of the style, the music, and the idiom makes the Russian Album perhaps the her best and most characteristic calling card. Deutsche Grammophon's sound puts Netrebko center stage. Lamentably, it leaves Valery Gergiev and the Orchestra of the Mariinsky Theater in the pit.

© TiVo

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