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Teo Macero|Teo Macero With The Prestige Jazz Quartet (Instrumental)

Teo Macero With The Prestige Jazz Quartet (Instrumental)

Teo Macero, The Prestige Jazz Quartet

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Langue disponible : anglais

This CD reissue features tenor saxophonist Teo Macero (who would later become much better known as a record producer) in as straight-ahead a setting as he ever appeared. With stimulating support from pianist Mal Waldron, vibraphonist Teddy Charles, bassist Addison Farmer, and drummer Jerry Segal, Macero performs a variety of then-recent ballads, of which only "Star Eyes" (arranged by Hall Overton) did not come from Teo or his associates. The music is advanced but from the jazz tradition, and overall this set is more noteworthy for Macero's interesting playing than for the tunes themselves.

© Scott Yanow /TiVo

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Teo Macero With The Prestige Jazz Quartet (Instrumental)

Teo Macero

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1
Ghost Story (Instrumental)
00:06:26

Mal Waldron, ComposerLyricist - Teo Macero, MainArtist - The Prestige Jazz Quartet, MainArtist

℗ 1957 Prestige Records, Inc.

2
Please Don't Go Now (Instrumental)
00:06:40

JOHN ROSS, ComposerLyricist - Teo Macero, MainArtist - The Prestige Jazz Quartet, MainArtist

℗ 1957 Prestige Records, Inc.

3
Just Spring (Instrumental)
00:04:51

Teo Macero, MainArtist, ComposerLyricist - The Prestige Jazz Quartet, MainArtist

℗ 1957 Prestige Records, Inc.

4
Star Eyes (Instrumental)
00:07:09

Gene De Paul, ComposerLyricist - Don Raye, ComposerLyricist - Teo Macero, MainArtist - Don Reyes, ComposerLyricist - The Prestige Jazz Quartet, MainArtist

℗ 1957 Prestige Records, Inc.

5
Polody (Instrumental)
00:05:15

Teddy Charles, ComposerLyricist - Teo Macero, MainArtist - The Prestige Jazz Quartet, MainArtist

℗ 1957 Prestige Records, Inc.

6
What's Not (Instrumental)
00:05:53

Mal Waldron, ComposerLyricist - Teo Macero, MainArtist - The Prestige Jazz Quartet, MainArtist

℗ 1957 Prestige Records, Inc.

Chronique

This CD reissue features tenor saxophonist Teo Macero (who would later become much better known as a record producer) in as straight-ahead a setting as he ever appeared. With stimulating support from pianist Mal Waldron, vibraphonist Teddy Charles, bassist Addison Farmer, and drummer Jerry Segal, Macero performs a variety of then-recent ballads, of which only "Star Eyes" (arranged by Hall Overton) did not come from Teo or his associates. The music is advanced but from the jazz tradition, and overall this set is more noteworthy for Macero's interesting playing than for the tunes themselves.

© Scott Yanow /TiVo

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